Yamaha REV7 REV7 Owners Manual Image - Page 22

Application, Examples

Page 22 highlights

APPLICATION EXAMPLES The extraordinarily broad versatility of the REV7 makes it the perfect reverberator for use in a wide range of applications-for sound reinforcement, recording, A/V production, theatrical productions, etc. The system diagram below shows three REV7 units being used in three completely different ways within a large concert sound reinforcement or recording system. Vocal 1 Vocal 2 Vocal 3 Vocal 4 E.G Bass Pf Inputs MIXING CONSOLE 1 •• MI NM 2 3 4 900 OOOOO 9OOOOOO 000000000 0 0 0 0 0 0 0 0 900 0 0 2 2 2 ??,?S' '',9)?'g 0 0 O 0 POP ggogo o 000000 090999 Mg8°4 0000000 o0o000000 OOOOOOO OOOOOOOOO 24= 4°0.0°0°0°0'g&',3=48=0'.3g 2 9 9 .9 0 0 O 0 Eff. Send 1 6 3- 3 7 Sub In J 34 4 2 Rtn. 000 000 Remote Control unit ❑o oo o oo A MIXER for RHYTHM Aux Send NE EP 09 00 0 O 0 00 9 0 00 oq 0 0 o0o 0 0 0 0 00 0 o 0 o 0 00 0 0 A 00 8'0 O'ooOo O 0 OOO. 00 2r0°0 99 99.99 98 90 0999 0 0 0 FB 0 Out FB 00000000 0000 0 00000g00 0000 000 o, o qoqo 0 0 Out 0 P o o o o OOOO 0 0 0O00O0O 00O0oO0O 00O .30O90O9 O ooOc0O0000 0 99900q99 oc.0099o099.006o9 Rtn. 3 77 7 N N N 7 N 77 04 j_ TO FB N 77 MIXER for KBD Eff. Send Rtn. V V ma O0000000000 O 0, CoR4pC ,C9ttIC0i:940CdW ttnnonint u tab MOOL'ODDLI A AA O0000000000 MIDI THRU I 4 I MIDI OUT I I! !! I MILE Rw. I! PI Main Reverb Unit One REV7 is connected into the effect loop of the main system mixing console. In this case the mixing console provides a stereo effects loop: the left and right effects sends are fed to the corresponding REV7 stereo inputs, while the REV7 outputs are fed back to the corresponding effects return inputs. The effects return level controls on the mixer ace used to mix the appropriate amount of effect signal back into the program, so the REV7 is set up to output only the reverb signal (no direct signal). This permits application of any REV7 effect to the entire stereo program which is fed to the main house speakers or recording equipment. 0 Effects for a Specific Source In this system a separate mixer is used to mix the independent drum outputs from the RX11 Digital Rhythm Programmer, and add appropriate equalization to the individual drum sounds. A REV7 is patched into the drum mixer's auxilliary send/return loop permitting the application of effects like Gate Reverb to the drum signal only. Since the REV7 is directly inserted into the mixing console's main program buss, the desired mixture of direct and effect sound must be set using the REV7 mixing control. Ca Keyboard Effects with.MIDI Control The third REV7 in this system is patched into the stereo effects loop of the keyboard mixer. The REV7 is programmed to select pre-determined effects when it receives specific "program change" data from a MIDI keyboard. That is, if the performer selects voice 5 on his keyboard, the corresponding effect is automatically called on the REV7. For MIDI control, the MIDI OUT from a DX5 Digital Programmable Algorithm Synthesizer is fed to the MIDI IN terminal of the REV7, and the MIDI THRU of the REV7 sends the same MIDI control signals on to a DX7 Digital Programmable Algorithm Synthesizer. In this way, selecting a voice on the DX5 not only selects the corresponding effect on the REV7, but also the corresponding voice number on the DX7. 21

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APPLICATION
EXAMPLES
The
extraordinarily
broad
versatility
of
the
REV7
makes
it
the
perfect
reverberator
for
use
in
a
wide
range
of
applications
—for
sound
reinforcement,
recording,
A/V
production,
theatrical
productions,
etc.
The
system
diagram
below
shows
three
REV7
units
being
used
in
three
completely
different
ways
within
a
large
concert
sound
reinforcement
or
recording
system.
MIXING
CONSOLE
Inputs
1
Vocal
1
2
Vocal
2
3
Vocal
3
4
Vocal
4
6
E.G
7
Bass
Pf
MIXER
for
RHYTHM
Aux
Send
••
MI
NM
900
900
OOOOO 9OOOOOO
0 0
000000000
0
0 0 0
0
0 0 0
0
0
POP
??,?S'
'',9)?‘g
o
0
O
0
0000000
2 2
o0o000000
2
0
2
9
O
gg
o
g
o
090
999
000000
Mg8°4
OOOOOOO
24=
.°°°'
4°00000
OOOOOOOOO
g&',3=48=0'.3g
9
.9
0
-
3
3
Sub
In
J
Rtn.
0
4
3
NE
EP
09
0
00
9
0
00
00
oq
0
0
0
o
0
0
O
o
0
0
0
0
0
0
0
0
00
0
o
0
o
0
0
00
A
00
2r
°
00
8
'
0
99
O'oo
O
o
99.99
O
0
9
8
9
0
OOO
.
0999
0
0
77
7
N
N
N
7
N
77
ma
O0000000000
O
0
,
CoR4pC
,
C9ttIC0i:940CdW
ttnnonint
tab
MOOL'ODDLI
j_
3
4
Eff.
Send
1
4
2
000
000
Remote
Control
unit
Rtn.
FB
FB
Out
Out
TO
FB
❑o
o o o o o
00000000
0000
0
g
0000000
0000
000
o,
o
qoqo
0
P
o o
o
o
OOOO
OOOOOOOOOOOO
0000000o
000.30909
ooc00000
99900q99
oc.0099o099.006o9
0
0
0
0
0
N
77
A
A A
!!!!!!
!!!!!!!!
,!!
MIXER
for
KBD
Eff.
Send
Rtn.
V
V
A
O0000000000
4
I
MIDI
OUT
MIDI
THRU
I
I
I
MILE
Rw.
I!
!!
I!
PI
Main
Reverb
Unit
One
REV7
is
connected
into
the
effect
loop
of
the
main
system
mixing
console.
In
this
case
the
mixing
console
provides
a
stereo
effects
loop:
the
left
and
right
effects
sends
are
fed
to
the
corresponding
REV7
stereo
inputs,
while
the
REV7
outputs
are
fed
back
to
the
corresponding
effects
return
inputs.
The
effects
return
level
controls
on
the
mixer
ace
used
to
mix
the
appropriate
amount
of
effect
signal
back
into
the
program,
so
the
REV7
is
set
up
to
output
only
the
reverb
signal
(no
direct
signal).
This
permits
application
of
any
REV7
effect
to
the
entire
stereo
program
which
is
fed
to
the
main
house
speakers
or
recording
equipment.
0
Effects
for
a
Specific
Source
In
this
system
a
separate
mixer
is
used
to
mix
the
independent
drum
outputs
from
the
RX11
Digital
Rhythm
Programmer,
and
add
appropriate
equalization
to
the
individual
drum
sounds.
A
REV7
is
patched
into
the
drum
mixer's
auxilliary
send/return
loop
permitting
the
application
of
effects
like
Gate
Reverb
to
the
drum
signal
only.
Since
the
REV7
is
directly
inserted
into
the
mixing
console's
main
program
buss,
the
desired
mixture
of
direct
and
effect
sound
must
be
set
using
the
REV7
mixing
control.
Ca
Keyboard
Effects
with.
MIDI
Control
The
third
REV7
in
this
system
is
patched
into
the
stereo
effects
loop
of
the
keyboard
mixer.
The
REV7
is
programmed
to
select
pre
-determined
effects
when
it
receives
specific
"program
change"
data
from
a
MIDI
keyboard.
That
is,
if
the
performer
selects
voice
5
on
his
keyboard,
the
corresponding
effect
is
automatically
called
on
the
REV7.
For
MIDI
control,
the
MIDI
OUT
from
a
DX5
Digital
Programmable
Algorithm
Synthesizer
is
fed
to
the
MIDI
IN
terminal
of
the
REV7,
and
the
MIDI
THRU
of
the
REV7
sends
the
same
MIDI
control
signals
on
to
a
DX7
Digital
Programmable
Algorithm
Synthesizer.
In
this
way,
selecting
a
voice
on
the
DX5
not
only
selects
the
corresponding
effect
on
the
REV7,
but
also
the
corresponding
voice
number
on
the
DX7.
21