Home » Panasonic Manuals » Audio Mixers » Panasonic AV-HS410 » Manual Viewer

Panasonic AV-HS410 Operating Instructions Advanced - Page 24

Detail-] [Detail+], Detail, Matte Sponge], Make FG Trans], Restore Detail], This is useful when

Add to My Manuals
Save this manual to your list of manuals

Page 24 highlights

1. Basic operations [Detail-] [Detail+] In these modes, the noise in the background image can be removed step by step. This is a useful way of adjusting images lost by other sampling operations to adjust the texture or transparency of images. [-] Detail [+] [Matte Sponge] In this mode, the semi-transparent parts of the subject in a foreground image are selected and made matte (non-transparent). Unlike [Clean FG Noise] on the Sample sub menu, the color information is not changed in the process. With [Clean FG Noise], the colors of the selected parts are restored to their original colors but, with [Matte Sponge], only the semi-transparent keys are made matte (non-transparent) while the colors remain unchanged and the original colors are not restored. [Make FG Trans] In this mode, the transparency of areas with a low transparency in the foreground image is increased. This is useful when, for instance, areas covered with dark smoke or clouds in a foreground image are to be made semi-transparent. [Restore Detail] In this mode, the transparency of areas with a high transparency in the background image is reduced. This is useful when, for instance, restoring the details of an image (such as an image with a subject who has loose hair or an image with smoke), which have been lost as a result of a [Clean BG Noise] or other such operation on the Sample sub menu, to what they were in the original image. 24

Section	Page
Contents	3
Before use	5
Overview	5
Concerning the ratings display	5
Disclaimer of warranty	5
Network security	5
Concerning differences in the system versions	6
1. Basic operations	7
1-1. Background transition	7
1-1-1. Selecting the bus	7
1-1-2. Selecting the bus using the SHIFT function	7
1-1-3. Selecting the bus mode	8
1-1-4. Selecting the transition mode	8
1-1-5. Manual transition	9
1-1-6. Auto transition	9
1-1-7. Cut transition	9
1-2. Wipe	10
1-2-1. Selecting the wipe pattern	10
1-2-2. Selecting the wipe direction	11
1-2-3. Wipe decorations (border, soft effect)	11
1-2-4. Setting the wipe start position	12
1-2-5. Modifying wipe	12
1-2-6. Setting the latency	14
1-3. Key	15
1-3-1. Selecting the key type	15
1-3-2. Selecting the key material	16
1-3-3. Key transitions	17
1-3-4. Key preview	19
1-3-5. Adjusting the luminance key and linear key	19
1-3-6. Adjusting the chroma key	20
1-3-7. Key decorations	26
1-3-8. Masking the key signals	27
1-3-9. Flying key	28
1-3-10. Setting the priority	28
1-4. PinP (picture in picture)	29
1-4-1. Selecting the PinP channel and material	29
1-4-2. Transition between PinP materials	29
1-4-3. Selecting Shape	30
1-4-4. PinP preview	30
1-4-5. PinP transitions	30
1-4-6. PinP adjustments	31
1-4-7. Linking PinP1 and PinP2	32
1-4-8. PinP decorations	33
1-4-9. Trimming settings	34
1-5. DSK (downstream key)	35
1-5-1. Selecting the DSK type	35
1-5-2. Selecting the DSK material	36
1-5-3. DSK transitions	36
1-5-4. DSK preview	37
1-5-5. DSK adjustments	37
1-5-6. DSK decorations	38
1-5-7. Masking the DSK signals	39
1-6. Key Link	40
1-7. FTB (Fade to Black)	41
1-8. Internal color signals	42
1-8-1. Setting the color background	42
1-8-2. Setting the Wash effect	42
1-9. Switching the AUX output	44
1-9-1. Selecting the AUX output materials	44
1-9-2. AUX1 transitions	44
1-9-3. Setting enable/disable for the AUX1 transition	45
1-10. Memory	46
1-10-1. Memory registration and recall items	47
1-10-2. Storing the settings in the memory (Store)	47
1-10-3. Recalling the operations stored in the memory (Recall)	48
1-10-4. Memory preview	49
1-10-5. Deleting the operations stored in the memory (Delete)	50
1-10-6. Selecting the buses whose settings are to be registered and or played back	51
1-10-7. Registering the material selection items	52
1-10-8. Setting effect dissolve (shot memory)	52
1-10-9. Editing event memory timelines	53
1-10-10. Registering memories (Register)	59
1-11. Video memories	60
1-11-1. Recording still images (Still)	61
1-11-2. Recording moving images (Clip)	62
1-11-3. Saving Images in Flash Memory	63
1-11-4. Playing back moving images (Clip)	64
1-12. Memory card	67
1-12-1. Initializing the memory cards	69
1-12-2. Saving data on memory cards	69
1-12-3. Loading data from memory cards	70
1-12-4. Deleting files on memory cards	71
1-12-5. Displaying the memory card information	71
1-13. Waveform monitor settings	72
1-14. Setting the status display	73
2. Input/output signal settings	74
2-1. Input signal settings	74
2-1-1. Setting the frame synchronizer	76
2-1-2. Setting the input mode	77
2-1-3. Setting the delay amount	78
2-1-4. Freezing the input signals	78
2-1-5. Setting the material names	78
2-1-6. Setting the up-converter	79
2-1-7. Setting the video process function	80
2-1-8. Setting the analog input gain (option)	80
2-1-9. Setting the analog composite input signals (option)	81
2-1-10. Setting the DVI input signals	82
2-1-11. Displaying the DVI input signal information	86
2-1-12. Adjusting the DVI input signals	87
2-1-13. Automatic adjustment of the black level and white level (analog input signals)	87
2-2. Output signal settings	88
2-2-1. Assigning the output signals	89
2-2-2. Setting the SDI output color range	89
2-2-3. Setting the DVI output signals	90
2-2-4. Setting the down-converter (option)	92
2-3. Setting the sync signals	93
2-4. Adjusting the output signal phase	93
2-5. Setting the multi view display	97
2-5-1. Setting the screen layout	97
2-5-2. Setting the split frame and characters	98
2-5-3. Setting the tally displays	98
2-5-4. Changing the material names	99
2-5-5. Setting the level meters	100
2-5-6. Setting the input signal marks	100
2-5-7. Setting the markers	100
2-5-8. High-resolution multi view mode	100
2-6. Setting the ancillary data and embedded audio data	101
3. System settings	102
3-1. Setting the system format	102
3-2. Setting the crosspoints	103
3-2-1. Assigning signals to the crosspoints	103
3-2-2. Setting the crosspoint switching	104
3-3. Button assignments	105
3-3-1. Setting the user buttons	105
3-4. Setting the date and time	106
3-5. Network settings	106
3-6. Setting the built-in display backlight and button illumination	107
3-7. Status displays	108
3-7-1. Alarm status displays	108
3-7-2. Alarm message	108
3-7-3. Displaying the version information and option information	109
3-8. Initialization	110
3-8-1. Initializing setting data	110
3-8-2. Initializing fader	110
4. External interfaces	111
4-1. Setting the GPI I/O	111
4-2. LAN	115
4-3. EDITOR	115
4-4. COM	115
4-5. Plug-in software	116
5. Setting menu table	117
Appendix (glossary)	139

Match case Limit results 1 per page

1. Basic operations

[Detail–] [Detail+]

In these modes, the noise in the background image can be removed step by step.

This is a useful way of adjusting images lost by other sampling operations to adjust the texture or transparency of images.

[–]

Detail

[+]

[Matte Sponge]

In this mode, the semi-transparent parts of the subject in a foreground image are selected and made matte (non-transparent).

Unlike [Clean FG Noise] on the Sample sub menu, the color information is not changed in the process.

With [Clean FG Noise], the colors of the selected parts are restored to their original colors but, with [Matte Sponge], only the

semi-transparent keys are made matte (non-transparent) while the colors remain unchanged and the original colors are not

restored.

[Make FG Trans]

In this mode, the transparency of areas with a low transparency in the foreground image is increased.

This is useful when, for instance, areas covered with dark smoke or clouds in a foreground image are to be made

semi-transparent.

[Restore Detail]

In this mode, the transparency of areas with a high transparency in the background image is reduced.

This is useful when, for instance, restoring the details of an image (such as an image with a subject who has loose hair or an

image with smoke), which have been lost as a result of a [Clean BG Noise] or other such operation on the Sample sub menu,

to what they were in the original image.