Yamaha MOTIF7 Owner's Manual - Page 23

A/D input, Digital input when the optional AIEB2 has been installed

Page 23 highlights

Setting Up A/D input Connections ■ Connecting a microphone or other audio equipment (analog input) You can record or import external sounds or waveform data and use them as instrument sounds (see "Sampling" on page 58). When recording from an external audio source, connect a microphone or the audio source to the A/D INPUT jacks. L AD INPUT L Audio Device (Stereo) R Sampling R Mic (MONO) AD INPUT Apply effects to the microphone sound by using the Vocal Harmony Plug-in board (PLG100-VH). OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO MOTIF MOTIF n After the above connections are complete, you are ready to set up for recording. When starting a recording, you may need to adjust the input gain of the audio source using the GAIN knob. (page 18). ■ Connecting to mLAN-compatible audio equipment mLAN audio device Sampling mLAN jacks OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO MOTIF n The sound via either of the mLAN jacks and the A/D INPUT jacks can be input. You can set which jacks are used in the Utility mode (page 252). Digital input (when the optional AIEB2 has been installed) By installing the optional AIEB2 I/O expansion board, you can directly record digital audio from digital sources - such as a CD player or DAT deck. For maximum compatibility and flexibility, the AIEB2 board includes two different input types: OPTICAL (optical fiber) and DIGITAL (coaxial cable). OPTICAL INPUT Sampling OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO Optical cable OPTICAL OUTPUT DAT DAT or CD recorder OCTAVE DOWN UP MOTIF DIGITAL INPUT Sampling KNOB CONTROL FUNCTION PAN REVERB CHORUS CUTOFF RESONANCE ATTACK ASSIGN A ASSIGN B ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO Coaxial cable DIGITAL OUTPUT DAT DAT or CD recorder MOTIF n Either one of the connectors (OPTICAL or DIGITAL) can be used; however, both cannot be used at the same time. Select which connector is used for digital input in the Utility mode. See page 249. MOTIF Setting Up 23

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224
  • 225
  • 226
  • 227
  • 228
  • 229
  • 230
  • 231
  • 232
  • 233
  • 234
  • 235
  • 236
  • 237
  • 238
  • 239
  • 240
  • 241
  • 242
  • 243
  • 244
  • 245
  • 246
  • 247
  • 248
  • 249
  • 250
  • 251
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • 261
  • 262
  • 263
  • 264
  • 265
  • 266
  • 267
  • 268
  • 269
  • 270
  • 271
  • 272
  • 273
  • 274
  • 275
  • 276
  • 277
  • 278
  • 279
  • 280
  • 281
  • 282
  • 283
  • 284
  • 285
  • 286
  • 287
  • 288
  • 289
  • 290
  • 291
  • 292
  • 293
  • 294
  • 295
  • 296
  • 297
  • 298
  • 299
  • 300

23
MOTIF
Setting Up
Connections
Setting Up
A/D input
Connecting a microphone or other audio equipment (analog input)
You can record or import external sounds or waveform data and use them as instrument sounds (see
“Sampling” on page 58). When recording from an external audio source, connect a microphone or the audio source
to the A/D INPUT jacks.
n
After the above connections are complete, you are ready to set up for recording. When starting a recording, you may need to adjust the
input gain of the audio source using the GAIN knob. (page 18).
Connecting to mLAN-compatible audio equipment
n
The sound via either of the mLAN jacks and the A/D INPUT jacks can be input. You can set which jacks are used in the Utility
mode (page 252).
Digital input (when the optional AIEB2 has been installed)
By installing the optional AIEB2 I/O expansion board, you can directly record digital audio from digital sources —
such as a CD player or DAT deck.
For maximum compatibility and flexibility, the AIEB2 board includes two
different input types: OPTICAL (optical fiber) and DIGITAL (coaxial cable).
n
Either one of the connectors (OPTICAL or DIGITAL) can be used; however, both cannot be used at the same time.
Select which
connector is used for digital input in the Utility mode. See page 249.
Audio Device (Stereo)
L
R
Sampling
R
L
Mic
(MONO)
AD INPUT
MOTIF
MOTIF
Apply effects to the microphone
sound by using the Vocal Harmony
Plug-in board (PLG100-VH).
AD INPUT
mLAN jacks
Sampling
MOTIF
mLAN audio device
DAT
DAT or CD recorder
OPTICAL
INPUT
OPTICAL
OUTPUT
Sampling
Optical cable
DAT
DAT or CD recorder
DIGITAL
INPUT
DIGITAL
OUTPUT
Sampling
Coaxial cable
MOTIF
MOTIF