Adobe 65021048 User Guide - Page 321

RGB Color Corrector effect

Page 321 highlights

ADOBE PREMIERE PRO CS3 315 User Guide Secondary Color Correction Specifies the color range to be corrected by the effect. You can define the color by hue, saturation, and luminance. Click the triangle to access the controls. Note: Choose Mask from the Output menu to view the areas of the image that are selected as you define the color range. Center Defines the central color in the range that you're specifying. Select the Eyedropper tool and click anywhere on your screen to specify a color, which is displayed in the color swatch. Use the + Eyedropper tool to extend the color range, and use the - Eyedropper tool to subtract from the color range. You can also click the swatch to open the Adobe Color Picker and select the center color. Hue, Saturation, and Luma Specify the color range to be corrected by hue, saturation, or luminance. Click the triangle next to the option name to access the threshold and softness (feathering) controls to define the hue, saturation, or luminance range. Soften Makes boundaries of the specified area more diffuse, blending the correction more with the original image. A higher value increases the softness. Edge Thinning Makes the specified area more sharply defined. The correction becomes more pronounced. A higher value increases the edge definition of the specified area. Invert Limit Color Corrects all colors except for the color range that you specified with the Secondary Color Correction settings. See also "Adjust color and luminance using curves" on page 265 "Adjust color and luminance using curves" on page 265 RGB Color Corrector effect The RGB Color Corrector effect adjusts the color in a clip by applying adjustments to the tonal ranges that you define for the highlights, midtones, and shadows. The effect lets you make tonal adjustments to each color channel individually. You can also specify the color range to be corrected by using the Secondary Color Correction controls. Output Lets you view adjustments in the Program monitor as the final results (Composite), tonal value adjustments (Luma), display of the alpha matte (Mask), or a tri-tone representation of where the shadows, midtones, and highlights fall (Tonal Range). Show Split View Displays the left or upper part of the image as the corrected view and the right or lower part of the image as the uncorrected view. Layout Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical). Split View Percentage Adjusts the size of the corrected view. The default is 50%. Tonal Range Definition Defines the tonal range of the shadows and highlights using threshold and falloff controls: • Shadow Threshold Determines the shadow's tonal range. • Shadow Softness Determines the shadow's tonal range with falloff. • Highlight Threshold Determines the highlight's tonal range. • Highlight Softness Determines the highlight's tonal range with falloff. Choose Tonal Range from the Output pop-up menu to view the highlights, midtones, and shadows as you adjust the Tonal Range Definition controls. April 1, 2008

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ADOBE PREMIERE PRO CS3
User Guide
315
Secondary Color Correction
Specifies the color range to be corrected by the effect. You can define the color by hue,
saturation, and luminance. Click the triangle to access the controls.
Note:
Choose Mask from the Output menu to view the areas of the image that are selected as you define the color range.
Center
Defines the central color in the range that you’re specifying. Select the Eyedropper tool and click anywhere
on your screen to specify a color, which is displayed in the color swatch. Use the + Eyedropper tool to extend the
color range, and use the - Eyedropper tool to subtract from the color range. You can also click the swatch to open
the Adobe Color Picker and select the center color.
Hue, Saturation, and Luma
Specify the color range to be corrected by hue, saturation, or luminance. Click the
triangle next to the option name to access the threshold and softness (feathering) controls to define the hue,
saturation, or luminance range.
Soften
Makes boundaries of the specified area more diffuse, blending the correction more with the original image.
A higher value increases the softness.
Edge Thinning
Makes the specified area more sharply defined. The correction becomes more pronounced. A higher
value increases the edge definition of the specified area.
Invert Limit Color
Corrects all colors except for the color range that you specified with the Secondary Color
Correction settings.
See also
Adjust color and luminance using curves
” on page
265
Adjust color and luminance using curves
” on page
265
RGB Color Corrector effect
The RGB Color Corrector effect adjusts the color in a clip by applying adjustments to the tonal ranges that you
define for the highlights, midtones, and shadows. The effect lets you make tonal adjustments to each color channel
individually. You can also specify the color range to be corrected by using the Secondary Color Correction controls.
O
utput
Lets you view adjustments in the Program monitor as the final results (Composite), tonal value adjustments
(Luma), display of the alpha matte (Mask), or a tri-tone representation of where the shadows, midtones, and
highlights fall (Tonal Range).
Show Split View
Displays the left or upper part of the image as the corrected view and the right or lower part of the
image as the uncorrected view.
Layout
Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical).
Split View Percentage
Adjusts the size of the corrected view. The default is 50%.
Tonal Range Definition
Defines the tonal range of the shadows and highlights using threshold and falloff controls:
Shadow Threshold
Determines the shadow’s tonal range.
Shadow Softness
Determines the shadow’s tonal range with falloff.
Highlight Threshold
Determines the highlight’s tonal range.
Highlight Softness
Determines the highlight’s tonal range with falloff.
Choose Tonal Range from the Output pop-up menu to view the highlights, midtones, and shadows as you adjust
the Tonal Range Definition controls.
April 1, 2008