Yamaha MU100R MU100R Owners Manual - Page 158

Plugin PLG - Harmony Parameters

Page 158 highlights

Plugin (PLG) - Harmony Parameters Plugin (PLG) - Harmony Parameters Path: [EFFECT] button → "PLG" → "PLG100-VH" These parameters control the Harmony effect. Other Harmony parameters not included in this section are the MIDI channel settings for the harmony and melody, which are set in the Utility mode (see page 171). For general information on the Harmony effect and how to use it, refer to the Guided Tour section, page 77. Type Settings: THRU, VOCODER HM, CHORDAL HM, DETUNE HM, CHROMAT.HM (Chromatic) This determines the Type of the Harmony effect (as explained below). For information on how each of these Types can be set, refer to the Mode parameter (page 148), which features different settings depending on the Type. Other Harmony parameters may or may not be available, depending on the Type selected here. Thru No Harmony effect is applied. NOTE When Thru is selected, the only other available parameter is Insert Part (page 151). Vocoder This produces up to three harmony notes whose pitches correspond to the notes you play on a connected MIDI keyboard. In other words, you can sing the melody and "play" the harmony or harmonies from the keyboard (or from a sequencer). The Harmony sound can also be transposed (see the Mode parameter below). NOTE When more than three MIDI notes are received (or two notes, when the Lead Gender Type parameter is set to any setting but "off"), priority is given first to the most recently played notes. (In other words, the harmonies of earlier notes are cut off.) Hint The Vocoder Type is best suited when: • You want to determine the precise harmony notes yourself, including their octave register and whether they are above or below the original melody note. • You want to use harmony notes and voicings that fall outside the standard chords available in the Chordal type (below). • You can play the harmony part on the keyboard, or have it played on a sequencer. • You want to precisely control how the harmony note or notes change pitch around a fixed melody pitch. Chordal This produces up to three harmony notes that correspond to the chords you play on a connected MIDI keyboard (or chords recorded to a sequencer). For example, if you play a C major triad on the keyboard and sing C note (and Chordal Mode is set to "trio"), the resulting harmonies will be C, E, and G. Thirty-four different chord types are recognized in this mode (see list below), giving you an amazingly full and flexible palette of harmonies, suitable for nearly any music style. The number of harmonies produced and their position above or below the melody is set in the Mode parameter (page 148). Effect Edit Mode 147

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200

Effect Edit Mode
147
Plugin (PLG) — Harmony Parameters
Plugin (PLG) — Harmony Parameters
Path: [EFFECT] button
“PLG”
“PLG100-VH”
These parameters control the Harmony effect.
Other Harmony param-
eters not included in this section are the MIDI channel settings for the
harmony and melody, which are set in the Utility mode (see page 171).
For general information on the Harmony effect and how to use it, refer to
the Guided Tour section, page 77.
Type
Settings:
THRU,
VOCODER
HM,
CHORDAL HM, DETUNE HM,
CHROMAT.HM (Chromatic)
This determines the Type of the Harmony
effect (as explained below).
For infor-
mation on how each of these Types can
be set, refer to the Mode parameter (page
148), which features different settings de-
pending on the Type.
Other Harmony
parameters may or may not be available,
depending on the Type selected here.
Thru
No Harmony effect is applied.
NOTE
When Thru is selected, the only other avail-
able parameter is Insert Part (page 151).
Vocoder
This produces up to three harmony notes
whose pitches correspond to the notes you
play on a connected MIDI keyboard.
In
other words, you can sing the melody and
“play” the harmony or harmonies from
the keyboard (or from a sequencer).
The
Harmony sound can also be transposed
(see the Mode parameter below).
NOTE
When more than three MIDI notes are received
(or two notes, when the Lead Gender Type param-
eter is set to any setting but “off”), priority is given
first to the most recently played notes.
(In other
words, the harmonies of earlier notes are cut off.)
Hint
The Vocoder Type is best suited when:
You want to determine the precise harmony
notes yourself, including their octave reg-
ister and whether they are above or below
the original melody note.
You want to use harmony notes and voicings
that fall outside the standard chords avail-
able in the Chordal type (below).
You can play the harmony part on the key-
board, or have it played on a sequencer.
You want to precisely control how the har-
mony note or notes change pitch around a
fixed melody pitch.
Chordal
This produces up to three harmony notes
that correspond to the chords you play on
a connected MIDI keyboard (or chords
recorded to a sequencer).
For example,
if you play a C major triad on the key-
board and sing C note (and Chordal Mode
is set to “trio”), the resulting harmonies
will be C, E, and G.
Thirty-four different
chord types are recognized in this mode
(see list below), giving you an amazingly
full and flexible palette of harmonies,
suitable for nearly any music style.
The
number of harmonies produced and their
position above or below the melody is set
in the Mode parameter (page 148).