Yamaha DTXTREME Owner's Manual (reference Section) - Page 132

Effect Parameter Description LCD AMDepth Amp Attack CchDlay ChoSend ChoRetrn CtofOfst Depth Detune DlayOfst DlayTm Diffusion Drive Dry/Wet Edge F/RDpth FBDlay FBDlay1 FBDlay2 FBLevel ErBalance HiDamp HiFreq HiGain HPF HPFFreq HPRQ InitDlay Input L/RDpth L→R Delay LchDlay L_FBLvl LFO LoFreq LoGain LPF LPFFreq LPFQ MidFreq MidGain MidWidth MIDI Ctl# MIDI Sens MixLevel OutLevel Output Parameter name Effect types in which the parameter exists AM Depth TREMOLO AMP Type AMPSIM Attack COMP NOISEGATE Cch Delay DelayLCR Chorus Send All types Chorus Return System Chorus only Cutoff Frequency Offset WAH type LFO Depth CHORUS type, FLANGER type, SYMPHONIC ROTARY PHASER AUTOWAH Detune ENSEMBLE Delay Offset CHORUS type, FLANGER type, SYMPHONIC Delay Time KARAOKE type Diffusion REVERB type, PHASER Drive DISTORTION type ENHANCER Dry/Wet All types Edge DISTORTION,OVERDRIVE F/R Depth AUTOPAN Feedback Delay DelayLCR Feedback Delay1 DelayLR Feedback Delay2 DelayLR Feedback Level System Reverb only DelayLCR,DelayLR,CrossDelay KARAOKE type CHORUS type, FLANGER type PHASER Er/Rev Balance REVERB type High Damp DelayLCR,DelayLR High Frequency 3BAND EQ,2BAND EQ High Gain 3BAND EQ,2BAND EQ HPF Cutoff Frequency REVERB type, KARAOKE type, ENHANCER HPF Cutoff Frequency FILTER HPF Q FILTER Initial Delay REVERB type Input Select CrossDelay L/R Depth AUTOPAN L→R Delay CrossDelay Lch Delay DelayLCR,DelayLR,ECHO,ENSEMBLE Lch Feedback Level ECHO LFO Frequency CHORUS type, FLANGER type, SYMPHONIC ROTARY TREMOLO AUTOPAN PHASER AUTOWAH Low Frequency 3BAND EQ,2BAND EQ Low Gain 3BAND EQ,2BAND EQ LPF Cutoff Frequency REVERB type, KARAOKE type, DISTORTION type LPF Cutoff Frequency FILTER LPF Q FILTER Mid Frequency 3BAND EQ Mid Gain 3BAND EQ Mid Width 3BAND EQ MIDI Control Change Number All types MIDI ControlSensitivity All types Mix Level ENHANCER Output Level DISTORTION type, COMP, NOISEGATE Output Select All types Explanation of parameter Depth of volume modulation Select the type of amp to be simulated Time until the compressor effect begins to apply Time until the gate begins to open Length of the center channel delay Send level of insertion effect output to system chorus effect Return level of system chorus effect Frequency offset value that will control the wah filter Depth of delay modulation Depth of modulation caused by speaker rotation Depth of phase modulation Depth at which the wah filter will be controlled Amount of pitch shift Offset value of delay modulation Spacing of reflections for karaoke echo Control the spaciousness Depth of distortion Depth at which the excite is applied Balance between dry sound and effect sound Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually) Depth of front/back panning (valid when PAN Direction=Lturn,Rturn) Length of feedback delay Length of feedback delay 1 Length of feedback delay 2 Feedback amount of initial delay Feedback amount Setting for repeated reflections Level at which delay output is again returned to the input (negative values invert the phase) Level at which phaser output is again returned to the input (negative values insert the phase) Level balance between the early reflections and the reverberation Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly) Center frequency for boosting or cutting higher frequencies Gain level for boosting or cutting higher frequencies Frequency below which frequencies are cut off by high-pass filter Frequency below which frequencies are cut off by high-pass filter Q value for high-pass filter Delay time until the early reflections Input select Depth of left/right panning Delay time from left (input) to right (output) Length of left channel delay Amount of left channel feedback Frequency of delay modulation Frequency at which the speaker will rotate Modulation frequency Autopan frequency Phase modulation frequency Frequency at which wah filter will be controlled Center frequency for boosting or cutting lower frequencies Gain level for boosting or cutting lower frequencies Frequency above which frequencies are cut off by low-pass filter Frequency above which frequencies are cut off by low-pass filter Q value for low-pass filter Center frequency for boosting or cutting middle frequencies Gain level for boosting or cutting middle frequencies Bandwidth for boosting or cutting middle frequencies Controller number used for real-time control of the effect Seneitivity used for real-time control of the effect Level of the effect sound that is mixed into the dry sound Output level Output routing APPENDIX 132