Adobe 22011292 User Manual - Page 10

Understanding bit depth, Measuring amplitude in dBFS, Audio file contents and size

Page 10 highlights

USING ADOBE AUDITION 6 Digital audio fundamentals Sample rate 11,025 Hz 22,050 Hz 32,000 Hz 44,100 Hz 48,000 Hz 96,000 Hz Quality level Poor AM radio (low-end multimedia) Near FM radio (high-end multimedia) Better than FM radio (standard broadcast rate) CD Standard DVD Blu-ray DVD Frequency range 0-5,512 Hz 0-11,025 Hz 0-16,000 Hz 0-22,050 Hz 0-24,000 Hz 0-48,000 Hz Understanding bit depth Bit depth determines dynamic range. When a sound wave is sampled, each sample is assigned the amplitude value closest to the original wave's amplitude. Higher bit depth provides more possible amplitude values, producing greater dynamic range, a lower noise floor, and higher fidelity. For the best audio quality, Audition transforms all audio in 32-bit mode and then converts to a specified bit depth when saving files. Bit depth 8-bit 16-bit 24-bit 32-bit Quality level Telephony Audio CD Audio DVD Best Amplitude values 256 65,536 16,777,216 4,294,967,296 Dynamic range 48 dB 96 dB 144 dB 192 dB 192 dB 144 dB 96 dB 48 dB 0 dB 8-bit 16-bit 24-bit 32-bit Higher bit depths provide greater dynamic range. Measuring amplitude in dBFS In digital audio, amplitude is measured in decibels below full scale, or dBFS. The maximum possible amplitude is 0 dBFS; all amplitudes below that are expressed as negative numbers. Note: A given dBFS value does not directly correspond to the original sound pressure level measured in acoustic dB. Audio file contents and size An audio file on your hard drive, such as a WAV file, consists of a small header indicating sample rate and bit depth, and then a long series of numbers, one for each sample. These files can be very large. For example, at 44,100 samples per second and 16 bits per sample, a mono file requires 86 KB per second-about 5 MB per minute. That figure doubles to 10 MB per minute for a stereo file, which has two channels. Last updated 2/16/2012

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6
USING ADOBE AUDITION
Digital audio fundamentals
Last updated 2/16/2012
Understanding bit depth
Bit depth determines dynamic range. When a sound wave is sampled, each sample is assigned the amplitude value
closest to the original wave’s amplitude. Higher bit depth provides more possible amplitude values, producing greater
dynamic range, a lower noise floor, and higher fidelity.
For the best audio quality, Audition transforms all audio in 32-bit mode and then converts to a specified bit depth
when saving files.
Higher bit depths provide greater dynamic range.
Measuring amplitude in dBFS
In digital audio, amplitude is measured in decibels below full scale, or
dBFS
. The maximum possible amplitude is 0
dBFS; all amplitudes below that are expressed as negative numbers.
Note:
A given dBFS value does not directly correspond to the original sound pressure level measured in acoustic dB.
Audio file contents and size
An audio file on your hard drive, such as a WAV file, consists of a small header indicating sample rate and bit depth,
and then a long series of numbers, one for each sample. These files can be very large. For example, at 44,100 samples
per second and 16 bits per sample, a mono file requires 86 KB per second—about 5 MB per minute. That figure doubles
to 10 MB per minute for a stereo file, which has two channels.
Sample rate
Quality level
Frequency range
11,025 Hz
Poor AM radio (low-end multimedia)
0–5,512 Hz
22,050 Hz
Near FM radio (high-end multimedia)
0–11,025 Hz
32,000 Hz
Better than FM radio (standard broadcast rate)
0–16,000 Hz
44,100 Hz
CD
0–22,050 Hz
48,000 Hz
Standard DVD
0–24,000 Hz
96,000 Hz
Blu-ray DVD
0–48,000 Hz
Bit depth
Quality level
Amplitude values
Dynamic range
8-bit
Telephony
256
48 dB
16-bit
Audio CD
65,536
96 dB
24-bit
Audio DVD
16,777,216
144 dB
32-bit
Best
4,294,967,296
192 dB
192 dB
144 dB
48 dB
0 dB
96 dB
8-bit
16-bit
24-bit
32-bit