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Style Creator (Digital Recording

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Reference Style Creator (Digital Recording) The powerful Style Creator feature lets you create your own original styles, which can then be used for style playback - just as with the preset styles. Style Data Structure - Creating Styles Each style is made up of ﬁfteen sections (Intro I - III, Main A - D, Fill In A - D, Break, Ending I - III) as rhythm pattern variations. Each of these ﬁfteen sections in turn has eight different parts (channels), made up of MIDI sequence data - making a total of 120 separate sets of MIDI data contained in a single style. With the Style Creator feature, you can create a style by separately recording the necessary MIDI data, or by importing pattern data from other existing styles. G Using Preset Styles As shown in the chart at right, when you select the internal preset style that is the closest to the type of style you wish to create and call up the Style Creator display, the preset style data will be copied to a special memory location for creating. You can create an original style by adding, deleting, or replacing data from this memory location. Each style contains 120 MIDI data sequences (15 Sections x 8 Parts) Section Part RHYTHM 1 RHYTHM 2 INTRO I BASS CHORD 1 CHORD 2 PAD PHRASE 1 PHRASE 2 INTRO II INTRO III MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D BREAK ENDING I ENDING II ENDING III For these parts containing preset data, new material can be overdubbed (recorded). For these parts containing preset data, new material cannot be overdubbed (recorded). These parts can be recorded only after deleting their preset data. Preset Style data Copy Internal memory for creating a style (RAM) • The DSP1 effect settings (page 136) cannot be stored in the User style data, and as such cannot be edited in the Style Creator function. This means that any DSP1 effect settings in the Preset style (such as changing speeds of the rotary speaker effect) will be deleted from the copied Preset style data, and be unavailable for creating a style. G Recording and Assembling The Style Creator provides two basic ways to create MIDI sequence data of each part: Recording, which allows you to record parts from the keyboard (using Realtime or Step Recording), and Assembly, which lets you bring various pattern data together by copying from other styles. Both methods, Recording and Assembly, replace the original data with the new data. In the case of chart shown at right, for example, INTRO I and MAIN A are created by recording the new data to all the parts, and MAIN B is created by assembling the pattern data for all parts from the other styles. INTRO III and ENDING A - C are created by keeping and using the original data. MAIN C and FILL IN A are created via three ways: Recording, Assembly, and using the original data. 114 TYROS Owner's Manual Example style - created by Recording, Assembly and original data Section Part RHYTHM 1 RHYTHM 2 INTRO I BASS CHORD 1 CHORD 2 PAD PHRASE 1 PHRASE 2 INTRO II INTRO III MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D BREAK ENDING I ENDING II ENDING III Creating data by recording Copying data from other styles (Assembly) No change (maintaining the original data) No data 112

Section	Page
Cover	1
PRECAUTIONS	4
Handling the Floppy Disk Drive(FDD) and Floppy Disk	6
Congratulations!	7
Packing List	7
Panel logos	8
How to use the manual	9
Contents	10
Application Index	12
Panel Controls and Terminals	16
Top Panel & Connections	16
Rear Panel & Connections	18
Starting Up	20
Power Supply	20
Optional Speaker	20
Music Rest	21
Turning the Power On/Off	22
Raising and Closing the Display Panel	23
Quick Guide	24
Turning the Power On and Playing the Demos	24
Turning the Power On and Viewing the Main Display	24
Playing the Demos	24
Playing Voices	26
Selecting a Voice (RIGHT1) and playing the keyboard	26
Playing Two or Three Voices Simultaneously	27
Playing Different Voices with the Left and Right Hands	28
Adjusting the Octave Setting	28
Organ Flutes	29
Collecting your favorite voices to the User drive or floppy disk	30
Selecting and Playing a Style — Auto Accompaniment (ACMP)	32
Playing a melody with your right hand and playing chords with your left hand	32
Pattern Variation (Sections)	34
One Touch Setting	36
Adjusting the Volume Balance between the Style and the Keyboard	36
Turning Style Parts On/Off and Changing Voices	37
Playing Styles from Floppy Disks	37
The Multi Pads	38
Playing the Multi Pads	38
Using Chord Match	38
Voice Effects	39
Applying Harmony to Your Right-hand Melody	39
Calling Up Ideal Setups for Your Music — Music Finder	40
Selecting the desired music genre from the Record List	40
Searching the Ideal Setups by Keyword	41
Creating a Set of Favorite Records	42
Song Playback	43
Playback of Song Disks	43
Using Song Position Markers	44
Adjusting the Volume Balance between the Song and the Keyboard	45
Turning Song Parts On/Off	45
Singing with a Connected Microphone	46
Connecting a microphone	46
Singing Along with Lyrics	46
Applying harmony to your voice	47
Keyboard and Vocal Practice using the Guide function	48
Selecting a Guide menu	48
Keyboard Practice using “Follow Lights”	49
Vocal Practice using “Vocal Cue Time”	50
Saving and Recalling Custom Panel Setups — Registration Memory	51
Saving your Panel Setups to a Registration Memory	51
Saving your Registration Memory to the User drive	52
Recalling a Registration Memory Setup	53
Recording Your Performances and Creating Songs — Song Recording	54
Quick Recording	54
Multi Recording	56
Connecting to a Computer	58
Initial Setup	58
Using the Voice Editor	59
Using the File Utility	59
Basic Operations — Organizing Your Data	60
Display-based Controls	60
Help/Display Messages	61
Direct Access — Instant Selection of Displays	62
Basic Structure of File/Folder and Memory Drives	62
Folder/File Operations using the Open/Save Display	66
Creating a New Folder	67
Selecting (Opening) a Folder/File	67
Copying Folders/Files (Copy & Paste)	68
Moving Folders/Files (Cut & Paste)	68
Deleting Folders/Files	69
Saving Files	69
Naming Folders/Files	70
Changing the Open/Save Display View	71
About the Highlight Cursor in the Display	73
About the Panel Button Colors	73
About the Keyboard	74
Keyboard Sections and Their Functions	74
Synchro Start On/Off	74
Function Tree	75
Reference	78
Voices	78
Voices and Keyboard Parts	78
Voice Types	79
Voice Effects	81
Changing Pitch on the TYROS	82
Organ Flutes (Sound Creator)	83
Sound Creator Parameters (Organ Flutes Voices)	83
Voice Creating (Sound Creator)	85
Sound Creator Parameters (Normal Voices)	86
Song Playback	88
Displaying Music Notation	88
Displaying Lyrics	90
Song Position	91
Song Playback Related Parameters	92
Song Creator (Digital Recording)	94
Record Mode Settings (Setting up for Re-recording)	95
Editing Data for each Channel	96
Step Recording for Chord data using the Event List	98
Step Recording for Notes using the Event List	100
Step Recording for System Exclusive Messages using the Event List	106
Step Recording for Lyrics using the Event List	106
Style Playback (Auto Accompaniment)	108
Chord Fingerings	108
Fade In/Out	109
Tempo	109
Synchro Start and Synchro Stop	110
Programmable One Touch Setting (OTS)	110
Instant Style Selection	111
Style Playback Related Settings	112
Style Creator (Digital Recording)	114
Basic Settings and Realtime Recording for each part (channel)	116
Step Recording for Notes using the Event List	117
Assembling a Style from Existing Pattern Data	118
Groove and Dynamics	118
Editing Data for each Channel	120
Making Style File Format Settings	120
Custom Style Recording via an External Sequence Recorder	122
The Multi Pads	124
Multi Pad Editing using the Open/Save display	124
Multi Pad Creating/Editing (Digital Recording)	124
Music Finder	126
Music Finder Record Editing	126
Saving Music Finder Records as a single file	126
Registration Memory	128
Freeze Quick Guide	128
Registration Sequence	128
Using a Microphone	130
Vocal Harmony Edit	130
Talk Setting	132
Microphone Overall Settings	132
Mixing Console	134
Part Settings	135
Song Auto Revoice	136
Effects	136
Equalizer (EQ)	139
Master Compressor	140
Line Out Settings	140
MIDI	142
MIDI System Settings	146
MIDI Transmit Settings	146
MIDI Receive Settings	147
Setting the Chord Root for Style Playback via MIDI receive	148
Setting the Chord Type for Style Playback via MIDI receive	148
MFC10 Settings	148
Making Global and Other Important Settings – Function	150
Tuning	150
Voice Set	151
Video Out Settings	151
Controller	152
Harmony/Echo	154
Other Settings (Utility)	156
Appendix	160
Installing the Optional Speakers	160
Installing an Optional Hard Disk	162
Troubleshooting	164
Glossary	166
Specifications	168

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Reference

114

TYROS Owner’s Manual

112

Style Creator (Digital Recording)

The powerful Style Creator feature lets you create your own original styles, which can then be used for style playback

— just as with the preset styles.

Each style is made up of ﬁfteen sections (Intro I - III,

Main A - D, Fill In A - D, Break, Ending I - III) as

rhythm pattern variations. Each of these ﬁfteen sec-

tions in turn has eight different parts (channels), made

up of MIDI sequence data — making a total of 120

separate sets of MIDI data contained in a single style.

With the Style Creator feature, you can create a style

by separately recording the necessary MIDI data, or

by importing pattern data from other existing styles.

●

Using Preset Styles

As shown in the chart at right, when you select the

internal preset style that is the closest to the type

of style you wish to create and call up the Style

Creator display, the preset style data will be cop-

ied to a special memory location for creating. You

can create an original style by adding, deleting, or

replacing data from this memory location.

●

Recording and Assembling

The Style Creator provides two basic ways to cre-

ate MIDI sequence data of each part: Recording,

which allows you to record parts from the key-

board (using Realtime or Step Recording), and

Assembly, which lets you bring various pattern

data together by copying from other styles. Both

methods, Recording and Assembly, replace the

original data with the new data.

In the case of chart shown at right, for example,

INTRO I and MAIN A are created by recording

the new data to all the parts, and MAIN B is cre-

ated by assembling the pattern data for all parts

from the other styles. INTRO III and ENDING A

- C are created by keeping and using the original

data. MAIN C and FILL IN A are created via three

ways: Recording, Assembly, and using the origi-

nal data.

Style Data Structure

—

Creating Styles

Part

Section

RHYTHM 1

INTRO I

INTRO II

INTRO III

MAIN B

MAIN A

MAIN C

MAIN D

FILL IN A

FILL IN B

FILL IN C

FILL IN D

BREAK

ENDING I

ENDING II

ENDING III

RHYTHM 2

BASS

CHORD 1

CHORD 2

PAD

PHRASE 1

PHRASE 2

Each style contains 120 MIDI data sequences (15 Sections x 8 Parts)

For these parts containing preset data, new material can be over-

dubbed (recorded).

For these parts containing preset data, new material cannot be over-

dubbed (recorded).

These parts can be recorded only after deleting

their preset data.

Preset Style data

Internal memory for

creating a style (RAM)

Copy

•

The DSP1 effect settings (page 136) cannot be stored in

the User style data, and as such cannot be edited in the

Style Creator function.

This means that any DSP1 effect

settings in the Preset style (such as changing speeds of

the rotary speaker effect) will be deleted from the copied

Preset style data, and be unavailable for creating a style.