Sony STR-DA4300ES Operating Instructions (Large File - 20.21 MB) - Page 134

L.F.E. Low Frequency Effects, PCM Pulse Code Modulation

Page 134 highlights

x DTS-HD Audio format which extends the conventional DTS Digital Surround format. This format consists of a core and an extension, and the core part has DTS Digital Surround compatibility. There are two kinds of DTS-HD, DTS-HD High Resolution Audio and DTS-HD Master Audio. DTS-HD High Resolution Audio has a maximum transmission rate of 6 Mbps, with lossy compression (Lossy), and DTS-HD High Resolution Audio corresponds to a maximum sampling frequency of 96 kHz, and a maximum of 7.1 ch. DTS-HD Master Audio has a the maximum transmission rate of 24.5 Mbps, and uses lossless compression(Lossless), and DTS-HD Master Audio corresponds to a maximum sampling frequency of 192 kHz, and a maximum of 7.1 ch. x DTS Neo:6 This technology converts 2 channels stereo recorded audio for 7 channels playback. There are two modes to select according to the playback source or your preference, CINEMA for movies, and MUSIC for stereo sources such as music. x HDMI (High-Definition Multimedia Interface) HDMI (High-Definition Multimedia Interface) is an interface that supports both video and audio on a single digital connection, allowing you to enjoy high quality digital picture and sound. The HDMI specification supports HDCP (High-bandwidth Digital Contents Protection), a copy protection technology that incorporates coding technology for digital video signals. x High Bitrate Audio It refers to the audio formats of the compression method (DTS-HD Master Audio, Dolby TrueHD, etc.) which is a high bitrate format recorded mainly on Blu-ray Disc etc. x Interlace A scanning method which completes a picture by displaying half of the lines on a tube surface of a TV or monitor each 1/60 second. First, all the odd-numbered lines are drawn, leaving spaces between each line, then all the evennumbered lines are drawn to fill the spaces. "i" of "480i" stands for "Interlace." x L.F.E. (Low Frequency Effects) Sound effects of low frequencies which are output from a sub woofer in Dolby Digital or DTS, etc. By adding a deep bass with a frequency between 20 to 120 Hz, audio becomes more powerful. x Neural THX Neural Surround™, THX® Technologies has been chosen as the official surround sound broadcast format for XM Satellite Radio's "XM HD Surround" and other leading FM/HD radio stations in the USA and worldwide. Neural Surround, THX Technologies delivers the rich envelopment and discrete image detail of surround sound in a format 100% compatible with stereo. x PCM (Pulse Code Modulation) A method of converting analog audio to digital audio for easy enjoyment of digital sound. x Progressive A scanning method that draws all scanning lines sequentially, as opposed to interlaced scanning where all the odd and then all the even lines are drawn. "p" of "480p" stands for "Progressive." x x.v.Color x.v.Color is a more familiar term for the xvYCC standard proposed by Sony, and is a trademark of Sony. xvYCC is an international standard for color space in video. This standard can express a wider color range than the currently used broadcast standard. 134GB

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134
GB
x
DTS-HD
Audio format which extends the conventional
DTS Digital Surround format.
This format consists of a core and an
extension, and the core part has DTS Digital
Surround compatibility. There are two kinds of
DTS-HD, DTS-HD High Resolution Audio
and DTS-HD Master Audio. DTS-HD High
Resolution Audio has a maximum
transmission rate of 6 Mbps, with lossy
compression (Lossy), and DTS-HD High
Resolution Audio corresponds to a maximum
sampling frequency of 96 kHz, and a
maximum of 7.1 ch. DTS-HD Master Audio
has a the maximum transmission rate of
24.5 Mbps, and uses lossless
compression(Lossless), and DTS-HD Master
Audio corresponds to a maximum sampling
frequency of 192 kHz, and a maximum of 7.1
ch.
x
DTS Neo:6
This technology converts 2 channels stereo
recorded audio for 7 channels playback. There
are two modes to select according to the
playback source or your preference, CINEMA
for movies, and MUSIC for stereo sources
such as music.
x
HDMI (High-Definition
Multimedia Interface)
HDMI (High-Definition Multimedia
Interface) is an interface that supports both
video and audio on a single digital connection,
allowing you to enjoy high quality digital
picture and sound. The HDMI specification
supports HDCP (High-bandwidth Digital
Contents Protection), a copy protection
technology that incorporates coding
technology for digital video signals.
x
High Bitrate Audio
It refers to the audio formats of the
compression method (DTS-HD Master Audio,
Dolby TrueHD, etc.) which is a high bitrate
format recorded mainly on Blu-ray Disc etc.
x
Interlace
A scanning method which completes a picture
by displaying half of the lines on a tube surface
of a TV or monitor each 1/60 second. First, all
the odd-numbered lines are drawn, leaving
spaces between each line, then all the even-
numbered lines are drawn to fill the spaces.
“i” of “480i” stands for “Interlace.”
x
L.F.E. (Low Frequency Effects)
Sound effects of low frequencies which are
output from a sub woofer in Dolby Digital or
DTS, etc. By adding a deep bass with a
frequency between 20 to 120 Hz, audio
becomes more powerful.
x
Neural THX
Neural Surround™, THX
®
Technologies has
been chosen as the official surround sound
broadcast format for XM Satellite Radio’s
“XM HD Surround” and other leading FM/HD
radio stations in the USA and worldwide.
Neural Surround, THX Technologies delivers
the rich envelopment and discrete image detail
of surround sound in a format 100%
compatible with stereo.
x
PCM (Pulse Code Modulation)
A method of converting analog audio to digital
audio for easy enjoyment of digital sound.
x
Progressive
A scanning method that draws all scanning
lines sequentially, as opposed to interlaced
scanning where all the odd and then all the
even lines are drawn.
“p” of “480p” stands for “Progressive.”
x
x.v.Color
x.v.Color is a more familiar term for the
xvYCC standard proposed by Sony, and is a
trademark of Sony. xvYCC is an international
standard for color space in video.
This standard can express a wider color range
than the currently used broadcast standard.