Yamaha PM5000 Owner's Manual - Page 29

Master Out Section Basic Signal Routing In the same was as the input channel modules, the only real difference between the stereo aux, G/A, stereo, and mono masters is whether they are mono or stereo. The basic routing is the same for all signals, as summarized in the diagrams below. ST AUX ST AUX L ST AUX R TB/OSC ST AUX SUB IN L ST AUX SUB IN R SUM GAIN INSERT ST AUX TO MATRIX MASTER OUT MATRIX G/A G/A IN TB/OSC G/A SUB IN SUM GAIN INSERT G/A OUT TO MATRIX MASTER OUT MATRIX STEREO STEREO BUS IN L STEREO BUS IN R TB/OSC STEREO SUB IN L STEREO SUB IN R SUM GAIN INSERT STEREO OUT TO MATRIX MASTER OUT MATRIX MONO MONO (C) TB/OSC MONO (C) SUB IN SUM GAIN INSERT * Shaded blocks correspond to switches on the modules. MONO (C) OUT TO MATRIX MASTER OUT MATRIX Each master receives the signal from the assigned input channels via the corresponding bus, and that signal is summed with the signal from the related SUB IN connector and the talkback and oscillator signal (in stereo in the stereo masters). [SUM GAIN] controls are provided at this point to allow excessively hot signals to be reduced as necessary to prevent overload. The next step in the signal path is the master insert, allowing external processing gear to be applied at this point. From there the signal goes to the corresponding rear-panel master output, and/or to the corresponding stereo or mono matrix. 27