Mackie D8B Owners Manual - Page 29

Master Input/Output ALT I/O Card Slot, The Clock I/O Card, The Digital I/O Card 2-track - digital 8 bus mixing console

Page 29 highlights

3 ADAT Optical (OPT•8) • Two digital ADAT optical (fiber optic) connections. • Each card offers I/O for 8 channels. 4 AES/EBU (PDI•8) • One 25-pin D-sub connector in digital AES/EBU format. • Each card offers I/O for 8 channels. 5 ALT I/O Card Slot • Separate input/output card slot offering 8 more ins and outs. • Holds any card: AIO•8, DIO•8, OPT•8, or PDI•8. • Inputs show up at RETURNS faders (channels 65-72). • Outputs are assignable to either the 8 bus outputs (BUS 1-8), the 12 Aux Sends (AUX 1-12), or the MASTER L-R outputs. • Assignments are made in the Digital I/O menu. 6 The Clock I/O Card • Provides word clock in and out to connect with other digital equipment. • For use as a master or slave clock source. • Supports 48kHz and 44.1kHz internal sample rates, with vari-speed capabilities. • Supports external sample rates between 32kHz and 50kHz. Note: The Apogee Clock I/O card replaces the standard clock card that is shipped in the SYNC slot with the D8B. 7 The Digital I/O Card (2-track) • AES/EBU digital I/O. Stereo interconnect for master record machine. Input is connected to DIGITAL 1 in the CONTROL ROOM monitor section. • S/PDIF digital I/O. Input is connected to DIGITAL 2 in the CONTROL ROOM monitor section. • Same source output as MASTER L-R. 8 Digital Effects Card Slots • Room for four separate effects cards. • MFX - Mackie Effects card with two stereo processors. • UFX - Universal DSP engine with functions dependent on specific plug-in effects. Each card is capable of four discrete mono, two stereo, or one stereo and two mono effects. • L-R Mix, Channel Pre or Post Insert, Buses 1-8, and Plugin Chain, in addition to the Aux sends 1-12, internally route to the four card locations. • Using the configurable plug-in architecture, insert plug-in capability is available for channels 1-48 (Pre- and Post-DSP), Buses 1-8, and Main Mix L-R. • Effects return to the main L-R mix at Fader Bank 3 via FX 1-16. Reminder: Power down the system before installing any cards! Master Input/Output Section bl BUS OUT 1-8 & SURROUND OUT 9 L R MASTER OUT LR bm CR MAIN LR CR NEAR FIELD LR MASTER OUT 2 TRACK IN A LR br 2 TRACK IN B LR bn PHONES 1 PHONES 2 bo STUDIO OUT LR 2 TRACK IN C LR bp bq PUNCH I/O TALKBACK 9 MASTER OUTputs (1/4" TRS and XLR) • Fed from the Master L/R fader on the console surface. • Both sets deliver balanced line-level signals. However, the TRS Master Outputs also provide unbalanced line-level signals. • Post fader, DSP, and D/A converter. bl BUS OUT 1-8 (SURROUND OUT) • 25-pin D-sub connector provides eight balanced line-level outputs. • Any channel (1-48), internal effects return, or ALT IN can be assigned to one or more bus outputs. • In Stereo Mode: Output level is controlled by the BUS 1-8 MASTERS (Fader Bank 4). • In Surround Mode: Output level is controlled by the Surround Monitor Level controls in the Surround window. D8B Manual • Chapter 2 • page 23

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D8B Manual • Chapter 2 • page 23
3
ADAT Optical (OPT•8)
Two digital ADAT optical (fiber optic) connec-
tions.
Each card offers I/O for 8 channels.
4
AES/EBU (PDI•8)
One 25-pin D-sub connector in digital
AES/EBU format.
Each card offers I/O for 8 channels.
5
ALT I/O Card Slot
Separate input/output card slot offering 8
more ins and outs.
Holds any card: AIO•8, DIO•8, OPT•8, or
PDI•8.
Inputs show up at RETURNS faders (channels
65–72).
Outputs are assignable to either the 8 bus out-
puts (BUS 1–8), the 12 Aux Sends (AUX
1–12), or the MASTER L-R outputs.
Assignments are made in the Digital I/O menu.
6
The Clock I/O Card
Provides word clock in and out to connect
with other digital equipment.
For use as a master or slave clock source.
Supports 48kHz and 44.1kHz internal sample
rates, with vari-speed capabilities.
Supports external sample rates between
32kHz and 50kHz.
Note:
The Apogee Clock I/O card replaces the
standard clock card that is shipped in the
SYNC slot with the D8B.
7
The Digital I/O Card (2-track)
AES/EBU digital I/O. Stereo interconnect for
master record machine. Input is connected to
DIGITAL 1 in the CONTROL ROOM monitor
section.
S/PDIF digital I/O. Input is connected to DIGI-
TAL 2 in the CONTROL ROOM monitor section.
Same source output as MASTER L-R.
8
Digital Effects Card Slots
Room for four separate effects cards.
MFX – Mackie Effects card with two stereo
processors.
UFX – Universal DSP engine with functions
dependent on specific plug-in effects. Each
card is capable of four discrete mono, two ste-
reo, or one stereo and two mono effects.
L-R Mix, Channel Pre or Post Insert, Buses 1-8,
and Plugin Chain, in addition to the Aux sends
1–12,
internally route to the four card locations.
Using the configurable plug-in architecture,
insert plug-in capability is available for chan-
nels 1–48 (Pre- and Post-DSP), Buses 1-8, and
Main Mix L-R.
Effects return to the main L-R mix at Fader
Bank 3 via FX 1–16.
Reminder:
Power down the system
before installing any cards!
Master Input/Output Section
TALKBACK
PHONES 2
PUNCH I/O
PHONES 1
2 TRACK IN A
MASTER OUT
2 TRACK IN B
STUDIO OUT
2 TRACK IN C
MASTER OUT
L
R
L
R
CR
MAIN
BUS OUT 1-8
&
SURROUND OUT
CR
NEAR FIELD
L
R
L
R
L
R
L
R
L
R
L
R
9
MASTER OUTputs (1/4" TRS and XLR)
Fed from the Master L/R fader on the console
surface.
Both sets deliver balanced line-level signals.
However, the TRS Master Outputs also pro-
vide unbalanced line-level signals.
Post fader, DSP, and D/A converter.
bl
BUS OUT 1–8 (SURROUND OUT)
25-pin D-sub connector provides eight bal-
anced line-level outputs.
Any channel (1–48), internal effects return,
or ALT IN can be assigned to one or more bus
outputs.
In Stereo Mode: Output level is controlled by
the BUS 1–8 MASTERS (Fader Bank 4).
In Surround Mode: Output level is controlled
by the Surround Monitor Level controls in the
Surround window.
9
bl
bm
bn
bo
bp
bq
br