Yamaha CLP-470 Owner's Manual - Page 66

Key-Off Sampling, CLP-430/465GP

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CLP-430/465GP Voice Name Touch Response GRAND PIANO1  GRAND PIANO2  GRAND PIANO3  GRAND PIANO4  E.PIANO1  E.PIANO2  HARPSICHORD - PIPE ORGAN1 - PIPE ORGAN2 - JAZZ ORGAN - STRINGS1  STRINGS2  CHOIR  VIBRAPHONE  Stereo Sampling : Yes -: No Key-Off Sampling Voice description This sound was sampled from a concert grand piano. It uses - different samples depending on the strength of your playing and produces smoother tonal changes. Suitable not only for classical compositions but also for piano pieces of any style. - Mellow piano sound with gradual attack. Good for quiet and slow music. - Bright piano sound. Good for clear expression and "cutting through" other instruments in an ensemble. - Spacious and clear piano with bright reverb. Good for popular music. - An electronic piano sound created by FM synthesis. Good for standard popular music. The sound of an electric piano using hammer-struck metallic  "tines." Soft tone when played lightly, and an aggressive tone when played hard. The definitive instrument for baroque music. Since harpsichord  uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. - This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. - This is the organ's full coupler sound often associated with Bach's "Toccata and Fugue." The sound of a "tonewheel" type electric organ. Often heard in jazz - and rock music. The rotary speed of the "ROTARY SP" effect can be switched by using the left pedal. - Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this Voice with piano in the Dual mode. - Spacious strings ensemble with a slow attack. Try combining this Voice with a piano or electric piano in the Dual mode. - A big, spacious choir Voice. Perfect for creating rich harmonies in slow pieces. - Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. Key-Off Sampling: Samples of the very delicate noises that are produced when keys are released. 66 Appendix Preset Voice List

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66
Appendix
Preset Voice List
Key-Off Sampling:
Samples of the very delicate noises that are produced when keys are released.
CLP-430/465GP
: Yes
—: No
Voice Name
Touch Response
Stereo Sampling
Key-Off Sampling
Voice description
GRAND PIANO1
—
This sound was sampled from a concert grand piano. It uses
different samples depending on the strength of your playing and
produces smoother tonal changes. Suitable not only for classical
compositions but also for piano pieces of any style.
GRAND PIANO2
—
Mellow piano sound with gradual attack. Good for quiet and slow
music.
GRAND PIANO3
—
Bright piano sound. Good for clear expression and “cutting
through” other instruments in an ensemble.
GRAND PIANO4
—
Spacious and clear piano with bright reverb. Good for popular
music.
E.PIANO1
—
—
An electronic piano sound created by FM synthesis. Good for
standard popular music.
E.PIANO2
—
The sound of an electric piano using hammer-struck metallic
“tines.” Soft tone when played lightly, and an aggressive tone when
played hard.
HARPSICHORD
—
The definitive instrument for baroque music. Since harpsichord
uses plucked strings, there is no touch response. There is,
however, a characteristic additional sound when the keys are
released.
PIPE ORGAN1
—
—
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good
for sacred music from the Baroque period.
PIPE ORGAN2
—
—
This is the organ’s full coupler sound often associated with Bach’s
“Toccata and Fugue.”
JAZZ ORGAN
—
—
—
The sound of a “tonewheel” type electric organ. Often heard in jazz
and rock music. The rotary speed of the “ROTARY SP” effect can
be switched by using the left pedal.
STRINGS1
—
Stereo-sampled, large-scale strings ensemble with realistic reverb.
Try combining this Voice with piano in the Dual mode.
STRINGS2
—
Spacious strings ensemble with a slow attack. Try combining this
Voice with a piano or electric piano in the Dual mode.
CHOIR
—
—
A big, spacious choir Voice. Perfect for creating rich harmonies in
slow pieces.
VIBRAPHONE
—
Vibraphone played with relatively soft mallets. The tone becomes
more metallic the harder you play.