Adobe 22012057DM User Guide - Page 58

Vocal Enhancer

Page 58 highlights

SOUNDBOOTH CS3 54 User Guide See also "Waveform measurements" on page 12 "Applying effects" on page 46 Standard options Mode Specifies the phaser type. Amount Controls the ratio of original to processed sound. Advanced options Stages Specifies the number of phase-shifting filters. A higher setting produces denser phasing effects. Intensity Determines the amount of phase-shifting applied to the signal. Depth Determines how far the filters travel below the upper frequency. Larger settings produce a wider tremolo effect. Mod Rate Modulation rate controls how fast the filters travel to and from the upper frequency. Specify a value in Hz (cycles per second). Phase Diff Determines the phase difference between stereo channels. Positive values start phase shifts in the left channel, negative values in the right. The maximum values of +180 and -180 degrees produce a complete difference and are sonically identical. Upper Freq Sets the upper-most frequency from which the filters sweep. To produce the most dramatic results, select a frequency near the middle of the selected audio's range. Feedback Feeds a percentage of the phaser output back to the input, intensifying the effect. Negative values invert phase before feeding audio back. Mix Controls the ratio of original to processed audio. Output Gain Adjusts the output level after processing. Vocal Enhancer The Vocal Enhancer effect quickly improves the quality of voice-over recordings. The Male and Female modes automatically reduce sibilance and plosives, as well as microphone handling noise such as low rumbles. Those modes also apply microphone modeling and compression to give vocals a characteristic radio sound. The Music mode optimizes soundtracks so they better complement a voice-over. Male Optimizes audio for a man's voice. Female Optimizes audio for a woman's voice. Music Applies compression and equalization to music or background audio. See also "Applying effects" on page 46

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SOUNDBOOTH CS3
User Guide
54
See also
“Waveform measurements” on page 12
“Applying effects” on page 46
Standard options
Mode
Specifies the phaser type.
Amount
Controls the ratio of original to processed sound.
Advanced options
Stages
Specifies the number of phase-shifting filters. A higher setting produces denser phasing effects.
Intensity
Determines the amount of phase-shifting applied to the signal.
Depth
Determines how far the filters travel below the upper frequency. Larger settings produce a wider tremolo
effect.
Mod Rate
Modulation rate controls how fast the filters travel to and from the upper frequency. Specify a value in Hz
(cycles per second).
Phase Diff
Determines the phase difference between stereo channels. Positive values start phase shifts in the left
channel, negative values in the right. The maximum values of +180 and -180 degrees produce a complete difference
and are sonically identical.
Upper Freq
Sets the upper-most frequency from which the filters sweep. To produce the most dramatic results,
select a frequency near the middle of the selected audio’s range.
Feedback
Feeds a percentage of the phaser output back to the input, intensifying the effect. Negative values invert
phase before feeding audio back.
Mix
Controls the ratio of original to processed audio.
Output Gain
Adjusts the output level after processing.
Vocal Enhancer
The Vocal Enhancer effect quickly improves the quality of voice-over recordings. The Male and Female modes
automatically reduce sibilance and plosives, as well as microphone handling noise such as low rumbles. Those modes
also apply microphone modeling and compression to give vocals a characteristic radio sound. The Music mode
optimizes soundtracks so they better complement a voice-over.
Male
Optimizes audio for a man’s voice.
Female
Optimizes audio for a woman’s voice.
Music
Applies compression and equalization to music or background audio.
See also
“Applying effects” on page 46