Yamaha MU100R MU100R Owners Manual - Page 109

All Part Control

Page 109 highlights

Part Controls All Part Control The All Part controls include: Device Number, Master Volume, Master Attenuator, Reverb Return, Chorus Return, Variation Return and Transpose. Keep in mind that these controls affect all Parts equally, and either add to or subtract from their individual values. For example, if Note Shift on one Part is set to -12, and Transpose (in All Part) is set to +12, that Part's pitch value will actually be 0 or normal. For basic information on using the All Part controls, see page 35. Device Number (DevNo.) Settings: 1 - 16, all Master Attenuator (M.Attn) Range: 000 (maximum volume) - 127 (minimum volume) This determines the Device Number for the MU100R, a kind of MIDI "identification" number to distinguish between multiple units. For example, if you are using more than one MU100R, set a different Device Number for each. This setting only applies to the data dump features. (See page 161.) If you have only one MU100R, set this to "all." This determines the level of all Parts, but functions as an attenuator; the greater the value, the lower the volume. This is useful when you are playing several songs and want to keep their overall level consistent. Reverb Return (RevRtn) Range: 000 - 127 Master Volume (M.Volum) Range: 000 - 127 This determines the amount of Reverb return in the overall mix. This determines the overall Volume of the Chorus Return (ChoRtn) Parts. Range: 000 - 127 This determines the amount of Chorus return in the overall mix. 98 Multi Mode

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200

98
Multi Mode
All Part Control
The All Part controls include: Device Number, Master Volume, Master At-
tenuator, Reverb Return, Chorus Return, Variation Return and Transpose.
Keep in mind that these controls affect all Parts equally, and either add to or
subtract from their individual values. For example, if Note Shift on one Part
is set to –12, and Transpose (in All Part) is set to +12, that Part’s pitch value
will actually be 0 or normal. For basic information on using the All Part
controls, see page 35.
Part Controls
Device Number (DevNo.)
Settings:
1 — 16, all
This determines the Device Number for
the MU100R, a kind of MIDI “identifi-
cation” number to distinguish between
multiple units. For example, if you are
using more than one MU100R, set a dif-
ferent Device Number for each. This set-
ting only applies to the data dump fea-
tures. (See page 161.) If you have only
one MU100R, set this to “all.”
Master Volume (M.Volum)
Range:
000 — 127
This determines the overall Volume of the
Parts.
Master Attenuator (M.Attn)
Range:
000 (maximum volume) —
127 (minimum volume)
This determines the level of all Parts, but
functions as an attenuator; the greater the
value, the lower the volume. This is useful
when you are playing several songs and
want to keep their overall level consistent.
Reverb Return (RevRtn)
Range:
000 — 127
This determines the amount of Reverb
return in the overall mix.
Chorus Return (ChoRtn)
Range:
000 — 127
This determines the amount of Chorus
return in the overall mix.