Yamaha DTX-MULTI Owner's Manual - Page 39

Reference KIT VOICE Internal Design ● Delay Delay effects create a delayed version of the input signal, and as such, they can be used for many different purposes, such as creating a sense of spaciousness or thickening a sound. Effect Type Var Description CrossDelay TempoCrosDly TempoDlyMono TempoDlySt Delay LR Delay LCR Delay LR St A pair of delays featuring cross-over feed✓ back to produce a sound that swirls between the left and right channels. ✓ A pair of delays with cross-over feedback and a tempo-synchronized delay time. ✓ A single mono delay synchronized with the instrument's tempo. ✓ A stereo delay synchronized with the instrument's tempo. ✓ A delay with separate left and right channels. ✓ A triple delay processing left, right, and center channels independently. ✓ A stereo delay with fully independent left and right channels. ● Miscellaneous This category contains effect types not included in the other categories. Effect Type Isolator Telephone TalkingMod PitchChange Var Description ✓ Controls the volume of individual frequency bands using powerful filters. ✓ Reproduces the sound of telephone speech by cutting high and low frequencies. ✓ Incorporates a vowel-type formant into the input signal. ✓ Changes the pitch of the input signal. ■ Effect Parameters Each of the above-mentioned effects includes a range of parameters allowing you to adjust the way in which it processes the input signal. Using these parameters, the behavior of each effect can be optimized in line with, for example, the type of sound being processed or the type of music being played. While the function of each of these parameters is described in the following table, it is good practice to also listen to how they actually change the sound of the respective effect in order to achieve the best settings. ● Parameters with identical names NOTE • Certain effects contain parameters with identical names yet performing dif- ferent functions. In the following table, the function of each such parameter is described separately and the corresponding effects are identified. Parameter name Descriptions AMDepth This parameter is used to set the depth of amplitude modulation. AmpType This parameter is used to set the type of amplifier to be simulated. Attack This parameter is used to set the amount of time that elapses before compression is fully applied. Bottom*1 This parameter is used to set the lowest point in the filter's sweep range. Color*2 This parameter is used to set the fixed phase modulation. This parameter is used to set the amount of time that CommonRel elapses before the compressor stops processing the input signal (common for all three bands). Compres This parameter is used to set the input-signal level at which the compressor starts to process the sound (i.e., the threshold). Cutoff This parameter is used to set the offset value for the filter's control frequency. Delay This parameter is used to set the delay time in terms of note lengths. DelayC This parameter is used to set the delay time for the center channel. DelayL This parameter is used to set the delay time for the left channel. DelayL>R This parameter is used to set the time that elapses between input of sound via the left channel and output via the right channel. DelayR This parameter is used to set the delay time for the right channel. DelayR>L This parameter is used to set the time that elapses between input of sound via the right channel and output via the left channel. Density [Reverb effects other than EarlyRef] This parameter is used to set the reverb density. [Early Ref] This parameter is used to set the density of early reflections. Depth This parameter is used to set the amplitude of the LFO wave that controls cyclic changes in phase modulation. Detune This parameter is used to set the degree to which pitches are detuned. Device This parameter is used to select one of a number of devices that distort the sound in different ways. Diffuse [TempoPhaser and EarlyRef] This parameter is used to adjust the spaciousness of the sound produced. [Reverb effects other than EarlyRef] This parameter is used to set how wide the reverb sounds. Directn This parameter is used to set the direction of envelopefollower modulation. Div.FreqH This parameter is used to set the mid-high frequency when splitting the sound into three bands. Div.FreqL This parameter is used to set the low-mid frequency when splitting the sound into three bands. *1 The Bottom parameter's setting is valid only when less than that of the Top parameter. *2 The Color parameter's setting has no effect with certain combinations of Mode and Stage settings. MIDI WAVE PATTERN UTILITY TRIGGER Owner's Manual 39