Sony PDWF75 User Manual (PDW-F75 Professional Disc Recorder Operating Manual f - Page 38

Input and Output Signals in 24P (23.98P) Mode, Recording in 24P (23.98P) Mode

Page 38 highlights

Chapter 2 Preparations 14Press the M/MARK1 or m/MARK2 button to select one of the following. 23.98PsF: Output as 23.98P. 2-3 PULL DOWN: Output after pulldown conversion to 59.94i. 15Press the SET button. A confirmation message appears. 16Press the SET button to confirm the changes, or the RESET button to cancel them. If you have pressed the SET button, power the unit off and on again to enable the changes. Input and Output Signals in 24P (23.98P) Mode The following tables show the signals input and output by the unit when "23.98PsF" and "2-3 PULL DOWN" are selected. Input and output signals I/O Type 23.98PsF 2-3 PULL DOWN Input signals Reference video input 23.98PsF 59.94i reference signal reference signal HDSDI input 23.98PsF video and audio signals Input LTC input timecode HDSDI LTC input 24-frame timecode Output signals HDSDI 23.98PsF video Video and output and audio audio signals signals pulled down to SDSDI output No output 59.94i Composite output i.LINK DV output i.LINK TS output Timecode LTC output output HDSDI LTC/ VITC output SDSDI RP188 LTC output 24-frame timecode - 30-frame timecode after pulldown conversion SDSDI VITC - output COMPOSITE - VITC output Timecode display Type 23.98PsF 2-3 PULL DOWN LTC display 24-frame timecode PDT display VITC display - 30-frame timecode 24-frame timecode after pulldown conversion COUNTER display 24-frame signals 30-frame signals after pulldown conversion Timecode in remote timecode mode Type 23.98PsF 2-3 PULL DOWN 9-pin preset timecode 24-frame timecode 9-pin preset 24-frame signals timer 1 (Counter) 30-frame signals after pulldown conversion 9-pin scene timecode 24-frame timecode 30-frame timecode after pulldown conversion 9-pin scene 24-frame signals timer 1 (Counter) 30-frame signals after pulldown conversion For more information about remote timecode mode, refer to the REMOTE (9-pin) Protocol Manual for the PDW series (not supplied). Recording in 24P (23.98P) Mode Recording frame sequence and clip length See the following figure for the frame sequence. In 24P (23.98P) mode, recording start and stop timing is adjusted so that a recorded sequence always begins with an "A-frame" and ends with a "D-frame". As a result, the number of frames in a clip is always a multiple of 4. Recording timecode When you preset timecode manually, select a multiple of 4 as the number of frames in the timecode, and adjust so that the preset timing begins with an "A-frame". The unit will then adjust so that the timecode at the start of recorded clips will have a number of frames that is a multiple of 4. Notes • The above adjustments are not carried out when you preset timecode remotely. • No adjustments are made when you record external timecode. Therefore the number of frames in the 38 24P (23.98P) Mode Settings

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38
24P (23.98P) Mode Settings
Chapter 2
Preparations
14
Press the
M
/MARK1 or
m
/MARK2 button to select
one of the following.
23.98PsF:
Output as 23.98P.
2-3 PULL DOWN:
Output after pulldown conversion
to 59.94i.
15
Press the SET button.
A confirmation message appears.
16
Press the SET button to confirm the changes, or the
RESET button to cancel them.
If you have pressed the SET button, power the unit off
and on again to enable the changes.
Input and Output Signals in 24P
(23.98P) Mode
The following tables show the signals input and output by
the unit when “23.98PsF” and “2-3 PULL DOWN” are
selected.
Input and output signals
Timecode display
Timecode in remote timecode mode
For more information about remote timecode mode, refer
to the REMOTE (9-pin) Protocol Manual for the PDW
series (not supplied).
Recording in 24P (23.98P) Mode
Recording frame sequence and clip length
See the following figure for the frame sequence.
In 24P (23.98P) mode, recording start and stop timing is
adjusted so that a recorded sequence always begins with an
“A-frame” and ends with a “D-frame”. As a result, the
number of frames in a clip is always a multiple of 4.
Recording timecode
When you preset timecode manually, select a multiple of 4
as the number of frames in the timecode, and adjust so that
the preset timing begins with an “A-frame”.
The unit will then adjust so that the timecode at the start of
recorded clips will have a number of frames that is a
multiple of 4.
The above adjustments are not carried out when you
preset timecode remotely.
No adjustments are made when you record external
timecode. Therefore the number of frames in the
I/O
Type
23.98PsF
2-3 PULL
DOWN
Input
signals
Reference
video input
23.98PsF
reference signal
59.94i
reference signal
HDSDI input
23.98PsF video and audio
signals
Input
timecode
LTC input
24-frame timecode
HDSDI LTC
input
Output
signals
HDSDI
output
23.98PsF video
and audio
signals
Video and
audio signals
pulled down to
59.94i
SDSDI output
No output
Composite
output
i.LINK DV
output
i.LINK TS
output
Timecode
output
LTC output
24-frame
timecode
30-frame
timecode after
pulldown
conversion
HDSDI LTC/
VITC output
SDSDI
RP188 LTC
output
SDSDI VITC
output
COMPOSITE
VITC output
Type
23.98PsF
2-3 PULL DOWN
LTC display
24-frame timecode
PDT display
30-frame timecode
after pulldown
conversion
VITC display
24-frame timecode
COUNTER display 24-frame signals
30-frame signals
after pulldown
conversion
Type
23.98PsF
2-3 PULL DOWN
9-pin preset
timecode
24-frame timecode
9-pin preset
timer 1 (Counter)
24-frame signals
30-frame signals
after pulldown
conversion
9-pin scene
timecode
24-frame timecode
30-frame timecode
after pulldown
conversion
9-pin scene
timer 1 (Counter)
24-frame signals
30-frame signals
after pulldown
conversion
Notes