Mackie D8B Owners Manual - Page 112

This has no effect on the output to tape., remove the MIC/LINE Bank from the L/R mix.

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Page 112 highlights

❏ Assign MIC/LINE bank channels to desired tape tracks. ❏ If you want to monitor from the multitrack, remove the MIC/LINE Bank from the L/R mix. This has no effect on the output to tape. ❏ Adjust control room monitor mix from TAPE IN Bank. Verify channel assignment to the L/R bus. ❏ Place tape inputs in record/ready to verify signal at machine. It's typically best to monitor signal from the multitrack rather than from the channel input. Modular Digital Multitrack Record Ready Buttons TAPE IN Bank ❏ If levels on the multitrack appear too hot or cold, adjust level with the LEVEL TO TAPE control. Select TRACKING LEVEL. This sets the channel V-Pots to adjust the D8B output level to tape. ❏ Set levels in headphone system for musicians. Aux 9/10 and 11/12 are perfect for stereo headphone sends. It's often convenient for the musicians to, at first, monitor the L/R mix in the cue section (PHONES/CUE MIX 1 and 2). Once the initial L/R mix is established, copy it to the appropriate cue, then customize for individual monitoring needs. D8B Manual • Chapter 4 • page 106

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D8B Manual • Chapter 4 • page
106
❏
Assign MIC/LINE bank channels to desired tape
tracks.
❏
Place tape inputs in record/ready to verify signal
at machine.
It’s typically best to monitor signal from the
multitrack rather than from the channel input.
Modular Digital Multitrack
Record Ready Buttons
❏
If levels on the multitrack appear too hot or cold,
adjust level with the LEVEL TO TAPE control.
Select TRACKING LEVEL. This sets the channel
V-Pots to adjust the D8B output level to tape.
❏
If you want to monitor from the multitrack,
remove the MIC/LINE Bank from the L/R mix.
This has no effect on the output to tape.
❏
Adjust control room monitor mix from TAPE IN
Bank. Verify channel assignment to the L/R bus.
❏
Set levels in headphone system for musicians.
Aux 9/10 and 11/12 are perfect for stereo
headphone sends. It’s often convenient for the
musicians to, at first, monitor the L/R mix in the cue
section (PHONES/CUE MIX 1 and 2). Once the initial
L/R mix is established, copy it to the appropriate
cue, then customize for individual monitoring needs.
TAPE IN Bank