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Yamaha PSR-630 Owner's Manual - Page 129

Local Control, ode:Normal, ReceiveM, Local

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,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQ,,QQMI,,QQDIFun,,QQction,,QQs ,,QQ q Receive Mode The "ReceiveMode" function specifies the receive mode for the channel selected via the Receive Channel function, above. The receive mode settings are as follows: R e c e i v e M o d e : N o r mnadl P i a n o Normal Off Remote Bass Chord Received MIDI data is sent directly to the PSR-730/630 tone generator. If all channels are set to "Normal", the PSR-730/630 functions as a 16-channel multi-timbral tone generator. No MIDI data is received on channels set to "Off". Received MIDI data is handled in the same way as data generated by the PSR-730/630's own keyboard. In other words, a remote keyboard could be used to control the PSR-730/630 AUTO ACCOMPANIMENT functions, etc. The note on/off messages received at the channel(s) set to "Bass" are recognized as the bass notes in the accompaniment section.The bass notes will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel. The note on/off messages received at the channel(s) set to "Chord" are recognized as the fingerings in the accompaniment section. The chords to be detected depend on the fingering mode on the PSR-730/630.The chords will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel. • MIDI receive mode settings will be retained even after turning the power off. See page 152 for the details. • The initial default setting for all channels is "Normal." • In the Record mode, the Receive mode cannot be set. s Local Control "Local Control" refers to the fact that, normally, the PSR-730/630 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is "Local Control on" since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received on channels set to the "Normal" mode via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the PSR-730/630 internal voices, an external tone generator can be played from the PSR730/630 keyboard. The default Local Control setting is "On". Local::: Ch; On nd Piano 127

Section	Page
Cover	1
PRECAUTIONS	3
Congratulations!	4
Important Features	4
Contents	6
Panel Controls	8
The Music Stand	9
Basic Display Operation	10
The Display Icons	10
The Menus	12
Shortcuts	13
Setting Up	14
Power Supply	14
Using An Optional AC Power Adaptor	14
Using Batteries	14
Connections	15
PHONES Jack	15
SUSTAIN Pedal Jack	15
FOOT VOLUME Jack	15
AUX OUT R and L/L+R Jacks	15
MIDI IN/OUT and TO HOST Connectors	15
The Demonstration	16
Playing the PSR-730/630	18
A Word About the “R1”, “R2”, and “L” Voices	18
Selecting & Playing R1 Voices	19
Keyboard Percussion	21
The Dual Voice Mode	21
The Split Voice Mode	22
Changing the SPLIT VOICE Split Point	23
Auto Accompaniment	24
What is Auto Accompaniment?	24
Using Auto Accompaniment	24
Changing Tempo	28
The Beat Indicator	28
Accompaniment Sections	29
Accompaniment Track Muting	30
The Synchro Stop Function	30
Using Virtual Arranger	31
Accompaniment Volume Control	31
Changing the Accompaniment Split Point	32
Interaction Between the AUTO ACCOMPANIMENT and SPLIT VOICE Split Points	33
The Auto Accompaniment Fingering Modes	33
The Stop Accompaniment Function	37
Groove and Dynamics (PSR-730)	37
Applying Groove & Dynamics	38
Arranging the Groove & Dynamics Effect (User Settings)	38
One Touch Setting	42
Digital Effects	44
Reverb	45
Selecting a Reverb Type	45
Reverb Return Level	45
Chorus	46
Selecting a Chorus Type	46
Chorus Return Level	46
DSP	47
Select the DSP Type	47
DSP Return Level	48
Harmony	49
Selecting a Harmony Type	49
Adjusting the Harmony Volume	50
Multi Effect (PSR-730)	50
How Multi Effect Works	50
Applying Multi Effect (PSR-730)	51
Setting Parts for Effect 1/2	51
Select the Effect Type for Effect 1/2	52
Adjust the Dry/Wet Settings for Effect 1/2	52
The Digital Equalizer (PSR-730)	53
Using the Digital Equalizer (PSR-730)	53
Selecting a Digital EQ Type.	54
Setting the Gain (User Setting)	55
The Pitch Bend Wheel	56
Setting the Pitch Bend Range	56
The Modulation Wheel (PSR-730)	57
Changing the Modulation Wheel Function	57
Transpose	58
Setting Transposition	58
Registration Memory	59
Registering the Panel Settings	59
Naming the Registration Banks	60
Recall the Registered Panel Settings	62
The Accompanient Freeze Function	62
The Multi Pads	63
Selecting a MULTI PAD Set	63
Playing the MULTI PADs	64
Turning the CHORD MATCH Function On/Off	65
Disk Operations	66
Floppy Disk Handling Precautions	66
User Song Data	67
User Style/User Pad/Registration Memory Data	67
Data that Can be Saved or Loaded with the PSR-730/630	67
Using Commercially Available Music Collections (Sold Separately)	68
The Sample Disk	68
Format	69
Save	70
Load	72
Disk Copy	74
Song Copy	75
Delete File	77
Song Playback	78
Song Playback Procedure	78
Song Volume Control	80
Play from a Specified Measure	80
Minus-one Practice	81
Repeat Play	82
Song Repeat	83
Next Song	84
Song Recording	85
Quick Recording Procedure	86
Rehearsal Mode	88
Multi Recording Procedure	90
About the Recording with the Digital Effects Applied	92
Punch In/Punch Out	94
Quantize	95
Naming User Songs	96
Clearing Song Data	96
Song Edit	98
Style Recording	100
Style Recording Procedure	100
Rehearsal Mode	103
Drum Cancel	105
Quantize	105
Naming Styles	106
Clearing User Style Data	107
Multi Pad Recording	108
Multi Pad Recording Procedure	108
Naming Pads	111
Clearing User Pad Data	111
Revoicing	112
Revoicing the R1, R2, and L Voices	112
Revoicing a Style	114
Overall Functions	116
Touch Sensitivity	117
Pitch Bend Range	117
Modulation Wheel	117
Master Tuning	117
Scale Tuning	117
Song Transpose	118
Metronome	118
Split Voice Split Point	118
Accompaniment Split Point	118
Fingering Mode	118
Voice Set	118
Pedal	119
MIDI Functions	121
What’s MIDI?	121
MIDI Terminal/TO HOST Terminal	123
What You Can Do with MIDI	123
Connecting to a Personal Computer (TO HOST Terminal/HOST SELECT Switch)	124
Connect using the PSR-730/630 MIDI terminals	124
Connect using the TO HOST terminal	126
The PSR-730/630 MIDI Functions	127
Transmit Channel & Transmit Track	127
Receive Channel & Receive Mode	128
Local Control	129
Clock	130
Initial Data Send	130
MIDI Template	131
Appendix	132
PSR-730/630 Display MENU/SUB MENU Structure	132
Voice List	135
Maximum Polyphony	135
Drum Kit List	142
Style List	144
About Digital Effects (Reverb/Chorus/DSP)	145
When DSP type Is Selected as a System Effect	145
When DSP type Is Selected as a Insertion Effect	146
Harmony Type List	149
Refining User Styles with Style File Format	150
Style File (Auto Accompaniment) Format	150
About the Source Chord Type	152
Troubleshooting	153
Data Backup & Initialization	154
Data Backup	154
Data Initialization	154
MIDI Data Format	155
MIDI Implementation Chart	170
Specifications	173

Match case Limit results 1 per page

127

●

Receive Mode

The “ReceiveMode” function specifies the receive mode for the channel selected

via the Receive Channel function, above. The receive mode settings are as follows:

•

MIDI receive mode

settings will be re-

tained even after turn-

ing the power off. See

page 152 for the de-

tails.

•

The initial default set-

ting for all channels is

“Normal.”

•

In the Record mode,

the Receive mode

cannot be set.

Normal

Received MIDI data is sent directly to the PSR-730/630 tone generator. If all

channels are set to “Normal”, the PSR-730/630 functions as a 16-channel

multi-timbral tone generator.

Off

No MIDI data is received on channels set to “Off”.

Remote

Received MIDI data is handled in the same way as data generated by the

PSR-730/630’s own keyboard. In other words, a remote keyboard could be

used to control the PSR-730/630 AUTO ACCOMPANIMENT functions, etc.

Bass

The note on/off messages received at the channel(s) set to “Bass” are

recognized as the bass notes in the accompaniment section. The bass notes

will be detected regardless of the accompaniment on/off and split point

settings on the PSR-730/630 panel.

Chord

The note on/off messages received at the channel(s) set to “Chord” are

recognized as the fingerings in the accompaniment section. The chords to

be detected depend on the fingering mode on the PSR-730/630. The chords

will be detected regardless of the accompaniment on/off and split point

settings on the PSR-730/630 panel.

MIDI Functions

nd°Piano

ode:Normal

ReceiveM

■

Local Control

“Local Control” refers to the fact that, normally, the PSR-730/630 keyboard

controls the internal tone generator, allowing the internal voices to be played directly

from the keyboard. This situation is “Local Control on” since the internal tone

generator is controlled locally by its own keyboard. Local control can be turned off,

however, so that the keyboard does not play the internal voices, but the appropriate

MIDI information is still transmitted via the MIDI OUT connector when notes are

played on the keyboard. At the same time, the internal tone generator can respond to

MIDI information received on channels set to the “Normal” mode via the MIDI IN

connector. This means that while an external MIDI sequencer, for example, plays the

PSR-730/630 internal voices, an external tone generator can be played from the PSR-

730/630 keyboard. The default Local Control setting is “On”.

nd°Piano

Ch;°

Local: