Yamaha PSR-8000 Owner's Manual - Page 72

High Key/note Limit, Rtr

Page 72 highlights

,,QQ,,QQ,,QQThe Cu,,QQstom S,,QQtyle Cr,,QQeator ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ MELODIC MINOR HARMONIC MINOR This table lowers the third scale degree by a semitone when changing from a major to a minor chord, or raises the minor third scale degree a semitone when changing from a minor to a major chord. Other notes are not changed. This table lowers the third and sixth scale degrees by a semitone when changing from a major to a minor chord, or raises the minor third and flatted sixth scale degrees a semitone when changing from a minor to a major chord. Other notes are not changed. • When NTR (above) is set to ROOT FIXED and NTT (also above) is set to BYPASS, the SOURCE ROOT and SOURCE CHORD parameter names change to PLAY ROOT and PLAY CHORD. In this case it is possible to change chords and hear how the results sound for all parts. • If "P" or "PRESET" appears for the SOURCE ROOT, SOURCE CHORD, NTR, or NTT parameter, the preset data uses special settings. s HIGH KEY/NOTE LIMIT ... The HIGH KEY dials specify the upper root limit. Chords with a root higher than the specified limit will be played in the octave immediately below the high-key limit. This setting is effective only when the NTR parameter (above) is set to ROOT TRANS.. Example: When HIGH KEY = F. Root Motion C C# D ...F F# Notes Produced C3-E3-G3 C#3-F3-G#3 D3-F#3-A3 ... F3-A3-C4 F#2-A#2-C#3 NOTE LIMIT LOW and HIGH dials specify the low and high note limits for all notes in the specified part. Notes outside this range are transposed to the nearest octave within the range. Example: When LOW = C3 and HIGH = D4 Root Motion C C# ... D# Notes Produced E3-G3-C4 F3-G#3-C#4 ... D#3-G3-A#3 s RTR ...The RTR (Retrigger Rule) dials specify how notes held through chord changes will be handled. 6 settings are available: Stop The note is stopped, and resumes sounding from the next note data. Pitch Shift The pitch of the note will bend without attack to match the type of the new chord. Pitch Shift The pitch of the note will bend without attack to To Root match the root of the new chord. Retrigger The note is retriggered with attack at a new pitch matching the new chord type. Retrigger The note is retriggered with attack at a new pitch To Root matching the new chord root. Note Generator This setting will only be available if programmed in the original style. A designated note is produced with designated pitch, length, and velocity matching the new chord. 72

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72
When NTR (above) is set to ROOT FIXED and NTT (also above) is set to BYPASS, the SOURCE ROOT and SOURCE CHORD
parameter names change to PLAY ROOT and PLAY CHORD. In this case it is possible to change chords and hear how the results
sound for all parts.
If “P” or “PRESET” appears for the SOURCE ROOT, SOURCE CHORD, NTR, or NTT parameter, the preset data uses special
settings.
HIGH KEY/NOTE LIMIT
..........................................................................................................................................................
The
HIGH KEY
dials specify the upper root limit. Chords
with a root higher than the specified limit will be played in the
octave immediately below the high-key limit. This setting is
effective only when the NTR parameter (above) is set to
ROOT
TRANS.
.
Example:
When HIGH KEY = F.
Root Motion
C
C
#
D
F
F
#
Notes Produced
C3-E3-G3
C
#
3-F3-G
#
3
D3-F
#
3-A3
F3-A3-C4
F
#
2-A
#
2-C
#
3
NOTE LIMIT LOW
and
HIGH
dials specify the low and
high note limits for all notes in the specified part. Notes outside
this range are transposed to the nearest octave within the range.
Example:
When LOW = C3 and HIGH = D4
Root Motion
C
C
#
D
#
Notes Produced
E3-G3-C4
F3-G
#
3-C
#
4
D
#
3
-G3-A
#
3
RTR
.............................................................................................................................................................................................................
The
RTR
(Retrigger Rule) dials specify how notes held
through chord changes will be handled. 6 settings are available:
The Custom Style Creator
MELODIC
This table lowers the third scale degree by a semitone when changing from a major to a minor chord,
or raises the minor third scale degree a semitone when changing from a minor to a major chord. Other
notes are not changed.
HARMONIC
This table lowers the third and sixth scale degrees by a semitone when changing from a major to a
minor chord, or raises the minor third and flatted sixth scale degrees a semitone when changing from
a minor to a major chord. Other notes are not changed.
MINOR
MINOR
Stop
The note is stopped, and resumes sounding from
the next note data.
Pitch Shift
The pitch of the note will bend without attack to
match the type of the new chord.
Pitch Shift
The pitch of the note will bend without attack to
match the root of the new chord.
Retrigger
The note is retriggered with attack at a new pitch
matching the new chord type.
Retrigger
The note is retriggered with attack at a new pitch
matching the new chord root.
Note
This setting will only be available if programmed in
the original style. A designated note is produced
with designated pitch, length, and velocity
matching the new chord.
To Root
To Root
Generator