Yamaha DTX-MULTI Owner's Manual - Page 30

Internal Design ● Adjusting volume and other parameters using an HH65 [Function] In the same way as with an FC7 Foot Controller, you can adjust volume and a wide range of MIDI Control Change values by adjusting the degree by which an HH65 Hi-hat Controller is operated. HH65 [Setup] • With the DTX-MULTI 12 turned off, connect the HH65 Hi- hat Controller via the FOOT SW jack. • Turn on the DTX-MULTI 12. • On the Foot Switch Input page (UTIL4-2), set FootSwIn- Sel to "HH65". (See page 89.) • On the Pad Function page (UTIL4-1), select √¤'' and then set Func to the MIDI Control Change message ("CC01" to "CC95") that you want to control. (See page 88.) ■ Using Acoustic Drums to Produce Trigger Signals Optional drum triggers, such as the DT10 or DT20, can be used to convert performances on acoustic drums into trigger signals and to input these signals into the instrument. You can even apply drum triggers to training pads in order to produce trigger signals. ■ Trigger Setups Settings for all of the parameters associated with pad sensitivity are collectively referred to as a "trigger setup". In addition to the actual sensitivity of the pad when it is struck, a trigger setup can also include parameter settings intended to prevent a pair of trigger signals being produced in response to a single strike (i.e., double triggering) and unwanted trigger signals being produced by pads other than the one that was struck (i.e., crosstalk). The DTXMULTI 12 supports many different playing styles using sticks and hands, and by selecting the most appropriate trigger setup for the style being used, you can ensure that trigger signals will be correctly processed. Trigger setups can also be adjusted in order to ensure that trigger signals from external pads and controllers are processed in an ideal manner. Your DTX-MULTI 12 comes pre-loaded with five Preset trigger setups suitable for many different needs, and you can also create up to ten unique User trigger setups to suit your own individual requirements. ■ Using Optional Pads & Drum Triggers with the PAD Jacks Whenever you are using separately-sold pads and/or drum triggers, the types of trigger signal handled will depend on which of the PAD jacks is used for connection. The following table shows how optional pads and drum triggers will operate when connected via the various PAD jacks on the rear panel. PAD M: Suitable for use with two-zone and three-zone pads. Not suitable for pad controllers. PAD N/O, PAD P/Q: Not suitable for two-zone pads, threezone pads, or pad controllers. Model Product name Input (PAD jacks) PAD M PAD N/O PAD P/Q TP65 Drum Pad C C TP65S Drum Pad A C TP100 Drum Pad A C TP120SD Snare Pad B C RHH130 Hi-hat Pad B C RHH135 Hi-hat Pad B C PCY65 Cymbal Pad C C PCY65S Cymbal Pad B C PCY130 Cymbal Pad C C PCY130S Cymbal Pad B C PCY130SC Cymbal Pad A C PCY135 Cymbal Pad A C PCY150S Cymbal Pad A C PCY155 Cymbal Pad A C KP65 Kick Pad C C KP125 Kick Pad C C DT10 Drum Trigger C C DT20 Drum Trigger C C A: Operates as a three-zone pad. If using a compatible product from the TP series, voices assigned to each of the two rim sections and the head section can be played. If using a compatible product from the PCY series, voices assigned to each of the bow, edge, and cup sections can be played. B: Operates as a two-zone pad. If using a compatible product from the RHH series, voices assigned to each of the bow and edge sections can be played. If using a compatible product from the PCY series, voices assigned to each of the bow and edge sections can be played. C: Operates as a monoaural pad. NOTE • For the most up-to-date information on support for optional pads and drum triggers, visit the following web page. http://dtxdrums.yamaha.com 30 Owner's Manual