Adobe 65021048 User Guide - Page 172
Results of pasting into After Effects, Effects, After
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ADOBE PREMIERE PRO CS3 166 User Guide You can copy color mattes, stills, nested sequences, and offline files as well. After Effects converts color mattes into solid layers and converts nested sequences into nested compositions. When you copy a Photoshop still image into After Effects, After Effects retains the Photoshop layer information. You cannot paste Adobe Premiere Pro titles or effects into After Effects, but you can paste text with attributes from the Adobe Premiere Titer into After Effects. 1 Select an asset from the Adobe Premiere Pro Timeline panel. 2 Choose Edit > Copy. 3 In After Effects, open a composition in the Timeline panel. 4 With the Timeline panel active, choose Edit > Paste. The asset appears as the topmost layer in the Timeline panel. Note: To paste the asset at the current-time indicator, position the current-time indicator and press Ctrl+Alt+V (Windows) or Command+Option+V (Mac OS). Results of pasting into After Effects When you paste an asset into an After Effects composition, keyframes, effects, and other properties in a copied asset are converted as follows: Adobe Premiere Pro asset Motion or Opacity values and keyframes Video effect properties and keyframes Crop filter Video and audio transitions Volume and Channel Volume audio filters Speed property Frame Hold Clip marker Sequence marker Audio track Color mattes Time Remapping effect Converted to in After Effects Notes Transform property values and keyframes Keyframe type-Bezier, Auto Bezier, Continuous Bezier, or Hold-is retained. Effect properties and keyframes, as After Effects doesn't display unsupported long as the effect also exists in effects in the Effect Controls panel. After Effects Mask layer Opacity keyframes (Cross dissolve only) or solids Stereo mixer effect Other audio filters are not converted. Time Stretch property Time Remap Layer-time marker Markers on a new solid layer Audio layers Solids Not converted Speed and time stretch have an inverse relationship. For example, 50% speed in Adobe Premiere Pro is converted to 200% stretch in After Effects. To copy sequence markers, you must either copy the sequence itself or import the entire Adobe Premiere Pro project as a composition. Audio tracks that are either 5.1 surround or greater than 16-bit aren't supported. Mono and stereo audio tracks are imported as one or two layers. April 1, 2008
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