Home » Panasonic Manuals » Audio Mixers » Panasonic AV-HS410 » Manual Viewer

Panasonic AV-HS410 Operating Instructions Advanced - Page 16

Selecting the key material, Selecting the key fill and key source signals

Add to My Manuals
Save this manual to your list of manuals

Page 16 highlights

1. Basic operations 4 When the luminance key has been selected, the chroma component can be included in the generation of the key signals in view of the self key application. (This does not apply to the linear key.) Use [F3], and select the setting using the Lum Key item. Chroma On Chroma Off In addition to the luminance component, the chroma component is also taken into account in the generation of the key signals. This is the setting for using a color with a low luminance component for the key signals (such as when defining blue characters). The key signals are generated from only the luminance component. 5 Use [F4] to select the fill type using the Fill item. Bus Matte The bus signal is used for the key fill signal. The internal fill matte is used for the key fill signal. 1-3-2. Selecting the key material Selecting the key fill and key source signals Press the [KEY] button in the AUX bus selection area, and switch the selection of the key fill signal (indicator lights in amber) and key source signal (indicator lights in green). With the indicator of the [KEY] button lit in amber, press one of the AUX bus crosspoint buttons 1 to 12 to select the key fill signal. The indicator of the selected AUX bus crosspoint button lights in amber. (It will light in red if the selected signal is being output from the PGM connector.) KEY PinP1 PinP2 DSK AUX1 AUX2 AMBER : FILL / GREEN : SOURCE AUX BUS DELEGATION AUX3 AUX4 AUX DISP MV PVW PGM AUX/DISP SOURCE SHIFT Lighting in amber With the indicator of the [KEY] button lit in green, press one of the AUX bus crosspoint buttons 1 to 12 to select the key source signal. The indicator of the selected AUX bus crosspoint button lights in green. (It will light in red if the selected signal is being output from the PGM connector.) Since the luminance and chroma keys are operated as self keys, the key fill signals are used as the key source signals. When the luminance key or chroma key has been selected as the key type, the key signals will remain unchanged even when the key source signals are switched. KEY PinP1 PinP2 DSK AUX1 AUX2 AMBER : FILL / GREEN : SOURCE AUX BUS DELEGATION AUX3 AUX4 AUX DISP MV PVW PGM AUX/DISP SOURCE SHIFT Lighting in green 16

Section	Page
Contents	3
Before use	5
Overview	5
Concerning the ratings display	5
Disclaimer of warranty	5
Network security	5
Concerning differences in the system versions	6
1. Basic operations	7
1-1. Background transition	7
1-1-1. Selecting the bus	7
1-1-2. Selecting the bus using the SHIFT function	7
1-1-3. Selecting the bus mode	8
1-1-4. Selecting the transition mode	8
1-1-5. Manual transition	9
1-1-6. Auto transition	9
1-1-7. Cut transition	9
1-2. Wipe	10
1-2-1. Selecting the wipe pattern	10
1-2-2. Selecting the wipe direction	11
1-2-3. Wipe decorations (border, soft effect)	11
1-2-4. Setting the wipe start position	12
1-2-5. Modifying wipe	12
1-2-6. Setting the latency	14
1-3. Key	15
1-3-1. Selecting the key type	15
1-3-2. Selecting the key material	16
1-3-3. Key transitions	17
1-3-4. Key preview	19
1-3-5. Adjusting the luminance key and linear key	19
1-3-6. Adjusting the chroma key	20
1-3-7. Key decorations	26
1-3-8. Masking the key signals	27
1-3-9. Flying key	28
1-3-10. Setting the priority	28
1-4. PinP (picture in picture)	29
1-4-1. Selecting the PinP channel and material	29
1-4-2. Transition between PinP materials	29
1-4-3. Selecting Shape	30
1-4-4. PinP preview	30
1-4-5. PinP transitions	30
1-4-6. PinP adjustments	31
1-4-7. Linking PinP1 and PinP2	32
1-4-8. PinP decorations	33
1-4-9. Trimming settings	34
1-5. DSK (downstream key)	35
1-5-1. Selecting the DSK type	35
1-5-2. Selecting the DSK material	36
1-5-3. DSK transitions	36
1-5-4. DSK preview	37
1-5-5. DSK adjustments	37
1-5-6. DSK decorations	38
1-5-7. Masking the DSK signals	39
1-6. Key Link	40
1-7. FTB (Fade to Black)	41
1-8. Internal color signals	42
1-8-1. Setting the color background	42
1-8-2. Setting the Wash effect	42
1-9. Switching the AUX output	44
1-9-1. Selecting the AUX output materials	44
1-9-2. AUX1 transitions	44
1-9-3. Setting enable/disable for the AUX1 transition	45
1-10. Memory	46
1-10-1. Memory registration and recall items	47
1-10-2. Storing the settings in the memory (Store)	47
1-10-3. Recalling the operations stored in the memory (Recall)	48
1-10-4. Memory preview	49
1-10-5. Deleting the operations stored in the memory (Delete)	50
1-10-6. Selecting the buses whose settings are to be registered and or played back	51
1-10-7. Registering the material selection items	52
1-10-8. Setting effect dissolve (shot memory)	52
1-10-9. Editing event memory timelines	53
1-10-10. Registering memories (Register)	59
1-11. Video memories	60
1-11-1. Recording still images (Still)	61
1-11-2. Recording moving images (Clip)	62
1-11-3. Saving Images in Flash Memory	63
1-11-4. Playing back moving images (Clip)	64
1-12. Memory card	67
1-12-1. Initializing the memory cards	69
1-12-2. Saving data on memory cards	69
1-12-3. Loading data from memory cards	70
1-12-4. Deleting files on memory cards	71
1-12-5. Displaying the memory card information	71
1-13. Waveform monitor settings	72
1-14. Setting the status display	73
2. Input/output signal settings	74
2-1. Input signal settings	74
2-1-1. Setting the frame synchronizer	76
2-1-2. Setting the input mode	77
2-1-3. Setting the delay amount	78
2-1-4. Freezing the input signals	78
2-1-5. Setting the material names	78
2-1-6. Setting the up-converter	79
2-1-7. Setting the video process function	80
2-1-8. Setting the analog input gain (option)	80
2-1-9. Setting the analog composite input signals (option)	81
2-1-10. Setting the DVI input signals	82
2-1-11. Displaying the DVI input signal information	86
2-1-12. Adjusting the DVI input signals	87
2-1-13. Automatic adjustment of the black level and white level (analog input signals)	87
2-2. Output signal settings	88
2-2-1. Assigning the output signals	89
2-2-2. Setting the SDI output color range	89
2-2-3. Setting the DVI output signals	90
2-2-4. Setting the down-converter (option)	92
2-3. Setting the sync signals	93
2-4. Adjusting the output signal phase	93
2-5. Setting the multi view display	97
2-5-1. Setting the screen layout	97
2-5-2. Setting the split frame and characters	98
2-5-3. Setting the tally displays	98
2-5-4. Changing the material names	99
2-5-5. Setting the level meters	100
2-5-6. Setting the input signal marks	100
2-5-7. Setting the markers	100
2-5-8. High-resolution multi view mode	100
2-6. Setting the ancillary data and embedded audio data	101
3. System settings	102
3-1. Setting the system format	102
3-2. Setting the crosspoints	103
3-2-1. Assigning signals to the crosspoints	103
3-2-2. Setting the crosspoint switching	104
3-3. Button assignments	105
3-3-1. Setting the user buttons	105
3-4. Setting the date and time	106
3-5. Network settings	106
3-6. Setting the built-in display backlight and button illumination	107
3-7. Status displays	108
3-7-1. Alarm status displays	108
3-7-2. Alarm message	108
3-7-3. Displaying the version information and option information	109
3-8. Initialization	110
3-8-1. Initializing setting data	110
3-8-2. Initializing fader	110
4. External interfaces	111
4-1. Setting the GPI I/O	111
4-2. LAN	115
4-3. EDITOR	115
4-4. COM	115
4-5. Plug-in software	116
5. Setting menu table	117
Appendix (glossary)	139

Match case Limit results 1 per page

1. Basic operations

When the luminance key has been selected, the chroma

component can be included in the generation of the key

signals in view of the self key application. (This does not

apply to the linear key.)

Use [F3], and select the setting using the Lum Key item.

Chroma On

In addition to the luminance component, the

chroma component is also taken into account

in the generation of the key signals.

This is the setting for using a color with a low

luminance component for the key signals

(such as when deﬁning blue characters).

Chroma Off

The key signals are generated from only the

luminance component.

Use [F4] to select the fill type using the Fill item.

Bus

The bus signal is used for the key ﬁll signal.

Matte

The internal ﬁll matte is used for the key ﬁll

signal.

1-3-2. Selecting the key material

Selecting the key fill and key source signals

Press the [KEY] button in the AUX bus selection area, and

switch the selection of the key fill signal (indicator lights in

amber) and key source signal (indicator lights in green).

With the indicator of the [KEY] button lit in amber, press

one of the AUX bus crosspoint buttons 1 to 12 to select the

key fill signal.

The indicator of the selected AUX bus crosspoint button

lights in amber. (It will light in red if the selected signal is

being output from the PGM connector.)

AMBER : FILL / GREEN : SOURCE

KEY

PinP1

PinP2

DSK

AUX1

AUX2

AUX3

AUX4

DISP

AUX BUS DELEGATION

AUX

AUX/DISP SOURCE

SHIFT

PGM

PVW

Lighting in amber

With the indicator of the [KEY] button lit in green, press

one of the AUX bus crosspoint buttons 1 to 12 to select the

key source signal.

The indicator of the selected AUX bus crosspoint button

lights in green. (It will light in red if the selected signal is

being output from the PGM connector.)

Since the luminance and chroma keys are operated as self

keys, the key fill signals are used as the key source signals.

When the luminance key or chroma key has been selected

as the key type, the key signals will remain unchanged

even when the key source signals are switched.