Mackie D8B Owners Manual - Page 15

Completing the Microphone Signal Path, Select L/R in ASSIGNMENT, then - digital mixer

Page 15 highlights

Figure 1-1 Completing the Microphone Signal Path Follow this graphic map to quickly complete a signal path using a microphone to capture the sound source.. FAST TRACK Power On Speakers On and Connected to Mixer Mic into Mic Input Select Fader Bank 1 Phantom power MASTERS 1-24 SHIFT 25-48 MIC/LINE (TRACK) TAPE IN (MONITOR) 49-72 Mic Button Down MIC EFFECTS BANK SELECT Trim Up Until Channel Meter Reads Around -15 dBFS TRIM LINE MIC 0 60 -20dB +40dB 1 1 OL 2 4 7 10 15 20 25 30 40 50 60 25 Select L/R in ASSIGNMENT, then Verify Assign on Channel Strip ASSIGNMENT REC/RDY REC/RDY ASSIGN ASSIGN BUS 7 ASSIGN L-R ASSIGN BUS 2 BUS 8 ASSIGN ROUTE TO TAPE ASSIGN WRITE ASSIGN WRITE Verify MASTER L/R 2 TRACK C MASTER L-R MONO OR NEAR FIELD SPEAKERS MAIN SPEAKER LEVEL Master Fader at Unity MASTER L/R dB 10 5 U 5 10 20 30 40 50 60 GROUP 1 FX 1 1 25 dB 10 5 U 5 10 20 30 40 50 60 Select Monitors/Set V-pot Around 11:00 Raise Channel Level to Hear 5. Start with gain TRIM down. While talking into the mic or playing the instrument, turn it up until the level stays around -15 to -10 on the channel one meter. TRIM LINE MIC 0 60 -20dB +40dB 1 MIC Note: The TRIM and MIC button status are two of the only controls that are not written into automation or snapshot data. That's a disadvantage of analog circuitry, but these controls are necessary. Running a strip of white safe-release tape across the top label strip allows for careful recording of each channel's TRIM level and MIC button status. This kind of tape can be removed and folded for storage with session documentation, guaranteeing accurate settings whenever you need to restore the mix. 6. In the CONTROL ROOM section, press the MASTER L-R button so the yellow light comes on. Assigning this button sends whatever is coming from the MASTER L/R fader to the selected speakers. CONTROL ROOM 2 TRACK A DIGITAL IN 1 2 TRACK B DIGITAL IN 2 2 TRACK C MASTER L-R MONO OR NEAR FIELD MAIN SPEAKERS SPEAKER LEVEL DIM TALKBACK D8B Manual • Chapter 1 • page 9

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198

D8B Manual • Chapter 1 • page
9
5. Start with gain TRIM down. While talking into the
mic or playing the instrument,
turn it up until the
level stays around –15 to –10 on the channel one
meter.
TRIM
1
M
I
C
0
60
-
20dB +40dB
L
I
N
E
MIC
Note
: The TRIM and MIC button status are two of the
only controls that are not written into automation or
snapshot data. That’s a disadvantage of analog circuitry,
but these controls are necessary. Running a strip of
white safe-release tape across the top label strip allows
for careful recording of each channel’s TRIM level and
MIC button status. This kind of tape can be removed
and folded for storage with session documentation,
guaranteeing accurate settings whenever you need to
restore the mix.
6.
In the CONTROL ROOM section, press the
MASTER L–R button so the yellow light comes
on. Assigning this button sends whatever is
coming from the MASTER L/R fader to the
selected speakers.
OR
2 TRACK A
DIGITAL IN 1
2 TRACK B
DIGITAL IN 2
2 TRACK C
MASTER
L-R
NEAR FIELD
MAIN
DIM
TALKBACK
CONTROL ROOM
SPEAKER LEVEL
MONO
SPEAKERS
Figure 1-1 Completing the Microphone Signal Path
Follow this graphic map to quickly complete a signal path using a microphone to capture the
sound source..
MIC
TRIM
1
M
I
C
0
60
-
20dB +40dB
L
I
N
E
SHIFT
MASTERS
1
-
24
25
-
48
49
-
72
(TRACK)
(MONITOR)
BANK SELECT
EFFECTS
MIC/LINE
TAPE IN
ASSIGN
WRITE
ASSIGN
WRITE
REC/RDY
REC/RDY
BUS 2
BUS
7
BUS 8
L-R
ROUTE TO
TAPE
ASSIGNMENT
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
1
25
10
dB
30
20
10
40
5
5
U
60
50
FX 1
GROUP 1
MASTER
L/R
10
dB
30
20
10
40
5
5
U
60
50
2 TRACK C
MASTER
L-R
NEAR FIELD
MAIN
SPEAKER LEVEL
MONO
SPEAKERS
1
25
OL
2
60
4
7
10
15
20
25
30
40
50
OR
Power On
Speakers On and
Connected to Mixer
Mic into
Mic Input
Phantom
power
Select Fader
Bank 1
Mic Button
Down
Trim Up Until
Channel Meter Reads
Around –15 dBFS
Select L/R in ASSIGNMENT, then
Verify Assign on Channel Strip
Verify
MASTER L/R
Master Fader
at Unity
Raise Channel
Level to Hear
Select Monitors/Set
V-pot Around 11:00
T
RACK
F
AST