Denon AVR 3806 Owners Manual - Page 92

Additional Information

Page 92 highlights

Additional Information Optimum surround sound for different sources There are currently various types of multi-channel signals (signals or formats with more than two channels). 2 Types of multi-channel signals Dolby Digital (including Dolby Digital EX), DTS (including DTSES), DVD-Audio, and Super Audio CD. Note on the above: MUSE 3.1 and MPEG multi-channel audio are not available to North American consumers - same is true for Dolby's AAC. "Source" here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories. 2 Types of sources • Movie audio: Signals created to be played in movie theaters. In general sound is recorded to be played in movie theaters equipped with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.). Movie theater sound field Listening room sound field FL SW C SL FR SR FL SW C FR SL SR • Other types of audio: These signals are designed to recreate a 360° sound field using three to five speakers. FL SW C FR SL SR In this case the speakers should surround the listener from all sides to create a uniform sound field from 360°. Ideally the surround speakers should function as "point" sound sources in the same way as the front speakers. These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required in order to achieve the ideal sound. The AVR-3806's surround speaker selection function makes it possible to change the settings according to the combination of surround speakers being used and the surrounding environment in order to achieve the ideal surround sound for all sources. This means that you can connect a pair of bipolar or dipolar surround speakers (mounted on either side of the prime listening position), as well as a separate pair of direct radiating (monopolar) speakers placed at the rear corners of the listening room. Surround back speakers Additional Information A 6.1-channel system is a conventional 5.1-channel system to which the "surround back" (SB) channel has been added. This makes it easy to achieve sound positioned directly behind the listener, something that was previously difficult with sources designed for conventional multi surround speakers. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position. Change of positioning and acoustic image with 5.1-channel systems FL SW C FR SL ch SR ch Movement of acoustic image from SR to SL Change of positioning and acoustic image with 6.1-channel systems FL SW C FR SB SL ch SR ch SB Multiple surround speakers In this case it is important to achieve the same sense of expansion as in a movie theater with the surround channels. To do so, in some cases the number of surround speakers is increased (to four or eight) or speakers with bipolar or dipolar properties are used.  SL SR SB : : : Surround Surround Surround L R B channel channel (back) channel 87 SB ch Movement of acoustic image from SR to SB to SL

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Additional Information
87
2
Types of multi-channel signals
Dolby Digital (including Dolby Digital EX), DTS (including DTS-
ES), DVD-Audio, and Super Audio CD.
Note on the above:
MUSE 3.1 and MPEG multi-channel audio
are not available to North American consumers
same is true for
Dolby
s AAC.
Source
here does not refer to the type of signal (format) but
the recorded content. Sources can be divided into two major
categories.
2
Types of sources
Movie audio:
Signals created to be played in movie theaters. In general
sound is recorded to be played in movie theaters equipped
with multiple surround speakers, regardless of the format
(Dolby Digital, DTS, etc.).
Other types of audio:
These signals are designed to recreate a 360
°
sound field
using three to five speakers.
In this case the speakers should surround the listener from
all sides to create a uniform sound field from 360
°
. Ideally the
surround speakers should function as
point
sound sources
in the same way as the front speakers.
These two types of sources thus have different properties, and
different speaker settings, particularly for the surround speakers,
are required in order to achieve the ideal sound.
In this case it is important to achieve the same sense of
expansion as in a movie theater with the surround channels.
To do so, in some cases the number of surround speakers is
increased (to four or eight) or speakers with bipolar or dipolar
properties are used.
SL : Surround L channel
SR : Surround R channel
SB : Surround B (back) channel
Additional Information
Optimum surround sound for different
sources
There are currently various types of multi-channel signals (signals
or formats with more than two channels).
FL
C
SW
FR
FL
C
SW
FR
SL
SR
SB
SL
SR
SB
Multiple surround speakers
Movie theater sound field
Listening room
sound field
FL
C
SW
FR
SL
SR
The AVR-3806
s surround speaker selection function makes it
possible to change the settings according to the combination
of surround speakers being used and the surrounding
environment in order to achieve the ideal surround sound for
all sources. This means that you can connect a pair of bipolar
or dipolar surround speakers (mounted on either side of the
prime listening position), as well as a separate pair of direct
radiating (monopolar) speakers placed at the rear corners of
the listening room.
Surround back speakers
A 6.1-channel system is a conventional 5.1-channel system to
which the
surround back
(SB) channel has been added.
This
makes it easy to achieve sound positioned directly behind the
listener, something that was previously difficult with sources
designed for conventional multi surround speakers.
In addition,
the acoustic image extending between the sides and the rear is
narrowed, thus greatly improving the expression of the surround
signals for sounds moving from the sides to the back and from
the front to the point directly behind the listening position.
FL
C
SW
FR
SR ch
SL ch
Change of positioning and acoustic image
with 5.1-channel systems
Movement of acoustic image from SR to SL
FL
C
SW
FR
SL ch
SR ch
SB ch
Change of positioning and acoustic image
with 6.1-channel systems
Movement of acoustic image from SR to SB to SL