Adobe 65021048 User Guide - Page 340

ADOBE PREMIERE PRO CS3 334 User Guide Paint Time Properties and Brush Time Properties Specifies whether paint properties and brush properties are applied to each brush mark or to the entire stroke. Choose None to apply values at each time to all brush marks in the stroke. Choose a property name for each brush mark to retain the value for that property at the time that the brush mark was drawn. For example, if you choose Color, then each brush mark keeps the color specified by the Color value at the time that the mark was drawn. Paint Style How the paint stroke interacts with the original image: • On Original Image Paint stroke appears over original image. • On Transparent Paint stroke appears over transparency; the original image doesn't appear. • Reveal Original Image The original image is revealed by the paint stroke. See also "About keyframes" on page 282 Image Control effects Black & White effect The Black & White effect converts any color clip to grayscale; that is, colors appear as shades of gray. You cannot animate this effect with keyframes. Color Balance (RGB) effect The Color Balance (RGB) effect changes the amount of red, green, and blue in a clip. Color Match effect (Windows only) The Color Match effect allows you to match the colors from one source clip to another by adjusting hue, saturation, and luminance. Sample eyedroppers sample shadows, midtones, and highlights from the sample or color you are trying to match. Target eyedroppers sample shadows, midtones, and highlights of the clip you are trying to adjust. Method Specifies the method by which colors are adjusted including HSL, RGB, or Curves. See also "Match the color between two scenes" on page 272 Color Pass effect (Windows only) The Color Pass effect converts a clip to grayscale, with the exception of a single specified color. Use the Color Pass effect to highlight a particular area of a clip. For example, in a clip of a basketball game, you could highlight the basketball by selecting and preserving its color, while keeping the rest of the clip displayed in grayscale. Note, however, that with the Color Pass effect, you can isolate only colors, not objects within the clip. See also "Isolate a single color using Color Pass" on page 275 April 1, 2008