Harman Kardon AVR 745 Owners Manual - Page 28

Virtual Speaker, DTS processing, our own Logic 7

Page 28 highlights

SYSTEM CONFIGURATION At the SELECT line, you are able to choose the specific mode to be used from within the major surround mode group. The choice of modes is governed by the input type (as some modes such as Dolby Digital or DTS-ES are not available for analog sources), as well as by the speaker configuration, since some modes are only available when a full 7.1 speaker complement is present. The full list of available modes is detailed in the surround mode chart on page 41. In addition, you may also use the settings in the SURROUND CONFIG menus to delete modes you do not normally use from the available choices. When both a surround mode group and a specific surround mode have been selected, press the ⁄/¤ Navigation Buttons D© to move to the next configuration line. The DEFAULT SURR mode line is where you choose the mode that is activated when a digital source is selected. The factory default setting of LAST will activate the last-used mode for any digital source. If you prefer to always have a digital source switch to the specific mode encoded by digital data flags in the incoming audio data stream, press the ‹/› Navigation Buttons D© so that ORIGINAL appears. Before proceeding to the SURROUND CONFIG line, it is worth noting that the settings in the submenus attached to that line may require a considerable amount of time to complete. Although they are useful in that they allow you to customize the list of surround modes that appear in normal use of the AVR, you may wish to bypass those settings at this time so that you may complete the configuration process. You may return to this menu line at a later time, once you have had a chance to listen to the various surround modes and determine which you want to "keep" and which you do not want to use. The settings in this line are not primary controls and do not impact the way the AVR "sounds." To proceed to the SURROUND CONFIG line, press the ⁄/¤ Navigation Buttons D© to move to that line; otherwise, press it again to move to the DOLBY SURR SETUP line and skip to the instructions for that setting. The SURROUND CONFIG line is your gateway to a broad range of surround mode configurations. To continue, press the OK/Enter Button E on the TC 30 or the Set Button œ on the ZR 10 remote to go to the main SURROUND CONFIG menu (Figure 10). ** SURROUND CONFIG ** ➔ LOGIC 7 GLOBAL:OFF DOLBY MULTI CONFIG DOLBY 2.0 CONFIG DTS CONFIG PCM 44.1/48kHz CONFIG PCM 96k CONFIG BACK TO SURROUND CONFIG Figure 10 The LOGIC 7 GLOBAL line is the only item on this menu page that is menu-specific, and it allows you to select whether or not Logic 7 will be the default surround mode for any incoming audio signal. The default setting is OFF, which chooses the native mode. Press the ‹/› Navigation Buttons D© so that ON appears, to activate the global Logic 7 setting for this input. The remaining five items in this menu are global settings that take you to a submenu listing the individual surround modes available within the selected mode group. To select a surround mode list, press the ⁄/¤ Navigation Buttons D© until the onscreen cursor is pointing to the desired mode, and then press the OK/Enter Button E on the TC 30 or the Set Button œ on the ZR 10 remote. Within each menu, press the ⁄/¤ Navigation Buttons D© to move the cursor up and down through the list, and then press the ‹/› Navigation Buttons D© to turn the mode "ON" or "OFF." • When a mode is ON, the mode will appear in all menu selections whenever you are changing the surround mode. • When a mode is OFF, the mode will not appear. • Some modes, such as Dolby Digital, DTS and the Stereo mode in the PCM menus, are not defeatable. A complete list of the AVR 745's surround modes may be found on page 41, but here are some items that will help you decide which modes you want included in your setup, and which modes you may wish to turn off. • The DOLBY MULT CONFIG group contains the surround modes available when a multichannel Dolby Digital, encoded source is present. This includes both the native Dolby Discrete mode, which cannot be turned off, as well as other modes which may be applied as post-processing on the source and system speaker configuration. • The DOLBY 2.0 CONFIG group contains the surround modes available when a two-channel Dolby Digital-encoded source is present. This includes both the native Dolby Discrete mode, which cannot be turned off, as well as other modes which may be applied as post-processing on the source and system speaker configuration. • The DTS CONFIG group contains the surround modes available when a DTS-encoded digital source is present. This includes both the native DTS Discrete mode, which cannot be turned off, as well as other modes which may be applied as postprocessing on the source and system speaker configuration. • The PCM 44.1/48kHz CONFIG group contains the surround modes available when a PCM digital data stream is present. This includes not only PCM sources from DVD or CD players, but also all two-channel analog sources that are in use, as they are converted to PCM within the AVR 745. The modes available include the proprietary Dolby modes (including Dolby Headphone and Dolby Virtual Speaker), DTS processing, our own Logic 7 modes, the conventional "DSP" modes (such as "Hall" and "Theater") and the "Stereo" modes. • The PCM 96kHz CONFIG group contains the surround modes available when a PCM digital data stream is present. This includes not only 96kHz PCM sources from DVD or CD players, but also all two-channel analog sources when 96kHz is chosen in the ADC SAMPLING mode line in the SURROUND SETUP menu. The modes available include the proprietary Dolby mode (including Dolby Headphone and Dolby Virtual Speaker), DTS processing, our own Logic 7 modes, the conventional "DSP" modes (such as "Hall" and "Theater") and the "Stereo" modes. When all surround modes that are not required have been turned off, press the ⁄/¤ Navigation Buttons D© until the on-screen cursor is pointing to BACK TO SURROUND CONFIG; then press the OK/Enter Button o on the TC 30 or the Set Button œ on the ZR 10 remote. The final item on the SURROUND SETUP menu is the DOLBY SURR SETUP line. When the on-screen cursor is at this line, press the OK/Enter Button o on the TC 30 or the Set Button œ on the ZR 10 remote to call the DOLBY SURROUND menu (Figure 11) up on the screen. ** DOLBY SURROUND ** ➔ MODE: DOLBY PLIIx MUSIC CENTER WIDTH : 3 DIMENSION : 0 PANORAMA: OFF ON NIGHT: OFF MID MAX BACK TO SURROUND SETUP Figure 11 With the exception of the Night mode setting, which is global and applies to all inputs, the settings on this page may be set individually for each input, but they are only active when the Dolby Pro Logic II or 28 SYSTEM CONFIGURATION

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SYSTEM CONFIGURATION
SYSTEM CONFIGURATION
28
SYSTEM CONFIGURATION
28
SYSTEM CONFIGURATION
At the
SELECT
line, you are able to choose the
specific mode to be used from within the major sur-
round mode group. The choice of modes is governed
by the input type (as some modes such as Dolby
Digital or DTS-ES are not available for analog
sources), as well as by the speaker configuration,
since some modes are only available when a full 7.1
speaker complement is present. The full list of avail-
able modes is detailed in the surround mode chart on
page 41. In addition, you may also use the settings in
the
SURROUNDCONFIG
menus to delete
modes you do not normally use from the available
choices.
When both a surround mode group and a specific
surround mode have been selected, press the
/
/
¤
Navigation Buttons
D
©
to move to the next
configuration line.
The
DEFAULTSURR
mode line is where you
choose the mode that is activated when a digital
source is selected. The factory default setting of
LAST
will activate the last-used mode for any digi-
tal source. If you prefer to always have a digital source
switch to the specific mode encoded by digital data
flags in the incoming audio data stream, press the
/
Navigation Buttons
D
©
so that
ORIGINAL
appears.
Before proceeding to the
SURROUNDCONFIG
line, it is worth noting that the settings in the sub-
menus attached to that line may require a consider-
able amount of time to complete. Although they are
useful in that they allow you to customize the list of
surround modes that appear in normal use of the AVR,
you may wish to bypass those settings at this time so
that you may complete the configuration process. You
may return to this menu line at a later time, once you
have had a chance to listen to the various surround
modes and determine which you want to “keep” and
which you do not want to use. The settings in this line
are not primary controls and do not impact the way
the AVR “sounds.”
To proceed to the
SURROUNDCONFIG
line,
press the
/
/
¤
Navigation Buttons
D
©
to
move to that line; otherwise, press it again to move
to the
DOLBYSURRSETUP
line and skip
to the instructions for that setting.
The
SURROUNDCONFIG
line is your gate-
way to a broad range of surround mode configurations.
To continue, press the
OK/Enter Button
E
on the
TC 30 or the
Set Button
œ
on the ZR 10 remote
to go to the main
SURROUNDCONFIG
menu (Figure 10).
Figure 10
The
LOGIC7GLOBAL
line is the only item
on this menu page that is menu-specific, and it allows
you to select whether or not Logic 7 will be the default
surround mode for any incoming audio signal. The
default setting is
OFF
, which chooses the native
mode. Press the
/
Navigation Buttons
D
©
so that
ON
appears, to activate the global Logic 7
setting for this input.
The remaining five items in this menu are global set-
tings that take you to a submenu listing the individual
surround modes available within the selected mode
group. To select a surround mode list, press the
/
/
¤
Navigation Buttons
D
©
until the on-
screen cursor is pointing to the desired mode, and
then press the
OK/Enter Button
E
on the TC 30
or the
Set Button
œ
on the ZR 10 remote. Within
each menu, press the
/
/
¤
Navigation Buttons
D
©
to move the cursor up and down through
the list, and then press the
/
Navigation Buttons
D
©
to turn the mode “
ON
” or “
OFF
.”
• When a mode is
ON
, the mode will appear in all
menu selections whenever you are changing the
surround mode.
When a mode is
OFF
, the mode will not appear.
• Some modes, such as Dolby Digital, DTS and the
Stereo mode in the PCM menus, are not defeatable.
A complete list of the AVR 745’s surround modes
may be found on page 41, but here are some items
that will help you decide which modes you want
included in your setup, and which modes you may
wish to turn off.
• The
DOLBYMULTCONFIG
group con-
tains the surround modes available when a multi-
channel Dolby Digital, encoded source is present.
This includes both the native Dolby Discrete mode,
which cannot be turned off, as well as other modes
which may be applied as post-processing on the
source and system speaker configuration.
• The
DOLBY2.0CONFIG
group contains
the surround modes available when a two-channel
Dolby Digital-encoded source is present. This
includes both the native Dolby Discrete mode, which
cannot be turned off, as well as other modes which
may be applied as post-processing on the source
and system speaker configuration.
• The
DTSCONFIG
group contains the sur-
round modes available when a DTS-encoded digital
source is present. This includes both the native DTS
Discrete mode, which cannot be turned off, as well
as other modes which may be applied as post-
processing on the source and system speaker
configuration.
• The
PCM44.1/48kHzCONFIG
group contains the surround modes available when
a PCM digital data stream is present. This includes
not only PCM sources from DVD or CD players, but
also all two-channel analog sources that are in use,
as they are converted to PCM within the AVR 745.
The modes available include the proprietary Dolby
modes (including Dolby Headphone and Dolby
Virtual Speaker), DTS processing, our own Logic 7
modes, the conventional “DSP” modes (such as
“Hall” and “Theater”) and the “Stereo” modes.
• The
PCM96kHzCONFIG
group contains
the surround modes available when a PCM digital
data stream is present. This includes not only 96kHz
PCM sources from DVD or CD players, but also all
two-channel analog sources when
96kHz
is
chosen in the
ADCSAMPLING
mode line in
the
SURROUNDSETUP
menu. The modes
available include the proprietary Dolby mode
(including Dolby Headphone and Dolby Virtual
Speaker), DTS processing, our own Logic 7 modes,
the conventional “DSP” modes (such as “Hall” and
“Theater”) and the “Stereo” modes.
When all surround modes that are not required have
been turned off, press the
/
/
¤
Navigation
Buttons
D
©
until the on-screen cursor is point-
ing to
BACKTOSURROUNDCONFIG
;
then press the
OK/Enter Button
o
on the TC 30
or the
Set Button
œ
on the ZR 10 remote.
The final item on the
SURROUNDSETUP
menu is the
DOLBYSURRSETUP
line.
When the on-screen cursor is at this line, press the
OK/Enter Button
o
on the TC 30 or the
Set
Button
œ
on the ZR 10 remote to call the
DOLBYSURROUND
menu (Figure 11)
up on the screen.
Figure 11
With the exception of the Night mode setting, which
is global and applies to all inputs, the settings on
this page may be set individually for each input, but
they are only active when the Dolby Pro Logic II or
** DOLBY SURROUND **
MODE: DOLBY PLIIx
MUSIC
CENTER WIDTH : 3
DIMENSION
: 0
PANORAMA:
OFF
ON
NIGHT:
OFF
MID MAX
BACK TO SURROUND SETUP
±
** SURROUND CONFIG **
LOGIC 7 GLOBAL:OFF
DOLBY MULTI CONFIG
DOLBY 2.0 CONFIG
DTS CONFIG
PCM 44.1/48kHz CONFIG
PCM 96k CONFIG
BACK TO SURROUND CONFIG
±