Yamaha DTX700 Reference Manual - Page 19

Filter Cutoff Frequency Filter, Filter Resonance Q, Variation Send Level VarSendDry, Chorus Send

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KIT KIT/VOICE 4/6 Filter Cutoff Frequency (Filter) Use this parameter to set a cutoff frequency for the low-pass filter. Frequencies above this level will be removed from the selected voice. Settings: -64 to +0 to +63 Filter Resonance (Q) Use this parameter to change the timbre of the voice by boosting frequencies around the cutoff frequency. Settings: -64 to +0 to +63 Chorus Send Level (ChoSend) Use this parameter to specify how much of the sound produced by the voice will be sent to the chorus effect. Settings: 0 to 127 NOTE • The chorus send level for the entire kit can be adjusted using the ChoSend (Chorus Send Level) parameter from the Menu area's Kit/Effect/Mixer page. • If layers have been set for the current voice, you can set a send level for each one. Reverb Send Level (RevSend) Use this parameter to specify how much of the sound produced by the voice will be sent to the reverb effect. Settings: 0 to 127 NOTE • The reverb send level for the entire kit can be adjusted using the Reverb Send Level (RevSend) parameter from the Menu area's Kit/Effect/Mixer page. • If layers have been set for the current voice, you can set a send level for each one. KIT/VOICE 5/6 Using the following parameters, you can adjust the degree to which the DTX700's built-in variation, chorus, and reverb effects are applied to individual voices. KIT/VOICE 6/6 Variation Send Level (VarSend(Dry)) Use this parameter to specify how much of the sound produced by the voice will be sent to the variation effect. (The dry level is shown in parentheses.) Settings: 0 to 127 NOTE • If layers have been set for the current voice, you can set a send level for each one. Polyphony (Mono/Poly) Use this parameter to specify how overlapping sounds from the same pad will be treated. mono poly When two overlapping sounds are produced by striking the same pad, the latter sound is given priority and the earlier sound is silenced. No such restriction applies and all overlapping sounds are output. Settings: mono, poly DTX700 Reference Manual 19

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KIT
DTX700
Reference Manual
19
Filter Cutoff Frequency (Filter)
Use this parameter to set a cutoff frequency for the low-pass fil-
ter. Frequencies above this level will be removed from the
selected voice.
Settings:
-64 to +0 to +63
Filter Resonance (Q)
Use this parameter to change the timbre of the voice by boosting
frequencies around the cutoff frequency.
Settings:
-64 to +0 to +63
Using the following parameters, you can adjust the
degree to which the DTX700’s built-in variation, cho-
rus, and reverb effects are applied to individual
voices.
Variation Send Level (VarSend(Dry))
Use this parameter to specify how much of the sound produced
by the voice will be sent to the variation effect. (The dry level is
shown in parentheses.)
Settings:
0 to 127
NOTE
•
If layers have been set for the current voice, you can set a
send level for each one.
Chorus Send Level (ChoSend)
Use this parameter to specify how much of the sound produced
by the voice will be sent to the chorus effect.
Settings:
0 to 127
NOTE
•
The chorus send level for the entire kit can be adjusted using
the ChoSend (Chorus Send Level) parameter from the Menu
area’s Kit/Effect/Mixer page.
•
If layers have been set for the current voice, you can set a
send level for each one.
Reverb Send Level (RevSend)
Use this parameter to specify how much of the sound produced
by the voice will be sent to the reverb effect.
Settings:
0 to 127
NOTE
•
The reverb send level for the entire kit can be adjusted using
the Reverb Send Level (RevSend) parameter from the Menu
area’s Kit/Effect/Mixer page.
•
If layers have been set for the current voice, you can set a
send level for each one.
Polyphony (Mono/Poly)
Use this parameter to specify how overlapping sounds from the
same pad will be treated.
Settings:
mono, poly
KIT/VOICE
4/6
KIT/VOICE
5/6
KIT/VOICE
6/6
mono
When two overlapping sounds are produced by
striking the same pad, the latter sound is given pri-
ority and the earlier sound is silenced.
poly
No such restriction applies and all overlapping
sounds are output.