Adobe 22011292 User Manual - Page 126

Crossfade overlapping clips, Fade options, Create a single audio clip from multiple clips

Page 126 highlights

USING ADOBE AUDITION 122 Mixing multitrack sessions Crossfade overlapping clips When you crossfade clips on the same track, you overlap them to determine the size of the transition region (the larger the overlapping area, the longer the transition). 1 Place two clips on the same track, and move them so they overlap. (See "Select and move clips" on page 116.) 2 At the top of the overlapping area, drag the left or right fade icon up or down to adjust the fade curves. Fade options To access the following fade options, select a clip, and then either right-click a fade icon in the Editor panel, or choose Clip > Fade In or Fade Out. No Fade Deletes the fade or crossfade. Fade In, Fade Out, or Crossfade If clips overlap, lets you choose the fade type. Symmetrical or Asymetrical (crossfades only) Determines how the left and right fade curves interact when you drag them up and down. Symmetrical adjusts both fades identically, while asymetrical lets you adjust fades independently. Linear or Cosine Applies either an even, linear fade or an S-shaped fade that starts slowly, then rapidly changes amplitude, and ends slowly. To switch between Linear and Cosine modes while dragging fade icons, hold down Ctrl (Windows) or Command (Mac OS). Automatic Crossfades Enabled Crossfades overlapping clips. Deselect this option if automatic crossfades are undesirable or interfere with other tasks, such as trimming clips. Create a single audio clip from multiple clips You can combine the contents of multiple clips in the same time range, creating a single clip that you can quickly edit in either the Multitrack or Waveform Editor. Creating single clip from multiple clips in Multitrack Editor 1 In the Editor panel, do any of the following: • Select a specific time range. (See "Select ranges in the Multitrack Editor" on page 107.) • Select specific clips if bouncing to a new track. Last updated 2/16/2012

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147

122
USING ADOBE AUDITION
Mixing multitrack sessions
Last updated 2/16/2012
Crossfade overlapping clips
When you crossfade clips on the same track, you overlap them to determine the size of the transition region (the larger
the overlapping area, the longer the transition).
1
Place two clips on the same track, and move them so they overlap. (See “
Select and move clips
” on page
116.)
2
At the top of the overlapping area, drag the left
or right
fade icon up or down to adjust the fade curves.
Fade options
To access the following fade options, select a clip, and then either right-click a fade icon in the Editor panel, or choose
Clip
> Fade In or Fade Out.
No Fade
Deletes the fade or crossfade.
Fade In, Fade Out, or Crossfade
If clips overlap, lets you choose the fade type.
Symmetrical or Asymetrical (crossfades only)
Determines how the left and right fade curves interact when you drag
them up and down. Symmetrical adjusts both fades identically, while asymetrical lets you adjust fades independently.
Linear or Cosine
Applies either an even, linear fade or an
S
-shaped fade that starts slowly, then rapidly changes
amplitude, and ends slowly.
To switch between Linear and Cosine modes while dragging fade icons, hold down Ctrl (Windows) or Command
(Mac OS).
Automatic Crossfades Enabled
Crossfades overlapping clips. Deselect this option if automatic crossfades are
undesirable or interfere with other tasks, such as trimming clips.
Create a single audio clip from multiple clips
You can combine the contents of multiple clips in the same time range, creating a single clip that you can quickly edit
in either the Multitrack or Waveform Editor.
Creating single clip from multiple clips in Multitrack Editor
1
In the Editor panel, do any of the following:
Select a specific time range. (See “
Select ranges in the Multitrack Editor
” on page
107.)
Select specific clips if bouncing to a new track.