Sony HDWM2000/20 Operation Manual - Page 44
Recording Time Code and User Bit Values, the recorded video and audio signals
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4-1 Recording Adjusting the audio recording levels When carrying out audio recording at a reference level Leave the REC controls pressed in. The audio signals will be recorded at a preset reference level (a reference -20 dB indication for an input of +4 dBm). Manually adjusting the recording levels For each channel, press to protrude the REC control in the upper control panel, and adjust so that the audio level indication is 0 dB for an average volume. Carry out the adjustment in E-E mode. For details of selecting the E-E mode, see the description of the REC button in the tape transport control section (page 2-10) and the PB/EE setting in function menu HOME page (page 9-3). To change the display range of the audio level indications Press the DISPLAY FULL/FINE button (see page 2-4). To monitor the simultaneous playback of the recorded video and audio signals Set the CONFI to ENABLE (see page 9-3) to light the CONFI indicator. It is now possible to simultaneously monitor the video and audio signals being recorded. To use the emphasis function To add emphasis to the analog input audio signal or analog playback audio signal, set the EMPHSS to ON (see page 9-6). When the signal to which emphasis has been applied is played back, it is automatically subjected to deemphasis processing. Using the emphasis-deemphasis processing enables the dynamic range to be improved by reducing highfrequency noise. 4-1-2 Recording Time Code and User Bit Values There are three ways of recording time code, as follows: • Setting an initial value, then recording the output of the internal time code generator • Recording the output of the internal time code generator synchronized to an external time code generator To set an initial value then record the time code If necessary, change the settings in function menu page 1 (see page 9-4). Set the TCG (F1) to INT, and the PR/RGN (F2) to PRESET. Chapter 4 Recording and Playback 4-2 Chapter 4 Recording and Playback