Konica Minolta bizhub PRESS C6000 IC-601 Color Centro User Guide - Page 175

The Customize Color Conversions screen appears.

Page 175 highlights

11.11 Create the CMYK-CMYK Device Link Profile 11 % When you click [Browse], go to Step 4. % When you click [Create], go to the steps described from page 11-16 to page 11-20. 4 On the screen displayed by clicking [CMYK Target Profile] - [Browse], select the CMYK target profile used and click [Open]. The selected CMYK target profile is displayed to [Selected Profile] of [CMYK Target Profile]. 5 Click [Next]. The Customize Color Conversions screen appears. % Go to the step described on page 11-63. 11.11.4 Customize the Color Conversions On the Customize Color Conversions screen, you can set the rendering intent, the preserve mid-tone and preserve solid. 1 From [CMYK-CMYK Conversion] - [Rendering Intent], select the rendering intent. % [Relative Colorimetric] is the setting to execute color conversion regarding the paper color as completely white. The paper color parts are represented as colorlessness after color conversion. % [Absolute Colorimetric] is the setting to execute color conversion maintaining the measurement value of the paper color. The paper color parts are represented with the color near the actual paper color after color conversion. When you select [Absolute Colorimetric], [Preserve Mid-Tone] and [Preserve Solid] are not available. % When you make all contents of the setting on the screen the same content as recommended setting, click [Undo]. 2 When you set the preserve mid-tone for one color, check [Preserve Mid-Tone] of that color. % [Preserve Mid-Tone] is a setting to recompose the color after the color conversion as the same one color which has composed the color before the color conversion. % The setting of [C], [M], [Y] and [K] is the setting for the color composed of C/M/Y/K only. % The setting of [R] is the setting for the color composed of [M] and [Y]. % The setting of [G] is the setting for the color composed of [C] and [Y]. % The setting of [B] is the setting for the color composed of [C] and [M]. % In some cases, you can't set [Preserve Mid-Tone] and [Preserve Solid] at the same time. 3 When you set the preserve solid for one color, check [Preserve Solid] of that color. % [Preserve Solid] is a setting to represent the solid part after the color conversion with the same color which is used for the solid part before the color conversion. % The setting of [C], [M], [Y], and [K] is the setting about the color composed of C/M/Y/K only, % The setting of [R] is the setting for the color composed of [M] and [Y]. IC-601 11-63

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224
  • 225
  • 226
  • 227
  • 228
  • 229
  • 230
  • 231
  • 232
  • 233
  • 234
  • 235
  • 236
  • 237
  • 238
  • 239
  • 240
  • 241
  • 242
  • 243
  • 244
  • 245
  • 246
  • 247
  • 248
  • 249
  • 250
  • 251
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • 261
  • 262
  • 263
  • 264
  • 265
  • 266
  • 267
  • 268
  • 269
  • 270
  • 271
  • 272
  • 273
  • 274
  • 275
  • 276
  • 277
  • 278
  • 279

IC-601
11-63
11.11
Create the CMYK-CMYK Device Link Profile
11
%
When you click [Browse], go to Step 4.
%
When you click [Create], go to the steps described from page 11-16 to page 11-20.
4
On the screen displayed by clicking [CMYK Target Profile] - [Browse], select the CMYK target profile
used and click [Open].
The selected CMYK target profile is displayed to [Selected Profile] of [CMYK Target Profile].
5
Click [Next].
The Customize Color Conversions screen appears.
%
Go to the step described on page 11-63.
11.11.4
Customize the Color Conversions
On the Customize Color Conversions screen, you can set the rendering intent, the preserve mid-tone and
preserve solid.
1
From [CMYK-CMYK Conversion] - [Rendering Intent], select the rendering intent.
%
[Relative Colorimetric] is the setting to execute color conversion regarding the paper color as com-
pletely white. The paper color parts are represented as colorlessness after color conversion.
%
[Absolute Colorimetric] is the setting to execute color conversion maintaining the measurement val-
ue of the paper color. The paper color parts are represented with the color near the actual paper
color after color conversion. When you select [Absolute Colorimetric], [Preserve Mid-Tone] and [Pre-
serve Solid] are not available.
%
When you make all contents of the setting on the screen the same content as recommended setting,
click [Undo].
2
When you set the preserve mid-tone for one color, check [Preserve Mid-Tone] of that color.
%
[Preserve Mid-Tone] is a setting to recompose the color after the color conversion as the same one
color which has composed the color before the color conversion.
%
The setting of [C], [M], [Y] and [K] is the setting for the color composed of C/M/Y/K only.
%
The setting of [R] is the setting for the color composed of [M] and [Y].
%
The setting of [G] is the setting for the color composed of [C] and [Y].
%
The setting of [B] is the setting for the color composed of [C] and [M].
%
In some cases, you can't set [Preserve Mid-Tone] and [Preserve Solid] at the same time.
3
When you set the preserve solid for one color, check [Preserve Solid] of that color.
%
[Preserve Solid] is a setting to represent the solid part after the color conversion with the same color
which is used for the solid part before the color conversion.
%
The setting of [C], [M], [Y], and [K] is the setting about the color composed of C/M/Y/K only,
%
The setting of [R] is the setting for the color composed of [M] and [Y].