Canon EOS C300 Mark III EOS C300 Mark III EOS C500 Mark II Instruction Manual - Page 22

K and Higher Resolutions: Workflow Overview, Recording, Post-production - cinema camera

Page 22 highlights

4K and Higher Resolutions: Workflow Overview 4K and Higher Resolutions: Workflow Overview The following illustrates the typical workflow for 5.9K/4K recording with the camera. 5.9K recording is available only with the EOS C500 Mark II model. 22 SDI OUT / HDMI OUT terminal output Recording ᕢ 4K recording External recorder Full-quality data Primary clips Post-production ᕢ 5.9K1/4K recording (RAW), 4K recording (XF-AVC2) XF-AVC data ᕡ Shooting CFexpress card RAW data ᕤ Full-quality data Cinema RAW Development ᕦ Color grading ᕣ 2K recording (XF-AVC) SD card Proxy data Proxy data EDL ᕥ NLE software 1 only. 2 2K proxy clip recording on the SD card is not available simultaneously with 4K XF-AVC recording. ᕡ Shoot in 5.9K/4K mode (A 62). ᕢ You can record 5.9K/4K RAW or 4K YCbCr 4:2:2 data on a CFexpress card in the camera, or record 4K data using an external recorder connected to the camera's SDI OUT or HDMI OUT terminal (A 145). • Clips other than 5.9K/4K RAW need no further processing and can be color graded directly (step ᕦ). ᕣ While recording 5.9K/4K primary clips ( proxy clips on an SD card. RAW clips only), you can simultaneously record 2K • The file names of 2K proxy clips (XF-AVC) and 5.9K/4K clips are linked and identical for the most part (A 59). ᕤ After recording, develop the 5.9K/4K RAW clips using the Cinema RAW Development software (A 154) to generate full-quality data. • You can also generate proxy data. ᕥ You can use the 2K proxy clips recorded on the SD card or proxy files generated by Cinema RAW Development on NLE software to edit the video offline and create an EDL. ᕦ Perform color grading based on the full-quality data.

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4K and Higher Resolutions: Workflow Overview
22
4K and Higher Resolutions: Workflow Overview
The following illustrates the typical workflow for 5.9K/4K recording with the camera.
5.9K recording is available
only with the EOS C500 Mark II model
.
±
Shoot in 5.9K/4K mode (
A
62).
²
You can record 5.9K/4K RAW or 4K YCbCr 4:2:2 data on a CFexpress card in the camera, or record
4K data using an external recorder connected to the camera’s SDI OUT or HDMI OUT terminal
(
A
145).
Clips other than 5.9K/4K RAW need no further processing and can be color graded directly (step
³
).
´
While recording 5.9K/4K primary clips (
RAW clips only), you can simultaneously record 2K
proxy clips on an SD card.
The file names of 2K proxy clips (XF-AVC) and 5.9K/4K clips are linked and identical for the most part
(
A
59).
µ
After recording, develop the 5.9K/4K RAW clips using the Cinema RAW Development software
(
A
154) to generate full-quality data.
You can also generate proxy data.
You can use the 2K proxy clips recorded on the SD card or proxy files generated by Cinema RAW
Development on NLE software to edit the video offline and create an EDL.
³
Perform color grading based on the full-quality data.
Recording
Post-production
SDI OUT /
HDMI OUT
terminal
output
SD card
µ
XF-AVC
data
EDL
NLE software
³
´
2K recording
(XF-AVC)
Cinema
RAW
Development
Color
grading
External
recorder
Full-quality
data
RAW
data
1
only.
2
2K proxy clip recording on the SD card is not available simultaneously with 4K XF-AVC recording.
²
4K recording
²
5.9K
1
/4K recording (RAW),
4K recording (XF-AVC
2
)
CFexpress
card
Full-quality
data
±
Shooting
Proxy
data
Primary clips
Proxy
data