Adobe 22011292 User Manual - Page 116

Assign audio inputs and outputs to tracks, Invert the polarity of an input, Routing audio to buses

Page 116 highlights

USING ADOBE AUDITION 112 Mixing multitrack sessions Dragging the right border of the track controls to reveal more or less detail For more information, see "Vertically zoom tracks" on page 109. Assign audio inputs and outputs to tracks ❖ In the Inputs/Outputs area of the Editor panel or Mixer, do the following: • From the Input menu, choose a hardware input. • From the Output menu, choose a bus, the Master track, or a hardware output. The list of available hardware ports is determined by settings in the Audio Hardware preferences. (See "Configure audio inputs and outputs" on page 18.) For more information, see the following: • "Record audio clips in the Multitrack Editor" on page 30 • "Set track output volume" on page 110 Invert the polarity of an input If a pair of stereo inputs such as overhead drum microphones are out-of-phase, you'll hear duller sound and a narrower stereo image. To correct the problem, invert the polarity of one the inputs. ❖ In the Input Controls area of the Mixer, click the Polarity Reverse button . To understand audio phase, see "How sound waves interact" on page 4. Routing audio to buses, sends, and the Master track Buses, sends, and the Master track let you route multiple track outputs to one set of controls. With these combined controls, you can efficiently organize and mix a session. To save the output of an audio, bus, or Master track to a file, see "Export multitrack mixdown files" on page 136. Last updated 2/16/2012

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112
USING ADOBE AUDITION
Mixing multitrack sessions
Last updated 2/16/2012
Dragging the right border of the track controls to reveal more or less detail
For more information, see “
Vertically zoom tracks
” on page
109.
Assign audio inputs and outputs to tracks
In the Inputs/Outputs area
of the Editor panel or Mixer, do the following:
From the Input menu, choose a hardware input.
From the Output menu, choose a bus, the Master track, or a hardware output.
The list of available hardware ports is determined by settings in the Audio Hardware preferences. (See “
Configure
audio inputs and outputs
” on page
18.)
For more information, see the following:
Record audio clips in the Multitrack Editor
” on page
30
Set track output volume
” on page
110
Invert the polarity of an input
If a pair of stereo inputs such as overhead drum microphones are out-of-phase, you’ll hear duller sound and a narrower
stereo image. To correct the problem, invert the polarity of one the inputs.
In the Input Controls area
of the Mixer, click the Polarity Reverse button
.
To understand audio phase, see “
How sound waves interact
” on page
4.
Routing audio to buses, sends, and the Master track
Buses, sends, and the Master track let you route multiple track outputs to one set of controls. With these combined
controls, you can efficiently organize and mix a session.
To save the output of an audio, bus, or Master track to a file, see “
Export multitrack mixdown files
” on page
136.