Yamaha MU100R MU100R Owners Manual - Page 144

Pitch Bend, A/D Part, Assignable Controller Parameters

Get Yamaha MU100R PDF manuals and user guides View all Yamaha MU100R manuals
Add to My Manuals
Save this manual to your list of manuals

Page 144 highlights

Performance Edit Mode Modulation Wheel - LFO Filter Modulation Depth (MW LFOFMod) Range: 000 - 127 HINT You can use the MU100R strictly as an effect processor for the A/D input (for example, your guitar or microphone) by Soloing the appropriate A/D Part (A1 or A2). This determines how widely the Filter (page 135) is modulated by the LFO (low frequency oscillator). This is generally controlled from a modulation wheel on a MIDI keyboard, and depending on the Voice used, it creates a "swoosh" or "wah-wah" filter sweep effect. Higher values result in deeper filter modulation, creating a more pronounced filter sweep effect. Pitch Bend Pitch Bend Control (PitBndCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 111.) A/D Part A/D Part Settings: off, on Assignable Controller Parameters Assignable Controller 1 Control Change Number (AC1 CC No.) Same as the corresponding parameter in the Multi Edit mode (page 112), with the exception that AC1 in the Performance mode can also control LFO filter modulation (see Assignable Controller 1 LFO Filter Modulation Depth below). Assignable Controller 1 Filter Control (AC1 FilCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 112.) Assignable Controller 1 Amplitude Control (AC1 AmpCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 113.) Assignable Controller 1 LFO Filter Modulation Depth (AC1LFOFMod) Range: 000 - 127 Height of bars indicates A/D Part setting. (A single bar indicates "off" setting, while full height indicates "on.") This determines whether A/D Parts are enabled for the Performance or not. When set to "on," Parts 3 and 4 are automatically set as A/D Parts (A1 and A2). This determines the degree to which Assignable Controller 1 (AC1) affects the LFO modulation of the Filter. This creates a regular and continuous "wah-wah" or filter sweep effect. The higher the value, the greater the LFO filter modulation. (The control number used for AC1 is set in the Assignable Controller 1 Control Change Number parameter above.) Performance Mode 133

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
Performance Mode
133
Modulation Wheel — LFO Filter
Modulation Depth (MW LFOFMod)
Range:
000 — 127
This determines how widely the Filter
(page 135) is modulated by the LFO (low
frequency oscillator). This is generally
controlled from a modulation wheel on a
MIDI keyboard, and depending on the
Voice used, it creates a “swoosh” or
“wah-wah” filter sweep effect. Higher
values result in deeper filter modulation,
creating a more pronounced filter sweep
effect.
Pitch Bend
Pitch Bend Control (PitBndCtrl)
Same as the corresponding parameter in
the Multi Edit mode. (See page 111.)
A/D Part
A/D Part
Settings:
off, on
Height of bars indicates A/D Part setting.
(A single bar indicates “off” setting,
while full height indicates “on.”)
This determines whether A/D Parts are
enabled for the Performance or not. When
set to “on,” Parts 3 and 4 are automati-
cally set as A/D Parts (A1 and A2).
HINT
You can use the MU100R strictly as an effect
processor for the A/D input (for example, your
guitar or microphone) by Soloing the appro-
priate A/D Part (A1 or A2).
Assignable Controller Parameters
Assignable Controller 1 Control
Change Number (AC1 CC No.)
Same as the corresponding parameter in
the Multi Edit mode (page 112), with the
exception that AC1 in the Performance
mode can also control LFO filter modu-
lation (see Assignable Controller 1 LFO
Filter Modulation Depth below).
Assignable Controller 1 Filter Control
(AC1 FilCtrl)
Same as the corresponding parameter in
the Multi Edit mode. (See page 112.)
Assignable Controller 1 Amplitude
Control (AC1 AmpCtrl)
Same as the corresponding parameter in
the Multi Edit mode. (See page 113.)
Assignable Controller 1 LFO Filter
Modulation Depth (AC1LFOFMod)
Range:
000 — 127
This determines the degree to which As-
signable Controller 1 (AC1) affects the
LFO modulation of the Filter. This cre-
ates a regular and continuous “wah-wah”
or filter sweep effect. The higher the
value, the greater the LFO filter modula-
tion. (The control number used for AC1
is set in the Assignable Controller 1 Con-
trol Change Number parameter above.)
Performance Edit Mode