Sony CCD-V8 Operating Instructions - Page 43

monotonous

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N 111 [b] [d] [a-2] [c] [el Continuous use of long shots or close-ups will give your productions a monotonous "flat" impression. To avoid this, it is important to consider exactly what it is that you wish to "say" with every shot. Indeed, it is possible to change the impression that any subject makes merely by changing the way It's shot. You don't have to change the subject to alter the scene-you can achieve a different effect by changing the size of the subject Itself within the scene. frarnir* Basic shots for properly framing people are shown left. Experience has shown that shots that frame people differently than this do not have as pleasant an effect. [a-1] Face shot Even if you cut off the hairline, don't cut off the chin. [a-2] Face shot When shooting a profile, leave the space in front of the face to create a "sight line." [ b j Bust shot-Chest and above [ c ] Waist shot -Upper hips and above [ d ] Knee shot-Knees and above [ e ] Full shot-Entire body 43

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N
111
[b]
[d]
[a-2]
[c]
[el
Continuous
use
of
long
shots
or
close-ups
will
give
your
productions
a
monotonous
"flat"
impression.
To
avoid
this,
it
is
important
to
consider
exactly
what
it
is
that
you
wish
to
"say"
with
every
shot.
Indeed,
it
is
possible
to
change
the
impression
that
any
subject
makes
merely
by
changing
the
way
It's
shot.
You
don't
have
to
change
the
subject
to
alter
the
scene
—you
can
achieve
a
different
effect
by
changing
the
size
of
the
subject
Itself
within
the
scene.
frarnir*
Basic
shots
for
properly
framing
people
are
shown
left.
Experience
has
shown
that
shots
that
frame
people
differently
than
this
do
not
have
as
pleasant
an
effect.
[a-1]
Face
shot
Even
if
you
cut
off
the
hairline,
don't
cut
off
the
chin.
[a-2]
Face
shot
When
shooting
a
profile,
leave
the
space
in
front
of
the
face
to
create
a
"sight
line."
[
b
j
Bust
shot
—Chest
and
above
[
c
]
Waist
shot
—Upper
hips
and
above
[
d
]
Knee
shot
—Knees
and
above
[
e
]
Full
shot
—Entire
body
43