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EQ/HPF operations, In the SELECTED

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EQ/HPF operations Hint If the input signal of an input channel clips because of EQ Here's how you can use the SELECTED CHANNEL section to edit the EQ (equalizer) and HPF (High Pass Filter). boost, make the SELECTED CHANNEL section [GAIN/ATT] key go dark and use the [GAIN/ATT] encoder to lower the level. EQ can be used on all input channels and all output channels. An HPF that is independent of the EQ is provided only for input channels. However even on output channels, you can switch the LOW band type to HPF. 4 If you want to restore the EQ of the currently operated channel to a flat state, simultaneously hold down the EQ [UPPER] and EQ 1 Press a [SEL] key to select the channel you want to control. Four-band EQ (HIGH, HIGH MID, LOW MID, LOW) is provided on all input channels and on [LOWER] keys of the SELECTED CHANNEL section. When you hold down these two keys simultaneously, the boost/cut amount of all bands will be reset to 0 dB. MATRIX channels. Eight-band EQ is provided on MIX channels and STE- 5 If you want to use the HIGH band or LOW band as a shelving-type EQ, turn on the [ ] REO A/B channels. (Control is divided into UPPER key or [ ] key for the corresponding band. and LOWER sections of four bands each.) 2 In the SELECTED CHANNEL section, make sure that the EQ [ON] key 6 If you want to use HPF on an input channel, turn on the HPF [ON] key in the SELECTED CHANNEL section. Input channels provide an HPF that is independent of EQ [ON] key is on. If you selected a MIX channel or STEREO A/ B channel in step 1, use the SELECTED EQ [UPPER] key EQ [LOWER] key the four-band EQ. Use the HPF [ON] key to switch the HPF on/off, and use the HPF [FREQUENCY] encoder 7 to specify the cutoff frequency. CHANNEL section EQ [UPPER] key or EQ [LOWER] key to select the UPPER or LOWER group of four bands. Using the Selected Channel section 3 For each band, use the EQ [Q] encoder, EQ [FREQUENCY] encoder, and [GAIN] encoder to edit the steepness, center frequency, and gain respectively. EQ [ ] key EQ [FREQUENCY] encoder EQ [Q] encoder HPF [FREQUENCY] encoder HPF [ON] key Hint • Output channels do not provide an HPF that is independent of the EQ, but you can switch the LOW band type to HPF, or the HIGH band type to LPF. This change is made in the OUTPUT EQ function EQ PARAM screen (➥ p.225). • For input channels you can switch the HIGH band type to LPF. This change is made in the INPUT ø/EQ function EQ PARAM screen (➥ p.260). EQ [GAIN] encoder Hint • You can cause the associated screen to appear automatically when you operate equalizer or HPF parameters in the SELECTED CHANNEL section. This setting is made in the UTILITY function PREFERENCE 1 screen (➥ p.186). • In the same way as for compressor or noise gate settings, EQ settings can also be stored to or recalled from a dedicated EQ library. Preset library items suitable for a variety of instruments or situations are also provided. EQ [ ] key PM5D/PM5D-RH Owner's Manual Operating section 65

Section	Page
PRECAUTIONS	4
TOC_Operating section	6
TOC_Reference section	8
Operating section	10
Introduction	10
Thank you	10
An overview of the PM5D	10
Differences between the PM5D model and the PM5D-RH model	11
About the channel structure of the PM5D	12
Regarding word clock synchronization	12
How this manual is organized	13
Conventions in this manual	13
Top, front, and rear panels	14
Top panel	14
Rear panel	16
Front panel	18
Basic operation on the PM5D	19
About the various types of user interface	19
User interface in the display	19
DISPLAY ACCESS section	20
Data Entry section	20
External user interface	21
Basic operation	22
Click	22
Drag	22
Drag and drop	22
Accessing a desired screen	23
Moving the cursor	23
Scrolling the screen	24
Operating the buttons	25
Adjusting the setting of a knob or fader	25
Assigning a name	26
Connections and setup	27
Audio connections	27
Analog audio connections	27
Analog output connections	28
Digital input/output connections	29
Installing an option card	30
Word clock connections and settings	31
About word clock	31
Selecting the word clock master	31
Restoring the current scene to the default state	32
Input channel operations	33
About the input channels	33
AD IN section	35
Items in the AD IN section	35
Controlling the input sensitivity and phantom power (+48V) of the head amp	36
INPUT channel strip	37
Items in the INPUT channel strip	37
ST IN/FX RTN channel strip	39
Items in the ST IN/FX RTN channel strip	39
FADER FLIP/ENCODER MODE section	40
Items in the FADER FLIP/ENCODER MODE section	40
Various operations for input channels	41
Selecting the function of the encoders	41
Exchanging the fader and encoder functions	41
Sending a signal from an input channel to the STEREO bus	42
Sending the signal from the input channel to a MIX bus	43
Enabling/disabling pairing	45
Output channel operations	47
About the output channels	47
MIX section	49
Items in the MIX section	49
Operations in the MIX section	49
STEREO A/B channel strip	53
Items in the STEREO A/B channel strip	53
Operations in the STEREO A/B channel strip	54
MATRIX section	55
Items in the MATRIX section	55
Operations in the MATRIX section	55
Using the Selected Channel section	57
About the SELECTED CHANNEL section	57
Items in the SELECTED CHANNEL section	57
GROUP	57
CHANNEL SELECT	58
DELAY	58
GAIN/ATTENUATION/ø (Gain / Attenuation / Phase)	59
NOISE GATE	59
STEREO	60
COMPRESSOR	60
HPF (High Pass Filter)	61
EQUALIZER	61
Operations in the SELECTED CHANNEL section	62
Selecting a channel and editing its parameters	62
Compressor operations	63
Gate operations	64
EQ/HPF operations	65
Input Patch / Output Patch operations	66
Changing the input patch settings	66
Changing the output patch settings	67
Inserting an external device into a channel	69
Connecting an external device for insertion	69
Patching the insert-out and insert-in	70
Directly outputting the signal of an input channel	72
Grouping and linking	73
About DCA Groups and Mute Groups	73
Items in the ASSIGN MODE section	73
Items in the DCA strip	73
Using DCA Groups	74
Assigning channels to DCA groups	74
Controlling DCA groups	75
Using mute groups	75
Assigning channels to mute groups	75
Controlling mute groups	76
Using the Mute Safe function	76
Using EQ Link and Compressor Link	77
Scene memory	79
About scenes	79
Items in the SCENE MEMORY section	80
Using scene memories	81
Storing a scene	81
Recalling a scene	82
Using PREVIEW mode	82
Using the Auto Store function	83
Using the Direct Recall function	83
Using the Selective Recall function	84
Using the Recall Safe function	86
Using the Fade function	87
Using the Tracking Recall function	88
Using the Global Paste function	89
Monitor and Cue	91
About the MONITOR and CUE sections	91
Using the Monitor function	92
Items in the MONITOR section	92
Monitoring a signal	93
Using the Cue/Solo functions	94
Items in the CUE section	94
About CUE mode and SOLO mode	94
Cue and Solo groups	95
Using the Cue function	96
Using the Solo function	96
Talkback and Oscillator	97
About the TALKBACK/OSCILLATOR sections	97
Items in the TALKBACK/OSCILLATOR sections	97
Using talkback	98
Using the oscillator	99
Meters	100
Items in the meter section	100
Switching the meter display	100
Switching the metering point	101
Specifying the metering point for input channels	101
Specifying the metering point for output channels	101
Viewing the gain reduction of the internal gates and compressors	102
Viewing the gain reduction for input channels	102
Viewing the gain reduction for output channels	102
Effects	103
About the internal effects	103
Using an internal effect via a MIX bus	104
Inserting an internal effect into a channel	105
Basic operations in the effect screen	106
Recalling settings from the effect library	106
Editing the effect parameters	106
Storing settings in the effect library	107
Using the Tap Tempo function	108
Using the Freeze effect	109
Using optional Add-On Effects	109
Graphic EQ	110
Patching the graphic EQ	110
Basic graphic EQ operations	111
Controlling the graphic EQ from the display	111
Controlling the graphic EQ from the DCA section	111
Remote control	113
MIDI on the PM5D	113
Using program changes to control events	113
Using control changes to control events	115
Using the MIDI Remote function	117
Assigning MIDI messages to controllers	117
Using MIDI remote channels	121
Transmitting MIDI events when you switch scenes	122
Using GPI (General Purpose Interface)	123
Using GPI IN	123
Calibrating the GPI IN ports	125
Using GPI OUT	126
Using memory cards	128
Using memory cards with the PM5D	128
Saving files to a memory card	128
Loading files from a memory card	130
Surround pan	132
About surround pan	132
Bus configuration and operation in surround mode	133
About the surround buses	133
How the MIX section will operate	133
Basic settings for surround buses	134
Controlling surround pan	135
Notes regarding surround pan	137
Other functions	138
Using the user defined keys	138
Items in the USER DEFINED section	138
Assigning functions to the User Defined keys	138
Executing functions assigned to the User Defined keys	139
Using the Fader Assign function	139
Items in the FADER MODE section	139
Assigning channels to DCA faders	139
Controlling the channels assigned to DCA faders	140
Locking the PM5D (Security functions)	141
Setting the System Password or Console Password	141
Using Parameter Lock or Console Lock	142
Using cascade connections	143
Making cascade connections	143
Basic settings for cascade connection	143
Selecting the buses used for cascade connection	144
Connecting the PM5D to a computer via USB	146
Caution when using the USB TO HOST connector	146
Initializing the PM5D’s internal memory	147
Adjusting the faders and input/output gain (Calibration)	147
Calibrating the faders	148
Adjusting the analog input gain (PM5D-RH model only)	148
Adjusting the output gain	148
Reference section	149
Information shown in the display	149
Upper part of the display (always visible)	149
Main area of the display	150
Lower part of the display (always visible)	150
Function menu	151
Global functions	152
EFFECT functions	152
EFFECT PARAM (Effect parameter) screen	152
EFFECT ASSIGN screen	154
EFFECT LIBRARY screen	155
GEQ function	156
GEQ PARAM (GEQ parameter) screen	156
GEQ ASSIGN screen	157
GEQ LIBRARY screen	158
SCENE function	159
SCENE screen	159
EVENT LIST screen	161
SELECTIVE RECALL screen	164
RECALL SAFE screen	166
FADE TIME screen	167
TRACKING RECALL screen	169
GLOBAL PASTE screen	170
MIDI REMOTE function	171
MIDI SETUP screen	171
MIDI PGM CHANGE (MIDI program change) screen	173
MIDI CTRL CHANGE (MIDI control change) screen	174
MIDI REMOTE screen	175
GPI screen	177
FADER START screen	179
TRANSPORT screen	181
DME CONTROL screen	182
UTILITY function	186
PREFERENCE 1/2 screens	186
USER DEFINE screen	189
SAVE screen	192
LOAD screen	195
FADER ASSIGN screen	197
SECURITY screen	198
SYS/W.CLOCK function	199
WORD CLOCK screen	199
MIXER SETUP screen	200
CASCADE screen	204
HA (Head Amp) screen	206
OUTPUT PORT ATT (Output port attenuation) screen	207
DITHER screen	207
HA LIBRARY screen	208
METER function	209
INPUT METER screen	209
OUTPUT METER screen	210
INPUT GR (Input Gain Reduction) screen	211
OUTPUT GR (Output Gain Reduction) screen	211
MON/CUE function	212
TALKBACK screen	212
OSCILLATOR screen	213
2TR I/O screen	215
MONITOR screen	216
CUE/SOLO screen	217
Output functions	220
OUTPUT PATCH function	220
OUTPUT PATCH screen	220
INSERT PATCH screen	221
INSERT POINT screen	222
OUTPUT PATCH LIBRARY screen	223
OUTPUT INSERT function	224
INSERT IN MIX 1-24 screen	224
INSERT IN MATRIX/STEREO/MONITOR screen	224
HA LIBRARY screen	225
OUTPUT EQ function	225
EQ PARAM (EQ Parameter) screen	225
MIX 1-24 screen	227
MATRIX/STEREO screen	227
OUTPUT EQ LIBRARY screen	228
OUTPUT COMP function	229
COMP PARAM (Compressor parameter) screen	229
MIX 1-24 screen	231
MATRIX/STEREO screen	231
COMP LIBRARY (Compressor library) screen	232
OUTPUT DELAY function	233
MIX 1-24 screen	233
MATRIX/STEREO screen	233
OUTPUT DCA/GROUP function	234
DCA GROUP ASSIGN screen	234
MUTE GROUP ASSIGN screen	235
EQ LINK ASSIGN screen	236
COMP LINK ASSIGN (Compressor link assign) screen	237
MATRIX/ST function	238
MATRIX/ST ROUTING screen	238
MIX to MATRIX VIEW screen	240
LCR screen	242
SURR SETUP screen	244
OUTPUT VIEW function	245
CH VIEW (Channel view) screen	245
SIGNAL FLOW screen	247
FADER VIEW screen	249
CH COPY (Channel copy) screen	249
OUTPUT CH LIBRARY screen	251
Input functions	252
INPUT PATCH function	252
INPUT PATCH screen	252
DIRECT OUT PATCH screen	253
INSERT PATCH screen	254
INSERT/DIRECT OUT POINT screen	256
NAME screen	257
INPUT PATCH LIBRARY screen	257
INPUT HA/INSERT function	258
CH 1-24 (Input channel 1-24) screen	258
STIN/FXRTN (ST IN/FXRTN channel) screen	258
INSERT 1-24 screen	259
INSERT 25-48 screen	259
INSERT STIN screen	259
HA LIBRARY screen	260
INPUT ø/EQ function	260
EQ PARAM (EQ parameter) screen	260
EQ 1-24 screen	261
EQ 25-48 switch	261
EQ STIN/FXRTN screen	261
ø/ATT 1-48 (Phase/Attenuation 1-48) screen	262
ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN) screen	262
INPUT EQ LIBRARY screen	263
INPUT GATE/COMP function	264
GATE PARAM (Gate parameter) screen	264
COMP PARAM (Compressor parameter) screen	266
CH 1-12 (Input channel 1–12) screen	267
CH 13-24 (Input channel 13–24) screen	267
CH 25-36 (Input channel 25–36) screen	267
CH 37-48 (Input channel 37–48) screen	267
ST IN (ST IN channel) screen	267
GATE LIBRARY screen	268
COMP LIBRARY (Compressor library) screen	269
INPUT DELAY function	270
CH 1-24 (Input channel 1–24) screen	270
CH 25-48 (Input channel 25–48) screen	270
ST IN (ST IN channel) screen	270
INPUT DCA/GROUP function	271
DCA GROUP ASSIGN screen	271
MUTE GROUP ASSIGN screen	272
EQ LINK ASSIGN screen	272
COMP LINK ASSIGN (Compressor link assign) screen	273
PAN/ROUTING function	274
CH to MIX (Channel to mix) screen	274
MIX SEND VIEW screen	280
FIX ASSIGN VIEW screen	282
LCR screen	283
SURR PARAM (Surround parameter) screen	283
SURR VIEW (Surround view) screen	285
M/S screen	285
INPUT VIEW function	286
CH VIEW (Channel view) screen	286
SIGNAL FLOW screen	287
FADER VIEW screen	288
CH COPY screen	289
INPUT CH LIBRARY (Input channel library) screen	289
Appendices	290
EQ Library List	290
GATE Library List	291
Compressor Library List	292
Dynamics Parameters	294
GATE section	294
COMP section	295
Effect Library List	297
Effects Parameters	298
Effects and tempo synchronization	307
Scene Memory/Effect Library to Program Change Table	308
Parameters that can be assigned to control changes	312
Control change parameter assignments	314
NRPN parameter assignments	331
Channel Library List	334
Channel parameter behavior when paired	335
MIDI Data Format	336
Warning Messages	343
Error Messages	344
Troubleshooting	345
General Specifications	346
Input/output characteristics	348
Electrical characteristics	352
Other Functions	354
Pin Assignment	355
Dimensions	356
MIDI Implementation Chart	357
Index	358
PM5D/PM5D-RH Block Diagram	363
PM5D Level Diagram	364

Match case Limit results 1 per page

PM5D/PM5D-RH Owner’s Manual

Operating section

Using the Selected Channel section

Here’s how you can use the SELECTED CHANNEL sec-

tion to edit the EQ (equalizer) and HPF (High Pass Filter).

EQ can be used on all input channels and all output chan-

nels. An HPF that is independent of the EQ is provided

only for input channels. However even on output chan-

nels, you can switch the LOW band type to HPF.

Press a [SEL] key to select the channel you

want to control.

Four-band EQ (HIGH, HIGH MID, LOW MID,

LOW) is provided on all input channels and on

MATRIX channels.

Eight-band EQ is provided on MIX channels and STE-

REO A/B channels. (Control is divided into UPPER

and LOWER sections of four bands each.)

In the SELECTED

CHANNEL section,

make sure that the

EQ [ON] key is on.

If you selected a MIX

channel or STEREO A/

B channel in step 1,

use the SELECTED

CHANNEL section EQ

[UPPER] key or EQ

[LOWER] key to select the UPPER or LOWER group

of four bands.

For each band, use the EQ [Q] encoder, EQ

[FREQUENCY] encoder, and [GAIN] encoder to

edit the steepness, center frequency, and gain

respectively.

Hint

If the input signal of an input channel clips because of EQ

boost, make the SELECTED CHANNEL section [GAIN/ATT]

key go dark and use the [GAIN/ATT] encoder to lower the

level.

If you want to restore the EQ of the currently

operated channel to a flat state, simulta-

neously hold down the EQ [UPPER] and EQ

[LOWER] keys of the SELECTED CHANNEL

section.

When you hold down these two keys simultaneously,

the boost/cut amount of all bands will be reset to 0 dB.

If you want to use the HIGH band or LOW

band as a shelving-type EQ, turn on the [

]

key or [

] key for the corresponding band.

If you want to use HPF on an input channel,

turn on the HPF [ON] key in the SELECTED

CHANNEL section.

Input channels provide an HPF that is independent of

the four-band EQ. Use the HPF [ON] key to switch the

HPF on/off, and use the HPF [FREQUENCY] encoder

to specify the cutoff frequency.

Hint

•

Output channels do not provide an HPF that is independent

of the EQ, but you can switch the LOW band type to HPF, or

the HIGH band type to LPF. This change is made in the

OUTPUT EQ function EQ PARAM screen (

➥

p.225).

•

For input channels you can switch the HIGH band type to

LPF. This change is made in the INPUT ø/EQ function EQ

PARAM screen (

➥

p.260).

Hint

•

You can cause the associated screen to appear automati-

cally when you operate equalizer or HPF parameters in the

SELECTED CHANNEL section. This setting is made in the

UTILITY function PREFERENCE 1 screen (

➥

p.186).

•

In the same way as for compressor or noise gate settings,

EQ settings can also be stored to or recalled from a dedi-

cated EQ library. Preset library items suitable for a variety of

instruments or situations are also provided.

EQ/HPF operations

EQ [UPPER]

key

EQ [LOWER]

key

EQ [ON] key

EQ [FREQUENCY]

encoder

EQ [

] key

EQ [Q] encoder

EQ [GAIN] encoder

EQ [

] key

HPF [FREQUENCY]

encoder

HPF [ON]

key