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Phantom Powering, Pad Switches, Setting Input Channel Gain, Metering Input Channels

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Phantom Powering 41 Phantom Powering CH 1-6 Input channels 1 through 12 feature +48 V phantom powering for use with ON OFF condenser-type microphones. Phantom powering is supplied to the bal- anced XLR-3-31-type connector, and can be switched for inputs 1 through 6 and inputs 7 through 12. Phantom powering should be turned on only when CH 7-12 a condenser-type microphone is connected. ON OFF Warning: Make sure that phantom powering is turned off when connecting an unbalanced source to an XLR input. Pad Switches Input channels 1 through 12 feature 26 dB pad switches. Input pads attenu26dB ate the input signal by 26 dB, allowing the input preamp to work with high-level signals. You may need to use a pad with "hot" signals from bass or snare drum microphones, or "hot" line-level signals. PAD switch settings are not stored in scene memories. Setting Input Channel Gain GAIN controls adjust the gain of the input channel preamps. They're used to optimize the input signal level for the best signal-to-noise performance, and should be set in conjunction with the level meters on the HOME pages. Ideally, the GAIN control should be set so that the signal level is relatively high, and it's okay for it to reach CLIP occasionally. If CLIP is reached often, however, back off the GAIN control a little, otherwise, signal distortion may occur. The GAIN control should be set with care. If it's set too low, the signal-to-noise performance will suffer. If it's set too high, unpleasant signal clipping and distortion may occur. -16 -60 +10 GAIN -34 The GAIN controls on input channels 1 through 12 are designed for use with microphone signals, and have an input sensitivity of -16 dB to -60 dB. Used in conjunction with the 26 dB PAD switches, however, these channels can also be used with line-level signals and "hot" microphone signals. With the pad switch on, input sensitivity is +10 to -34 dB. A detented action allows for accurate repeat setting. The GAIN controls on input channels 13 through 16 are designed for use with line-level signals, and have a gain range of -10 dB to 20 dB. +10 -20 GAIN GAIN control settings are not stored in scene memories. Metering Input Channels Signal levels can be metered on the HOME pages. See "Metering Signal Levels" on page 83 for more information. 01V-Owner's Manual

Section	Page
Important Information	3
Contents	5
1 Welcome to the 01V	11
Welcome to the 01V	12
About this Owner’s Manual	12
01V Installation	12
01V Features	13
Key Feature Discussion	14
2 Getting Started	18
01V System Example	19
Important Wordclock Information	20
Connecting the Power Cord	20
Turning On the 01V	20
Turning Off the 01V	20
3 Touring the 01V	21
Top Panel Controls	22
Inputs & Outputs	28
Block Diagram	32
4 Getting Around the User Interface	34
About the User Interface	35
Display	35
Display Elements	37
Cursor Buttons	38
PARAMETER Wheel	38
–1/DEC & +1/INC Buttons	38
ENTER Button	38
Fader Modes	39
Title Edit Dialog Box	44
5 Input Channels	45
Input Channel Overview	46
Phantom Powering	47
Pad Switches	47
Setting Input Channel Gain	47
Metering Input Channels	47
Changing the Input Phase	48
Attenuating Input Channel Signals	49
Applying EQ to Input Channels	50
Input Channels Dynamics Processors	50
Delaying Channel Signals	51
Muting Input Channels	52
Setting Input Channel Levels	52
Panning Input Channels	53
Routing Input Channels	55
Monitoring Input Channels	56
Input Channels & Aux Sends	56
Input Channels & the Omni Outs	56
Input Channels & the Option I/O Outs	56
Swapping Inputs 1–8 & 17–24	57
Pairing Input Channels	58
Grouping Faders	61
Grouping Mutes	62
Viewing Input Channel Settings	63
Copying & Swapping Channel Settings	65
Input Channel Block Diagram	66
6 EQ	67
About the 01V EQ	68
Adjusting the EQ	69
EQ Specs	72
Bypassing the EQ	72
Resetting the EQ	72
EQ Library	73
Preset EQ Program List	73
Storing EQ Programs	74
Recalling EQ Programs	75
Editing EQ Program Titles	76
Preset EQ Program Parameters	77
7 Solo, Monitors & Meters	81
About Monitor & Solo	82
Monitor Outputs	83
Phones	83
Twotrack Input (2TR IN)	83
Monitor Setup	84
Using Monitor	84
Monitor Block Diagram	85
Solo Setup	86
Using Solo	87
Solo Block Diagram	88
Metering Signal Levels	89
Main Stereo Meters	90
Peak Hold	90
Setting the Metering Point	91
Option I/O Meters (input channels 17–24)	91
Effects Send Meters	92
8 Stereo Output	93
About the Stereo Output	94
Analog Stereo Output	94
2TR Out & the Stereo Output	94
Coaxial Digital Out & the Stereo Output	94
Option I/O & the Stereo Output	94
Omni Outs & the Stereo Output	94
Solo & the Stereo Output	94
Monitoring the Stereo Output	94
Metering the Stereo Output	95
Routing Signals to the Stereo Output	95
Viewing Stereo Output Settings	95
Setting the Stereo Output Level	96
Muting the Stereo Output	96
Balancing the Stereo Output	96
Applying EQ to the Stereo Output	96
Stereo Output Dynamics Processors	96
Stereo Output Delay	97
Stereo Output Block Diagram	98
9 Aux Sends	99
About the Aux Sends	100
Option I/O & the Aux Sends	100
Omni Outs & the Aux Sends	100
Monitoring Aux Sends	100
Metering Aux Sends	100
Sending Channel Signals to Aux Sends	101
Prefader/Postfader Aux Sends	103
Viewing Aux Send Settings	104
Setting Aux Send Master Levels	105
Muting Aux Sends	106
Applying EQ to Aux Sends	106
Aux Send Dynamics Processors	106
Pairing Aux Sends	107
Aux Send Block Diagram	110
Stereo Pair Aux Send Block Diagram	111
10 Bus Outs	112
About the Bus Outs	113
Option I/O & the Bus Outs	113
Omni Outs & the Bus Outs	113
Monitoring Bus Outs	113
Metering Bus Outs	113
Routing Signals to the Bus Outs	113
Setting Bus Out Master Levels	114
Muting Bus Outs	114
Routing Bus Signals to the Stereo Bus	115
Pairing Bus Outs	116
Bus Out Block Diagram	117
Stereo Pair Bus Out Block Diagram	118
11 Omni Outs	119
About the Omni Outs	120
Omni Outs	120
Assigning Omni Outs	120
Omni Out Delay	121
Omni Out Block Diagram	122
12 Effects	123
About the Onboard Effects	124
Preset Effects Programs	125
Using the Effects	127
Prefader/Postfader Effects Sends	129
Viewing Effects Send Settings	131
Metering Effects Sends	131
Setting Effects Send Master Levels	132
Muting Effects Sends	133
Viewing Effects Returns Settings	134
Metering Effects Returns	134
Applying EQ to Effects Returns	134
Muting Effects Returns	134
Setting Effects Returns Levels	135
Panning Effects Returns	135
Routing Effects Returns	135
Monitoring Effects Returns	135
Effects Returns & Aux Sends	135
Effects Library	136
Storing Effects Programs	137
Recalling Effects Programs	138
Editing Effects Program Titles	139
Editing Effects	140
Setting Delay, Freq, Note & Tempo Parameters	141
Effects Parameters	142
Effects Block Diagram	163
13 Dynamics Processors	164
About the Dynamics Processors	165
Preset Dynamics Programs	166
Using the Dynamics Processors	167
Editing the Dynamics Processors	169
Processor Types	170
Dynamics Library	176
Storing Dynamics Programs	177
Recalling Dynamics Programs	178
Editing Dynamics Program Titles	179
Preset Dynamics Program Settings	180
14 Scene Memories	185
About Scene Memories	186
What’s Stored in Scene Memories?	186
About the Edit Buffer & Indicator	187
Scene Memory 00	187
Scene Memory Display Area	187
Storing Mix Scenes	188
Recalling Mix Scenes	189
Recalling Mix Scenes Using MIDI Program Change Messages	190
Undoing Mix Scene Recalls	191
Protecting Scene Memories	191
Editing Scene Memory Titles	192
Renumbering Scene Memories	192
Setting a Fade Time	193
Recalling Scene Data Safely	194
15 Other Functions	195
Assigning Faders & On Buttons	196
Using the Oscillator	204
Setting 01V Preferences	205
Initializing the 01V	206
Calibrating the Faders	206
16 Using the Digital Inputs & Outputs	207
About Wordclocks	208
Setting the Wordclock	211
Digital Stereo Out	213
Output Dither	214
Digital Stereo In	215
Cascading 01Vs	216
About Option I/O Cards	218
Installing Option I/O Cards	220
Assigning Option I/O Digital Outputs	221
Option I/O Block Diagram	222
17 MIDI	223
MIDI & the 01V	224
MIDI Ports	224
MIDI Receive Indicators	226
MIDI Setup	226
Program Change Scene Recall	229
Control Change Parameter Control	231
System Exclusive Parameter Control	233
Bulk Dump	234
Local Control	236
MIDI Machine Control	238
User Defined MIDI Controllers	240
Linking 01Vs	241
18 System Examples	243
01V & ADATInterface Recorder	244
Two 01Vs & two ADATInterface Recorders	246
01V & TascamInterface Recorder	248
Two 01Vs & two TascamInterface Recorders	250
01V & Pro Tools (AES/EBU)	252
Troubleshooting	254
Appendix A: General	258
01V Level Diagram	258
Display Messages	259
Security Cover	260
Rackmounting Kit	260
Appendix B: Specifications	261
General	261
Input Channels 1–16	263
Option I/O Inputs 17–24 (need optional card)	264
Digital Stereo In	264
Return 1, 2 (Internal Effect 1, 2)	264
Bus 1–4	265
Aux 1–4	265
Stereo Out	265
Omni Out 1–4	265
Monitor Out (Solo)	266
Digital Stereo Out	266
Option I/O Output (need optional card)	266
Memories & Libraries	266
EQ	267
Analog Inputs	268
Analog Outputs	268
Digital Audio Inputs	269
Digital Audio Outputs	269
Option I/O Cards	269
Control I/O	270
01V Dimensions	271
Appendix C: MIDI	272
Scene Memory to Program Change Table	272
01V Parameter to Control Change Table	273
03D & Programmable Mixer 01 Parameter to Control Change Table	276
MIDI Data Format	279
MIDI Implementation Chart	289
Appendix D: Resources	290
Books	290
Yamaha Web Site	290
Glossary	291

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Phantom Powering

01V—Owner’s Manual

Phantom Powering

Input channels 1 through 12 feature +48 V phantom powering for use with

condenser-type microphones. Phantom powering is supplied to the bal-

anced XLR-3-31-type connector, and can be switched for inputs 1 through 6

and inputs 7 through 12. Phantom powering should be turned on only when

a condenser-type microphone is connected.

Pad Switches

Input channels 1 through 12 feature 26 dB pad switches. Input pads attenu-

ate the input signal by 26 dB, allowing the input preamp to work with

high-level signals. You may need to use a pad with “hot” signals from bass or

snare drum microphones, or “hot” line-level signals. PAD switch settings are

not stored in scene memories.

Setting Input Channel Gain

GAIN controls adjust the gain of the input channel preamps. They’re used to optimize

the input signal level for the best signal-to-noise performance, and should be set in con-

junction with the level meters on the HOME pages. Ideally, the GAIN control should

be set so that the signal level is relatively high, and it’s okay for it to reach CLIP occa-

sionally. If CLIP is reached often, however, back off the GAIN control a little, otherwise,

signal distortion may occur. The GAIN control should be set with care. If it’s set too low,

the signal-to-noise performance will suffer. If it’s set too high, unpleasant signal clip-

ping and distortion may occur.

The GAIN controls on input channels 1 through 12 are designed for use

with microphone signals, and have an input sensitivity of –16 dB to

–60 dB. Used in conjunction with the 26 dB PAD switches, however,

these channels can also be used with line-level signals and “hot” micro-

phone signals. With the pad switch on, input sensitivity is +10 to –34 dB.

A detented action allows for accurate repeat setting.

The GAIN controls on input channels 13 through 16 are designed for use

with line-level signals, and have a gain range of –10 dB to 20 dB.

GAIN control settings are not stored in scene memories.

Metering Input Channels

Signal levels can be metered on the HOME pages. See “Metering Signal Levels” on page

83 for more information.

Warning:

Make sure that phantom powering is turned off when connecting an unbal-

anced source to an XLR input.

CH 7-12

ON OFF

CH 1-6

ON OFF

26dB

+10

–34

–60

–16

GAIN

–20

+10