Behringer DEEPMIND 12 Manual - Page 99

Tel-Ray Delay, Decimator Delay, Modulation Delay + Reverb, Chorus, Dimensional Chorus, Flanger

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99 DeepMind 12 User Manual Tel-Ray Delay Chorus Inspired by the original Tel-Ray hardware from the 1960's using a tuna can, some oil and a motor. It has a very simple set of controls but allows you to create delays, echo, chorus, vibrato and reverb type effects. An incredibly versatile and creative effect which has a lush and unique character. DELAY controls the delay time. SUSTAIN controls how long the delay is sustained for. WOB controls the amount of wobble which is caused by age and quality of materials in the original hardware. Decimator Delay This is a delay effect including a decimator unit in its chain. It will decimate the sound by reducing the sampling frequency and the bit-depth. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise, found in older samplers, to generating complex, low-fi and rough delay lines. Decimate the sound by adjusting the DOWNSAMPLE and BIT-REDUCE. The filter section will help you manipulate your preferred frequencies to smooth or retain the grittiness of the sound. The TIME, FACTOR and FEEDBACK parameters will handle the delay behavior. The DECIMATE (PRE-POST) parameter will set the decimation to affect the input source or the only the delay line accordingly. Modulation Delay + Reverb Chorus samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to thicken up background vocals, or to double the sound of brass and woodwind instruments. Where as DELAY L/R set the total amount of delay for the left and right channel, WIDTH determines the amount of modulated delay. SPEED sets the modulation speed. MIX adjusts the balance of the dry and wet signals. You can further sculpt the sound by trimming some of the low and high end from the effected signal with the LO and HI CUT knobs. Additionally, the PHASE knob can tweak the phase offset of the LFO between left and right channel and the SPREAD knob adjusts how much of the left channel is mixed into the right and vice versa. Finally, the WAVE knob blends between the "Danish-style" digital triangular chorus sound and the classic analog sine wave. Dimensional Chorus The Dimensional Chorus offers the most user-friendly and classic sounds, best described as "space" and "dimensional". The 4 MODE switches can be engaged individually or simultaneously for light chorus or very thick, exaggerated modulation. Flanger Modulation Delay combines three of the most used time modulation effects into one easy-to-operate unit, featuring true-stereo delay with a lush chorus, topped off with three reverb models to choose from. The BALANCE knob adjusts ratio of delay to reverb. The processor chain can operate as serial where one effect flows into the next, or parallel where each effect is applied to the source signal independently. TIME, FEED(back), LOW and HI CUT all affect the delay. Modulation DEPTH and SPEED are adjustable. Three types of reverb are available - ambience, club and hall - with adjustable DECAY and HI DAMP. The Flanger emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique "wobbly" sound that is quite dramatic when used on vocals and instruments. The controls of this effect are nearly identical to the Chorus effect block. Additionally, the FEEDBACK can be adjusted with positive and negative amounts and also band-limited with the FEED HC (high-cut) and FEED LC (low-cut) knobs.

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99
DeepMind 12 User Manual
Tel-Ray Delay
Inspired by the original Tel-Ray hardware from the 1960's using a tuna can,
some oil and a motor.
It has a very simple set of controls but allows you to create
delays, echo, chorus, vibrato and reverb type effects.
An incredibly versatile and
creative effect which has a lush and unique character.
DELAY controls the delay time. SUSTAIN controls how long the delay is sustained
for.
WOB controls the amount of wobble which is caused by age and quality of
materials in the original hardware.
Decimator Delay
This is a delay effect including a decimator unit in its chain. It will decimate the
sound by reducing the sampling frequency and the bit-depth. The Decimator
Delay is a creative tool that can be used in many ways, from emulating the
aliasing noise, found in older samplers, to generating complex, low-fi and rough
delay lines.
Decimate the sound by adjusting the DOWNSAMPLE and BIT-REDUCE. The filter
section will help you manipulate your preferred frequencies to smooth or retain
the grittiness of the sound. The TIME, FACTOR and FEEDBACK parameters will
handle the delay behavior. The DECIMATE (PRE-POST) parameter will set the
decimation to affect the input source or the only the delay line accordingly.
Modulation Delay + Reverb
Modulation Delay combines three of the most used time modulation effects
into one easy-to-operate unit, featuring true-stereo delay with a lush chorus,
topped off with three reverb models to choose from.
The BALANCE knob adjusts ratio of delay to reverb. The processor chain can
operate as serial where one effect flows into the next, or parallel where each
effect is applied to the source signal independently. TIME, FEED(back), LOW and
HI CUT all affect the delay. Modulation DEPTH and SPEED are adjustable.
Three types of reverb are available – ambience, club and hall – with adjustable
DECAY and HI DAMP.
Chorus
Chorus samples the input, slightly detunes it and mixes it with the original
signal to produce a somewhat thicker, shimmering sound. Use it to thicken up
background vocals, or to double the sound of brass and woodwind instruments.
Where as DELAY L/R set the total amount of delay for the left and right channel,
WIDTH determines the amount of modulated delay. SPEED sets the modulation
speed. MIX adjusts the balance of the dry and wet signals. You can further sculpt
the sound by trimming some of the low and high end from the effected signal
with the LO and HI CUT knobs. Additionally, the PHASE knob can tweak the
phase offset of the LFO between left and right channel and the SPREAD knob
adjusts how much of the left channel is mixed into the right and vice versa.
Finally, the WAVE knob blends between the “Danish-style” digital triangular
chorus sound and the classic analog sine wave.
Dimensional Chorus
The Dimensional Chorus offers the most user-friendly and classic sounds,
best described as “space” and “dimensional”. The 4 MODE switches can
be engaged individually or simultaneously for light chorus or very thick,
exaggerated modulation.
Flanger
The Flanger emulates the phase-shifting sound (comb-filtering) originally
created by applying pressure against the flange of the reel on a tape recorder.
This effect creates a unique “wobbly” sound that is quite dramatic when used on
vocals and instruments.
The controls of this effect are nearly identical to the Chorus effect block.
Additionally, the FEEDBACK can be adjusted with positive and negative amounts
and also band-limited with the FEED HC (high-cut) and FEED LC (low-cut) knobs.