Yamaha MOTIF7 Owner's Manual - Page 110

MIDI recording to Song Tracks, Enter the Song Record

Page 110 highlights

Quick Start Guide Sampling with Song Playback (Integrated Sampling Sequencer) 8. MIDI recording to Song Tracks Basic Structure (page 51) · Reference (page 183) Now, take your basic building blocks and move over to the Song mode to do some more work on your song. Let's say for the sake of example that you've recorded MIDI data for nearly all the tracks - except for maybe some rhythm guitar parts and some solos on piano and organ. The MOTIF gives you two methods of recording these. Realtime recording lets you record much as you would with a tape recorder, playing the parts in real time while you listen to the backing rhythm tracks you created earlier. The other method, Step recording, lets you enter each note individually, much like writing down the notes on paper. 1 Enter the Song mode. SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY 2 Call up the PLAY display. SF1 SF2 SF 3 SF4 SF5 F1 F2 F3 F4 F5 F6 3 Select the song to which the Pattern Chain data has been copied. Song number A B C D E F G H SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION MUSICAL FX COMBI OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF 3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO 1 2 3 4 5 6 7 8 ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 4 Enter the Song Record mode. SEQ TRANSPORT LOCATE 1 2 REC 5 Select a Recording type. DEC/NO INC/ YES Replace You can use this method when you want to overwrite an already recorded track with new data. Overdub You can use this method when you want to add more data to a track that already contains data. Punch You can use this method when you want to rerecord only over a specific area of the track. In this case, you must set the start and end points before you begin the re-recording. Step You can compose your performance by entering it one event at a time. To step 6 on page 111 To step 6 on page 112 110 MOTIF Quick Start Guide

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224
  • 225
  • 226
  • 227
  • 228
  • 229
  • 230
  • 231
  • 232
  • 233
  • 234
  • 235
  • 236
  • 237
  • 238
  • 239
  • 240
  • 241
  • 242
  • 243
  • 244
  • 245
  • 246
  • 247
  • 248
  • 249
  • 250
  • 251
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • 261
  • 262
  • 263
  • 264
  • 265
  • 266
  • 267
  • 268
  • 269
  • 270
  • 271
  • 272
  • 273
  • 274
  • 275
  • 276
  • 277
  • 278
  • 279
  • 280
  • 281
  • 282
  • 283
  • 284
  • 285
  • 286
  • 287
  • 288
  • 289
  • 290
  • 291
  • 292
  • 293
  • 294
  • 295
  • 296
  • 297
  • 298
  • 299
  • 300

110
MOTIF
Quick Start Guide
Sampling with Song Playback (Integrated Sampling Sequencer)
Quick Start Guide
8. MIDI recording to Song Tracks
Basic Structure (page 51) · Reference (page 183)
Now, take your basic building blocks and move over to the Song mode to do some more work on your song.
Let’s say
for the sake of example that you’ve recorded MIDI data for nearly all the tracks — except for maybe some rhythm
guitar parts and some solos on piano and organ.
The MOTIF gives you two methods of recording these.
Realtime
recording lets you record much as you would with a tape recorder, playing the parts in real time while you listen to
the backing rhythm tracks you created earlier.
The other method, Step recording, lets you enter each note
individually, much like writing down the notes on paper.
EFFECT BYPASS
ARPEGGIO
SEQ TRANSPORT
MODE
SEQUENCER
BANK
GROUP
NUMBER
4
Enter the Song Record
mode.
A
B
C
D
E
F
G
H
SYN LEAD
SYN PAD/
CHOIR
SYN COMP
CHROMATIC
PERCUSSION
DRUM /
PERCUSSION
SE
MUSICAL FX
COMBI
3
Select the song to which the Pattern Chain data
has been copied.
1
2
3
4
5
6
7
8
15
9
10
11
12
13
14
16
ELEMENT/ PERF.PART / ZONE
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
1
Enter the Song
mode.
Song number
SF
1
SF2
SF3
SF4
SF5
F1
F2
F3
F4
F6
F5
2
Call up the PLAY display.
DEC/NO
INC/YES
5
Select a Recording type.
Replace
You can use this
method when you
want to overwrite
an already
recorded track with
new data.
Overdub
You can use this
method when you
want to add more
data to a track that
already contains
data.
Punch
You can use this method
when you want to re-
record only over a specific
area of the track. In this
case, you must set the start
and end points before you
begin the re-recording.
Step
You can compose
your performance
by entering it one
event at a time.
To step
on page 111
6
To step
on page 112
6
SEQ TRANSPORT
LOCATE
1
2
REC