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Sound Creator Parameters (Normal Voices), COMMON, CONTROLLER

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Reference Voice Creating (Sound Creator) Sound Creator Parameters (Normal Voices) The Sound Creator parameters are organized into ﬁve different pages, and can be set as described in step #3 of the "Basic Procedure" above. These can also be programmed as part of the Voice Set parameters (page 151), to be automatically called up when the voice is selected. Keep in mind that these parameters do not apply to the Organ Flutes voices, which have their own set of parameters (page 83). I COMMON VOLUME TOUCH SENSE OCTAVE MONO/POLY PORTAMENTO TIME Determines the volume of the current edited voice. Determines the touch sensitivity, or how greatly the volume responds to your playing strength. A setting of "0" produces more extreme drops in level, the more softly you play, while a setting of "64" is normal response, and "127" produces high volume for any playing strength (fixed). Shifts the octave range of the edited voice up or down in octaves. When the edited voice is used as any of the RIGHT1 - 3 parts, the R1/R2/R3 parameter is available; when the edited voice is used as the LEFT part, the LEFT parameter is available. Determines whether the edited voice is played monophonically or polyphonically (page 81). Sets the portamento time when the edited voice is set to "MONO" above. I CONTROLLER G MODULATION The Modulation Wheel can be used to modulate the parameters below as well as the pitch (vibrato). Here, you can set the degree to which the Modulation wheel modulates each of the following parameters. FILTER AMPLITUDE LFO PMOD LFO FMOD LFO AMOD Determines the degree to which the Modulation Wheel modulates the Filter Cutoff Frequency. See next page for details about Filter. Determines the degree to which the Modulation Wheel modulates the amplitude (volume). Determines the degree to which the Modulation Wheel modulates the pitch, or the vibrato effect. Determines the degree to which the Modulation Wheel modulates the Filter modulation, or the wah effect. Determines the degree to which the Modulation Wheel modulates the amplitude, or the tremolo effect. G AFTERTOUCH Aftertouch can be used to modulate the parameters below. Here, you can set the degree to which Aftertouch modulates each of the following parameters. FILTER AMPLITUDE LFO PMOD LFO FMOD LFO AMOD Determines the degree to which Aftertouch modulates the Filter Cutoff Frequency. See next page for details about Filter. Determines the degree to which Aftertouch modulates the amplitude (volume). Determines the degree to which Aftertouch modulates the pitch, or the vibrato effect. Determines the degree to which Aftertouch modulates the Filter modulation, or the wah effect. Determines the degree to which Aftertouch modulates the amplitude, or the tremolo effect. 86 TYROS Owner's Manual 84

Section	Page
Cover	1
PRECAUTIONS	4
Handling the Floppy Disk Drive(FDD) and Floppy Disk	6
Congratulations!	7
Packing List	7
Panel logos	8
How to use the manual	9
Contents	10
Application Index	12
Panel Controls and Terminals	16
Top Panel & Connections	16
Rear Panel & Connections	18
Starting Up	20
Power Supply	20
Optional Speaker	20
Music Rest	21
Turning the Power On/Off	22
Raising and Closing the Display Panel	23
Quick Guide	24
Turning the Power On and Playing the Demos	24
Turning the Power On and Viewing the Main Display	24
Playing the Demos	24
Playing Voices	26
Selecting a Voice (RIGHT1) and playing the keyboard	26
Playing Two or Three Voices Simultaneously	27
Playing Different Voices with the Left and Right Hands	28
Adjusting the Octave Setting	28
Organ Flutes	29
Collecting your favorite voices to the User drive or floppy disk	30
Selecting and Playing a Style — Auto Accompaniment (ACMP)	32
Playing a melody with your right hand and playing chords with your left hand	32
Pattern Variation (Sections)	34
One Touch Setting	36
Adjusting the Volume Balance between the Style and the Keyboard	36
Turning Style Parts On/Off and Changing Voices	37
Playing Styles from Floppy Disks	37
The Multi Pads	38
Playing the Multi Pads	38
Using Chord Match	38
Voice Effects	39
Applying Harmony to Your Right-hand Melody	39
Calling Up Ideal Setups for Your Music — Music Finder	40
Selecting the desired music genre from the Record List	40
Searching the Ideal Setups by Keyword	41
Creating a Set of Favorite Records	42
Song Playback	43
Playback of Song Disks	43
Using Song Position Markers	44
Adjusting the Volume Balance between the Song and the Keyboard	45
Turning Song Parts On/Off	45
Singing with a Connected Microphone	46
Connecting a microphone	46
Singing Along with Lyrics	46
Applying harmony to your voice	47
Keyboard and Vocal Practice using the Guide function	48
Selecting a Guide menu	48
Keyboard Practice using “Follow Lights”	49
Vocal Practice using “Vocal Cue Time”	50
Saving and Recalling Custom Panel Setups — Registration Memory	51
Saving your Panel Setups to a Registration Memory	51
Saving your Registration Memory to the User drive	52
Recalling a Registration Memory Setup	53
Recording Your Performances and Creating Songs — Song Recording	54
Quick Recording	54
Multi Recording	56
Connecting to a Computer	58
Initial Setup	58
Using the Voice Editor	59
Using the File Utility	59
Basic Operations — Organizing Your Data	60
Display-based Controls	60
Help/Display Messages	61
Direct Access — Instant Selection of Displays	62
Basic Structure of File/Folder and Memory Drives	62
Folder/File Operations using the Open/Save Display	66
Creating a New Folder	67
Selecting (Opening) a Folder/File	67
Copying Folders/Files (Copy & Paste)	68
Moving Folders/Files (Cut & Paste)	68
Deleting Folders/Files	69
Saving Files	69
Naming Folders/Files	70
Changing the Open/Save Display View	71
About the Highlight Cursor in the Display	73
About the Panel Button Colors	73
About the Keyboard	74
Keyboard Sections and Their Functions	74
Synchro Start On/Off	74
Function Tree	75
Reference	78
Voices	78
Voices and Keyboard Parts	78
Voice Types	79
Voice Effects	81
Changing Pitch on the TYROS	82
Organ Flutes (Sound Creator)	83
Sound Creator Parameters (Organ Flutes Voices)	83
Voice Creating (Sound Creator)	85
Sound Creator Parameters (Normal Voices)	86
Song Playback	88
Displaying Music Notation	88
Displaying Lyrics	90
Song Position	91
Song Playback Related Parameters	92
Song Creator (Digital Recording)	94
Record Mode Settings (Setting up for Re-recording)	95
Editing Data for each Channel	96
Step Recording for Chord data using the Event List	98
Step Recording for Notes using the Event List	100
Step Recording for System Exclusive Messages using the Event List	106
Step Recording for Lyrics using the Event List	106
Style Playback (Auto Accompaniment)	108
Chord Fingerings	108
Fade In/Out	109
Tempo	109
Synchro Start and Synchro Stop	110
Programmable One Touch Setting (OTS)	110
Instant Style Selection	111
Style Playback Related Settings	112
Style Creator (Digital Recording)	114
Basic Settings and Realtime Recording for each part (channel)	116
Step Recording for Notes using the Event List	117
Assembling a Style from Existing Pattern Data	118
Groove and Dynamics	118
Editing Data for each Channel	120
Making Style File Format Settings	120
Custom Style Recording via an External Sequence Recorder	122
The Multi Pads	124
Multi Pad Editing using the Open/Save display	124
Multi Pad Creating/Editing (Digital Recording)	124
Music Finder	126
Music Finder Record Editing	126
Saving Music Finder Records as a single file	126
Registration Memory	128
Freeze Quick Guide	128
Registration Sequence	128
Using a Microphone	130
Vocal Harmony Edit	130
Talk Setting	132
Microphone Overall Settings	132
Mixing Console	134
Part Settings	135
Song Auto Revoice	136
Effects	136
Equalizer (EQ)	139
Master Compressor	140
Line Out Settings	140
MIDI	142
MIDI System Settings	146
MIDI Transmit Settings	146
MIDI Receive Settings	147
Setting the Chord Root for Style Playback via MIDI receive	148
Setting the Chord Type for Style Playback via MIDI receive	148
MFC10 Settings	148
Making Global and Other Important Settings – Function	150
Tuning	150
Voice Set	151
Video Out Settings	151
Controller	152
Harmony/Echo	154
Other Settings (Utility)	156
Appendix	160
Installing the Optional Speakers	160
Installing an Optional Hard Disk	162
Troubleshooting	164
Glossary	166
Specifications	168

Match case Limit results 1 per page

Voice Creating (Sound Creator)

Reference

TYROS Owner’s Manual

Sound Creator Parameters (Normal Voices)

The Sound Creator parameters are organized into ﬁve different pages, and can be set as described in step #3 of the

“Basic Procedure” above.

These can also be programmed as part of the Voice Set parameters (page 151), to be

automatically called up when the voice is selected.

Keep in mind that these parameters do not apply to the Organ Flutes voices, which have their own set of parameters

(page

83).

■

COMMON

■

CONTROLLER

●

MODULATION

The Modulation Wheel can be used to modulate the parameters below as well as the pitch (vibrato).

Here, you can set the degree to which the Modulation wheel modulates each of the following param-

eters.

●

AFTERTOUCH

Aftertouch can be used to modulate the parameters below. Here, you can set the degree to which

Aftertouch modulates each of the following parameters.

VOLUME

Determines the volume of the current edited voice.

TOUCH SENSE

Determines the touch sensitivity, or how greatly the volume responds to your play-

ing strength. A setting of “0” produces more extreme drops in level, the more softly

you play, while a setting of “64” is normal response, and “127” produces high vol-

ume for any playing strength (fixed).

OCTAVE

Shifts the octave range of the edited voice up or down in octaves. When the edited

voice is used as any of the RIGHT1 - 3 parts, the R1/R2/R3 parameter is available;

when the edited voice is used as the LEFT part, the LEFT parameter is available.

MONO/POLY

Determines whether the edited voice is played monophonically or polyphonically

(page 81).

PORTAMENTO TIME

Sets the portamento time when the edited voice is set to “MONO” above.

FILTER

Determines the degree to which the Modulation Wheel modulates the Filter Cutoff

Frequency. See next page for details about Filter.

AMPLITUDE

Determines the degree to which the Modulation Wheel modulates the amplitude

(volume).

LFO PMOD

Determines the degree to which the Modulation Wheel modulates the pitch, or the

vibrato effect.

LFO FMOD

Determines the degree to which the Modulation Wheel modulates the Filter modu-

lation, or the wah effect.

LFO AMOD

Determines the degree to which the Modulation Wheel modulates the amplitude, or

the tremolo effect.

FILTER

Determines the degree to which Aftertouch modulates the Filter Cutoff Frequency.

See next page for details about Filter.

AMPLITUDE

Determines the degree to which Aftertouch modulates the amplitude (volume).

LFO PMOD

Determines the degree to which Aftertouch modulates the pitch, or the vibrato ef-

fect.

LFO FMOD

Determines the degree to which Aftertouch modulates the Filter modulation, or the

wah effect.

LFO AMOD

Determines the degree to which Aftertouch modulates the amplitude, or the tremolo

effect.