Yamaha MOTIF7 Owner's Manual - Page 246

F1]-11 Loop-Remix, F1]-12 Slice, mode: Voice/Performance or Song/Pattern.

Page 246 highlights

Sampling Job mode • Type Determines which channel, or both channels, of the stereo sample will be converted to a mono sample. ❏ Settings L+R>mono The left and right channels of the stereo sample are mixed and converted to a mono sample. L>mono The left channel of the stereo sample is converted to a mono sample. R>mono The right channel of the stereo sample is converted to a mono sample. ● [F1]-11 Loop-Remix This Job lets you automatically cut the sample into separate "slices" and randomly rearrange the slices for special effects and unusual rhythmic variations. A variety of audio transform operations are also included for even greater changes in the sound. Set the Waveform and Key Bank containing the sample to be Loop-remixed. ● [F1]-12 Slice This Job lets you divide the sample into separate "slices," the number of which is determined by the note length (with Measure, Meter, and SubDivide). When entering this Job from the Song/Pattern mode, note data for playing the slices in sequence is also created. (Keep in mind that the results of this Job vary depending on the previously selected mode: Voice/Performance or Song/Pattern.) Set the Waveform and Key Bank containing the sample to be sliced. Press the [ENTER] button to execute the Job. Reference Sampling mode Press the [ENTER] button to execute the Job. Press the [F5] (CANCEL) button to cancel the operation. Press the [F6] (OK) button to assign the Loop-remixed sample to the specified Key Bank. Press the [ENTER] button to execute the operation. If you re not satisfied with the results, change the Type and Variation values and press the [ENTER] button again. This automatically reverts back to the original settings and executes the operation again with the new settings. • Type Determines the degree to which the looped portion of the sample will be sliced. ❏ Settings 1~4 • Variation Determines how the original sample is varied by the this Job. ❏ Settings normal1, 2 These settings slice and rearrange the sample data, without performing any other audio changes. reverse1, 2 In addition to slicing and rearranging, these settings reverse the playback of some of the slices. 246 MOTIF Reference Press the [F5] (CANCEL) button to cancel the operation. Press the [F6] (OK) button to assign the sliced sample to the specified Key Bank. Press the [ENTER] button to execute the operation. If you re not satisfied with the results, edit the various parameters and press the [ENTER] button again. This automatically reverts back to the original settings and executes the operation again with the new settings. With the exception of the parameter below, all parameters and settings are the same as in the Slice display of the Sampling Record mode (page 238). • Lowest Key Specifies the lowest key number from which the sliced samples are ordered. ❏ Settings C - 2 ~G8 n In the Slice display of the Sampling Record mode (page 238), this parameter is fixed to "C-1" for the MOTIF6, "E0" for the MOTIF7, "A-1" for the MOTIF8, and cannot be set.

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246
MOTIF
Reference
Sampling Job mode
Reference
Sampling mode
• Type
Determines which channel, or both channels, of the stereo
sample will be converted to a mono sample.
Settings
L+R>mono
The left and right channels of the stereo sample are mixed
and converted to a mono sample.
L>mono
The left channel of the stereo sample is converted to a
mono sample.
R>mono
The right channel of the stereo sample is converted to a
mono sample.
[F1]-11 Loop-Remix
This Job lets you automatically cut the sample into
separate “slices” and randomly rearrange the slices
for special effects and unusual rhythmic variations.
A variety of audio transform operations are also
included for even greater changes in the sound.
• Type
Determines the degree to which the looped portion of the
sample will be sliced.
Settings
1~4
• Variation
Determines how the original sample is varied by the this
Job.
Settings
normal1, 2
These settings slice and rearrange the sample data,
without performing any other audio changes.
r
e
v
erse1, 2
In addition to slicing and rearranging, these settings
reverse the playback of some of the slices.
[F1]-12 Slice
This Job lets you divide the sample into separate
“slices,” the number of which is determined by the
note length (with Measure, Meter, and SubDivide).
When entering this Job from the Song/Pattern
mode, note data for playing the slices in sequence is
also created.
(Keep in mind that the results of this
Job vary depending on the previously selected
mode: Voice/Performance or Song/Pattern.)
With the exception of the parameter below, all
parameters and settings are the same as in the Slice
display of the Sampling Record mode (page 238).
• Lowest Key
Specifies the lowest key number from which the sliced
samples are ordered.
Settings
C - 2 ~G8
n
In the Slice display of the Sampling Record mode
(page 238), this parameter is fixed to “C-1” for the
MOTIF6, “E0” for the MOTIF7, “A-1” for the
MOTIF8, and cannot be set.
Set the Waveform and Key Bank containing the
sample to be Loop-remixed.
Press the [ENTER]
button to
execute the Job.
Press the [F6] (OK) button to assign the
Loop-remixed sample to the specified Key Bank.
Press the [ENTER] button to execute the operation.
If you re not satisfied with the results, change the Type
and Variation values and press the [ENTER] button again.
This automatically reverts back to the original settings and
executes the operation again with the new settings.
Press the [F5] (CANCEL) button to
cancel the operation.
Set the Waveform and Key Bank containing the
sample to be sliced.
Press the [ENTER]
button to execute
the Job.
Press the [F6] (OK) button to assign the sliced
sample to the specified Key Bank.
Press the [ENTER] button to execute the operation. If
you re not satisfied with the results, edit the various
parameters and press the [ENTER] button again. This
automatically reverts back to the original settings and
executes the operation again with the new settings.
Press the [F5] (CANCEL) button to
cancel the operation.