Yamaha MOTIF7 Owner's Manual - Page 21

Connections Connections Connecting to External Audio Equipment Since the MOTIF has no built-in speakers, you'll need an external audio system or a set of stereo headphones to properly monitor it. The following illustrations show various connection examples; use the one most similar to your intended setup. Analog output ■ Connecting stereo powered speakers A pair of powered speakers can accurately produce the instrument's rich sounds with their own pan and effect settings. Connect your powered speakers to the OUTPUT L/MONO and R jacks on the rear panel. Powered speaker (Left) Powered speaker (Right) Setting Up Headphones OUTPUT PHONES L /MONO R OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CUTOFF RESONANCE ASSIGN A ASSIGN B CHORUS ATTACK ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO MOTIF n When using just one powered speaker, connect it to the OUTPUT L/MONO jack on the rear panel. ■ Connecting to a mixer There are extra audio outputs in addition to the OUTPUT (L/MONO and R) jacks. Connect these outputs to a mixer for separately controlling the outputs of up to four Parts in Performance mode (page 164). Speaker Mixer Headphones Amplifier L R OUTPUT L R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L R PHONES OUTPUT ASSIGNABLE OUTPUT L, R L/MONO R OCTAVE DOWN UP KNOB CONTROL FUNCTION PAN REVERB CUTOFF RESONANCE ASSIGN A ASSIGN B CHORUS ATTACK ASSIGN 1 TEMPO RELEASE ASSIGN 2 REMOTE CONTROL ON/OFF MASTER VOLUME KN 1 KN 2 KN 3 KN 4 MEQ LOW MEQLOWMID MEQ HI MID MEQ HIGH VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4 EFFECTBYPASS ARPEGGIO INSERTION SYSTEM ON/OFF SEQ TRANSPORT CS 1 CS 2 CS 3 CS 4 LOCATE 1 2 REC ZONE 1 ZONE 2 ZONE 3 ZONE 4 MODE VOICE PERFORM MASTER SEQUENCER SONG PATTERN FILE INTEGRATED SAMPLING MIXING UTILITY EDIT JOB STORE COMPARE SCENE STORE SET LOCATE SONG SCENE SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC/NO EXIT INC/ YES ENTER EXECUTE DRUM KITS FAVORITES COMMON MUSIC PRODUCTION SYNTHESIZER Integrated Sampling Sequencer Real-time External Control Surface Modular Synthesis Plug-in System SLOT 1 SLOT 2 SLOT 3 PRE 1 PRE 2 PRE 3 GM USER PLG 1 PLG 2 PLG 3 CATEGORY SEARCH A. PIANO KEYBOARD ORGAN A B C GUITAR / PLUCKED D BASS E STRINGS BRASS REED/PIPE F G H SECTION BANK GROUP SYN LEAD SYN PAD/ SYN COMP CHROMATIC DRUM / SE CHOIR PERCUSSION PERCUSSION 1 2 3 4 5 6 MUSICAL FX COMBI 7 8 TRACK SELECT ELEMENT/ PERF.PART / ZONE 9 10 11 12 13 14 15 16 MUTE NUMBER SOLO MOTIF MOTIF Setting Up 21