Mackie D8B Owners Manual - Page 110

Multitrack Recording, MIC/LINE Bank, TAPE IN Bank

Page 110 highlights

Multitrack Recording Multitrack recording involves a continuous assessment of signal flow. If you follow a wellplanned thought process from the beginning of the signal path to the end, you'll succeed in each audio task. When multitrack recording using the D8B, it's helpful to visualize the basic signal flow between fader banks. For any multitrack setup, it's important to keep track of the signal path from the console to the multitrack, then from the multitrack back into the console. The illustration below is a review demonstrating an important signal flow concept. ❏ Press Mic button on channels using microphone inputs. MIC ❏ Configure Auxes for desired Pre/Post status, select Surround Mode, set Mix Options. MIC/LINE Bank TAPE IN Bank Work your way though this checklist for multitrack recording. ❏ Connect multitrack ins and outs to D8B. ❏ Follow basic power-up procedure. ❏ Select Mic/Line fader bank. MASTERS 1-24 SHIFT 25-48 MIC/LINE (TRACK) TAPE IN (MONITOR) 49-72 EFFECTS BANK SELECT ❏ Press phantom power button on the rear of the console for necessary mic inputs. . 12 +48V PH MIC 11 +48V PH MIC LINE IN LINE IN INSERT INSERT ❏ Test each instrument and mic to verify sufficient level at console input meter. 1 OL 2 4 7 10 15 20 25 30 40 50 60 25 ❏ Adjust input trim for a reading around -15 on the meter. TRIM LINE MIC 0 60 -20dB +40dB 1 ❏ Select L/R in the ASSIGNMENT section to confirm Assign lights on for all desired channels, or look on-screen to verify that all necessary channels have L/R button highlighted in Bus Assign section. ASSIGNMENT ASSIGN ASSIGN BUS 7 ASSIGN L-R ASSIGN BUS 2 BUS 8 ASSIGN ROUTE TO TAPE REC/RDY ASSIGN WRITE REC/RDY ASSIGN WRITE Note: Condenser mics and active DIs use phantom power. Moving coil mics, ribbon mics, and most electronic instruments don't need phantom power. D8B Manual • Chapter 4 • page 104

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D8B Manual • Chapter 4 • page
104
Multitrack Recording
Multitrack recording involves a continuous
assessment of signal flow. If you follow a well-
planned thought process from the beginning of the
signal path to the end, you’ll succeed in each
audio task.
When multitrack recording using the D8B, it’s
helpful to visualize the basic signal flow between
fader banks. For any multitrack setup, it’s impor-
tant to keep track of the signal path from the
console to the multitrack, then from the multi-
track back into the console. The illustration below
is a review demonstrating an important signal
flow concept.
Work your way though this checklist for
multitrack recording.
Connect multitrack ins and outs to D8B.
Follow basic power-up procedure.
Select Mic/Line fader bank.
SHIFT
MASTERS
1
-
24
25
-
48
49
-
72
(TRACK)
(MONITOR)
BANK SELECT
EFFECTS
MIC/LINE
TAPE IN
Press phantom power button on the rear of the
console for necessary mic inputs. .
11
MIC
MIC
+48V
PH
LINE IN
INSERT
+48V
PH
LINE IN
INSERT
12
Note:
Condenser mics and active DIs use phantom
power. Moving coil mics, ribbon mics, and most
electronic instruments don’t need phantom power.
Press Mic button on channels using microphone
inputs.
MIC
Configure Auxes for desired Pre/Post status,
select Surround Mode, set Mix Options.
Test each instrument and mic to verify sufficient
level at console input meter.
1
25
OL
2
60
4
7
10
15
20
25
30
40
50
Adjust input trim for a reading around –15 on the
meter.
TRIM
1
M
I
C
0
60
-
20dB +40dB
L
I
N
E
Select L/R in the ASSIGNMENT section to confirm
Assign lights on for all desired channels, or look
on-screen to verify that all necessary channels
have L/R button highlighted in Bus Assign section.
BUS 2
BUS
7
BUS 8
L-R
ROUTE TO
TAPE
ASSIGNMENT
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
WRITE
ASSIGN
WRITE
REC/RDY
REC/RDY
MIC/LINE Bank
TAPE IN Bank