Yamaha MOTIF7 Owner's Manual - Page 53

MIDI track recording method, Realtime recording and Step recording, Replace and Overdub Song/Pattern

Page 53 highlights

Song 01 Track 1 Track 2 Track 3 Track 16 After selecting the Song number and track MIDI data recording After selecting the Song number and track Recording a Sample (Sampling) In this example, Track 1 is a MIDI track, and Track 3 is an Sample track. Store as a Sample Voice Style 50 Style 49 Style 48 Style 03 Style 02 Style 01 1 2 3 16 16 Sections Pattern Track 1 Track 2 Track 3 Track 16 After selecting the Style number, Section and track MIDI data recording After selecting the Style number, Section and track Recording a Sample (Sampling) In this example, Track 1 is a MIDI track, and Track 3 is an Sample track. Store as a Sample Voice MIDI track recording method The following explanations are important points for you to keep in mind as you record your User Songs/ Patterns. ■ Realtime recording and Step recording With realtime recording, the MOTIF functions in the same way as a tape recorder, recording the performance data as it is played. This allows you to capture all the nuances of an actual performance. With step recording, you can compose your performance by "writing" it down one event at a time. This is a non-realtime, step recording method - similar to writing music notation onto paper. Main functions ■ Replace and Overdub (Song/Pattern) ● Replace You can use this method when you want to overwrite an already recorded track with new data. The first recording is lost, and the new one takes its place. ● Overdub You can use this method when you want to add more data to a track that already contains data. The first recording is not lost, and the new one is added. This method lets you build up a complex phrase together with Loop recording (below). ■ Loop Recording (Pattern) Pattern repeats the rhythm pattern of several measures (4 to 16 measures) in a "loop," and its recording is also done using loops. This method is convenient when recording a Pattern Phrase using the Overdub method (above). As shown in the example below, notes that you record will play back from the next repetition (loop), letting you record while hearing previously recorded material. • Loop 1st round Bass Drum • Loop 2nd round Snare Drum Bass Drum • Loop 3rd round Hi-Hat Snare Drum Bass Drum n Loop Recording can only be used with Realtime recording. MOTIF Basic Structure 53 Basic Structure

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53
MOTIF
Basic Structure
Main functions
Basic Structure
MIDI track recording method
The following explanations are important points for
you to keep in mind as you record your User Songs/
Patterns.
Realtime recording and Step recording
With realtime recording, the MOTIF functions in the
same way as a tape recorder, recording the
performance data as it is played. This allows you to
capture all the nuances of an actual performance.
With step recording, you can compose your
performance by “writing” it down one event at a time.
This is a non-realtime, step recording method —
similar to writing music notation onto paper.
Replace and Overdub (Song/Pattern)
Replace
You can use this method when you want to overwrite
an already recorded track with new data. The first
recording is lost, and the new one takes its place.
Overdub
You can use this method when you want to add
more data to a track that already contains data. The
first recording is not lost, and the new one is added.
This method lets you build up a complex phrase
together with Loop recording (below).
Loop Recording (Pattern)
Pattern repeats the rhythm pattern of several measures
(4 to 16 measures) in a “loop,” and its recording is also
done using loops.
This method is convenient when recording a Pattern
Phrase using the Overdub method (above).
As shown in the example below, notes that you record
will play back from the next repetition (loop), letting
you record while hearing previously recorded material.
n
Loop Recording can only be used with Realtime
recording.
Style 50
Style 49
Style 02
Style 03
Style 48
Style 01
16 Sections
1
2
3
16
After selecting
the Song number
and track
After selecting
the Song number
and track
Song 01
Track 1
Track 2
Track 3
Track 16
MIDI data recording
In this example, Track 1 is a MIDI
track, and Track 3 is an Sample track.
Recording a Sample
(Sampling)
Store as a Sample Voice
After selecting the
Style number,
Section and track
After selecting the
Style number,
Section and track
Pattern
Track 1
Track 2
Track 3
Track 16
MIDI data recording
In this example, Track 1 is a MIDI
track, and Track 3 is an Sample track.
Recording a Sample
(Sampling)
Store as a Sample Voice
±±±±±±±
²
²
±±±±±±±
²
²
±±±±±±±
²
• Loop 1st round
Bass Drum
Bass Drum
Snare Drum
Bass Drum
Snare Drum
Hi-Hat
• Loop 2nd round
• Loop 3rd round