Behringer DEEPMIND 12 Manual - Page 97

97 DeepMind 12 User Manual Delay + Chamber Enhancer Here we have combined Delay and Chamber reverb, so a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. This device only uses one FX slot. (Inspired by the Lexicon PCM 70.) Use the BALANCE knob to adjust the ratio between delay and reverb. Low frequencies can be excluded with the LO CUT knob, and the MIX adjusts how much of the effect is added to the signal. The TIME knob adjusts the delay time for the left channel delay, and the PATTERN sets the delay ratio for the right channel delay. Adjust the FEEDBACK and trim some high frequencies with the FEED HC (high-cut) knob. The XFEED knob allows you to send the delay sound to the reverb effect, so instead of running completely parallel, the reverb affects the echoes to a selected degree. The PREDELAY knob determines the hesitation before the reverb affects the signal. The DECAY knob adjusts how quickly the reverb fades. The SIZE controls how large or small the simulated space is (room, cathedral, etc.). The DAMPING knob determines the decay of high frequencies within the reverb tail. These Enhancers are so called "Psycho EQs". They can enhance the signal spectrum in bass, midrange and high frequencies but they differ from traditional equalizers. When you need to generate maximum punch, clarity and detail, without turning up the overall volume, our enhancers are the solution. (Inspired by the SPL Vitalizer.) Adjust the BASS, MID and HI GAIN knobs to add or reduce content in those spectrums. The BASS and HI Frequencies can be specifically selected, while the MID Q (bandwidth) can be adjusted instead. The OUT GAIN knob compensates for changes in level resulting from the effect, and the SPREAD knob (Stereo version only) emphasizes the stereo content for a wider mix. Engage the SOLO MODE to isolate only the audio resulting from the effect so you can hear exactly what you're adding to the mix. Fair Compressor Flanger + Chamber Add the mind-bending, filter-sweeping effect of a state-of-the-art Flanger to the elegant sweetening of a traditional Chamber reverb - all in one FX slot. (Inspired by the Lexicon PCM 70.) This model of a Fairchild 670 delivers some of the finest colorations in compressor history. The two paths L/M and R/S both have the same functionality. The controls include input GAIN, THRESHOLD, TIME and DC BIAS (which controls the ratio and knee of the compression curve. There is also a BIAS BALANCE which can help accentuate attacks. There are modes available for dual, stereo-linked, or mid/side operation via the MOD control. MulBndDist The BALANCE knob adjusts the ratio between flanger and reverb. Low frequencies can be excluded with the LO CUT knob, and the MIX knob adjusts how much of the effect is added to the signal. SPEED, DELAY and DEPTH adjust the rate, delay, and modulation depth of the flanger. FEEDback can be adjusted with positive and negative amounts. The PHASE can be off set by up to 180 degrees. The PREDELAY knob determines the hesitation before the reverb affects the signal. The DECAY knob adjusts how quickly the reverb fades. The SIZE controls how large or small the simulated space is (room, cathedral, etc.). The DAMPING knob determines the decay of high frequencies within the reverb tail. MidasEQ The Multiband Distortion unit, useful for making sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. There are three bands, adjustable by a 24 dB per octave crossover filter. There are six distortion types, going from soft saturation to more aggressive distortion and post filter variants. The 'Drive' parameter controls the amount of distortion introduced to the sound. This parameter, together with the right distortion type, can instead bring some soft saturation to the sound. The effect also features a Cabinet Unit applied to the output, which can add the characteristic timbre of 11 different cabinet types. Finally the level of the sound can be controlled by the input and output gain parameters. The Midas EQ is a four-band sweep parametric equalizer taken from the Midas Pro X console that allows tonal control of the input signal via the parametric EQ section. The mid bands also have a Q Factor adjustment to tailor the shape of the EQ curve. The four bands are low, low mid, high mid and high. Any combination of the four bands can be used to control the signal.