Yamaha MT1X Owner's Manual - Page 23

At this point, if the track is recorded properly and there

Page 23 highlights

Make sure this switch is in the "4 TRK" position. Set this so you can monitor track 1. Press to check the recording on track 1, then rewind. *Explanation diagram of steps t o 8. Post recording check Return all switches and controls to their normal positions. Set the PHONES SELECT switch to the "MONITOR" position, turn MONITOR LEVEL control 1 to "7': then turn the PHONES volume control to about "7". Make sure the METER SELECT switch is set to "4 TRK". Press the PLAY switch, and check the sound recorded on track 1 by headphones, and by looking at the level meter. At this point, if the track is recorded properly and there doesn't seem to be any problems, press the REW switch and reset all the knobs and controls to their normal positions. Now it's time to record the bass. If the recording is not to your satisfaction, you can rerecord the whole track. Or you can use the "punchin/punch-out" technique to record over a certain spot on the tape. It's explained on page 27. 21

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Make sure this switch is in the “4 TRK” position.
Set this so you can monitor track 1.
Press to check the recording on track 1,
then rewind.
*Explanation diagram of steps
to
8. Post recording check
Return all switches and controls to their normal
positions.
Set the PHONES SELECT switch to the “MONITOR”
position, turn MONITOR LEVEL control 1 to “7’:
then turn the PHONES volume control to about “7”.
Make sure the METER SELECT switch is set to “4
TRK".
Press the PLAY switch, and check the sound record-
ed on track 1 by headphones, and by looking at the
level meter.
21
At this point, if the track is recorded properly and there
doesn’t seem to be any problems, press the REW switch
and reset all the knobs and controls to their normal posi-
tions. Now it’s time to record the bass.
If the recording is not to your satisfaction, you can re-
record the whole track. Or you can use the “punch-
in/punch-out” technique to record over a certain spot on
the tape. It’s explained on page 27.