Yamaha DGX-670 DGX-670 Reference Manual - Page 59

Parameters that can be set in the, Setting

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4 Set the value for the selected parameter by using the Data dial or the [2 ] - [7 ] buttons just below the selected parameter. 5 After you have made desired settings, use the [8 ] (Select & Save) buttons to save the settings as a file to the User drive. All the settings (both Vocal and Talk) are saved together as a single file. Up to 60 files can be saved. NOTE The microphone setting file can be saved only to the internal User drive. If you want to save this setting to the USB flash drive, save the User Effect file on the display called up via [MENU] → Cursor buttons [][][E][F] System, [ENTER] → TAB [E][F] Setup Files. For details, refer to page 90. Calling Up the Microphone Settings Saved to User drive 1 Call up the operation display by using the [8 ] (Select & Save) buttons as in step 5 above. 2 Select the desired setting file. Parameters that can be set in the Setting page When Vocal is selected:  When Talk is selected:       6  3 Band EQ EQ (Equalizer) is a processor that divides the frequency spectrum into multiple bands which can be boosted or cut as required to tailor the overall frequency response. The instrument features a three-band (Low, Mid and High) digital equalizer function for the microphone sound. For each of three bands, you can adjust the center frequency (Hz) and level (dB) via the corresponding knobs on the display. Microphone  Noise Gate This effect mutes the input signal when the input from the microphone falls below a specified level. This effectively cuts off extraneous noise, allowing the desired signal (vocal, etc.) to pass. SW (Switch) Turns the Noise Gate on or off. TH. (Threshold) Adjusts the input level above which the gate begins to open.  Compressor This effect holds down the output when the input signal from the microphone exceeds a specified level. This is especially useful for smoothing out vocals that have widely varying dynamics. It effectively "compresses" the signal, making soft parts louder and loud parts softer. SW (Switch) Turns Compressor on or off. TH. (Threshold) Adjusts the input level above which compression begins to be applied. Ratio Adjusts the compression ratio. Higher ratios result in a more compressed sound, with a reduced dynamic range. Output Adjusts the final output level. DGX-670 Reference Manual 59

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DGX-670 Reference Manual
59
6
Microphone
4
Set the value for the selected parameter by using the Data dial or the [2

] – [7

]
buttons just below the selected parameter.
5
After you have made desired settings, use the [8

] (
Select & Save
) buttons to save
the settings as a file to the User drive.
All the settings (both
Vocal
and
Talk
) are saved together as a single file. Up to 60 files can be saved.
NOTE
The microphone setting file can be saved only to the internal User drive. If you want to save this setting to the USB flash drive, save the User Effect file on
the display called up via [MENU]
→
Cursor buttons [
][
][
E
][
F
]
System
, [ENTER]
→
TAB [
E
][
F
]
Setup Files.
For details, refer to
page 90
.
Parameters that can be set in the
Setting
page
Calling Up the Microphone Settings Saved to User drive
1
Call up the operation display by using the [8

] (
Select & Save
) buttons as in step 5 above.
2
Select the desired setting file.
1
3 Band EQ
EQ (Equalizer) is a processor that divides the frequency spectrum into multiple bands
which can be boosted or cut as required to tailor the overall frequency response. The
instrument features a three-band (Low, Mid and High) digital equalizer function for
the microphone sound. For each of three bands, you can adjust the center frequency
(Hz) and level (dB) via the corresponding knobs on the display.
2
Noise Gate
This effect mutes the input signal when the input from the microphone falls below a
specified level. This effectively cuts off extraneous noise, allowing the desired signal
(vocal, etc.) to pass.
SW
(Switch)
Turns the Noise Gate on or off.
TH.
(Threshold)
Adjusts the input level above which the gate begins to open.
3
Compressor
This effect holds down the output when the input signal from the microphone
exceeds a specified level. This is especially useful for smoothing out vocals that have
widely varying dynamics. It effectively “compresses” the signal, making soft parts
louder and loud parts softer.
SW
(Switch)
Turns Compressor on or off.
TH.
(Threshold)
Adjusts the input level above which compression begins to be
applied.
Ratio
Adjusts the compression ratio. Higher ratios result in a more
compressed sound, with a reduced dynamic range.
Output
Adjusts the final output level.
1
2
3
1
4
2
3
When
Vocal
is selected:
When
Talk
is selected: