Creative 70EM896106000 Owners Manual - Page 78

Stereo Delays - 100

Page 78 highlights

5 - Effects Core Effects Descriptions Stereo Delays - 100, 250, 500, 750, 1500 The Stereo Delays are true stereo delay lines in that the left and right channels are kept entirely separate from each other. The delay number refers to the maximum delay time that can be produced by the delay lines. The five different lengths, from 100 ms to 1.5 seconds, allow you to make the most efficient use of the effect memory resource. Because the left and right channels can have different delay times, you can create a panning effect by setting one delay long and the other short. Very short delay times combined with a high feedback amount can be used to create monotone roboticsounding effects. Using the longer stereo delays, you can "overdub" musical lines one on top of the other with the feedback control turned up. Feedback HF Rolloff In Delay Out Signal path = Stereo L Delay R Delay Time Time Parameter Description Left Delay Time Sets the length of the delay for the left channel in milliseconds. Right Delay Time Sets the length of the delay for the right channel in milliseconds. Delay Time (L & R) (.01ms. minimum increment between settings) Stereo Delay 100 Range: 1 millisecond to 100 milliseconds Stereo Delay 250 Range: 1 millisecond to 250 milliseconds Stereo Delay 500 Range: 1 millisecond to 500 milliseconds Stereo Delay 750 Range: 1 millisecond to 750 milliseconds Stereo Delay 1500 Range: 1 millisecond to 1.5 seconds Feedback Sets the amount of delayed signal that will be recirculated through the delay line. Range: 0% to 100% High Freq. Rolloff Damps high frequencies in the feedback path. Range: 0% to 100% 78 Creative Professional

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5 - Effects
Core Effects Descriptions
78
Creative Professional
Stereo Delays - 100, 250, 500, 750, 1500
The Stereo Delays are true stereo delay lines in that the left and right channels are kept
entirely separate from each other. The delay number refers to the maximum delay time
that can be produced by the delay lines. The five different lengths, from 100 ms to 1.5
seconds, allow you to make the most efficient use of the effect memory resource.
Because the left and right channels can have different delay times, you can create a
panning effect by setting one delay long and the other short. Very short delay times
combined with a high feedback amount can be used to create monotone robotic-
sounding effects. Using the longer stereo delays, you can “overdub” musical lines one
on top of the other with the feedback control turned up.
Delay
In
Out
Feedback
R Delay
Time
L Delay
Time
HF
Rolloff
Signal path = Stereo
Parameter
Description
Left Delay Time
Sets the length of the delay for the left channel in milliseconds.
Right Delay Time
Sets the length of the delay for the right channel in milliseconds.
Delay Time (L & R)
Stereo Delay 100
Stereo Delay 250
Stereo Delay 500
Stereo Delay 750
Stereo Delay 1500
(.01ms. minimum increment between settings)
Range: 1 millisecond to 100 milliseconds
Range: 1 millisecond to 250 milliseconds
Range: 1 millisecond to 500 milliseconds
Range: 1 millisecond to 750 milliseconds
Range: 1 millisecond to 1.5 seconds
Feedback
Sets the amount of delayed signal that will be recirculated through
the delay line. Range: 0% to 100%
High Freq. Rolloff
Damps high frequencies in the feedback path. Range: 0% to 100%