Yamaha RS7000 Owner's Manual - Page 44

5. Add Samples Basic Sampling Procedure 1 Select a Track for the Sample In the PATTERN mode use [KNOB 2] to select section-A, and select the track to be used for sampling by pressing a white/gray key on the keyboard while holding the [TRACK SELECT] button. For our example select track 6. 2 Select a Sample Voice Number Press [MIXER] to go to the MIXER page and select the sample voice number to which you want to record the new sample: use [Knob 1] to select either the SmpLocal (Local Sample Voice) or SmpCmn (Common Sample Voice) bank, and [Knob 3] to select a voice number to which your sample will be recorded from 001 through 128. When done press [EXIT] to go back to the PATTERN display. For more information on Local Sample Voices and Common Sample Voices refer to page 61. GROOVE SUB MODE PLAY FX MIDI DELAY MIXER 7 8 VOICE EDIT EFFECT 9 SETUP +/- MASTER 4 5 6 SAVE LOAD JOB 0 EDIT 1 2 3 ENTER EFFECT ON/OFF MASTER EFFECT MULTI COMP CTRL DELAY D-FILTER ISOLATION RING MOD V-DIST LO-FI SLICE REAL TIME LOOP REMIX SAMPLING SAMPLE EDIT STANDBY START/STOP REC VOLUME MUSIC PRODUCTION STUDIO Integrated Sampling Sequencer IN OUT A OUT B MIDI MASTER VOLUME SEQUENCE PLAY FX SELECT EFFECT SEND / VOLUME F1 F2 F3 F4 NUM REC SHIFT KEYBOARD ARPEGGIO ON OCT DOWN OCT UP STOP PLAY STORE MUTE SCENE SECTION TRANSPOSE A B C D 1 2 E BEAT STRETCH CLOCK SHIFT GATE TIME MIDI DELAY LFO WAVE SWING VELOCITY SPEED PITCH USER S&H PGM DEPTH AMP FILTER PITCH PORTAMENTO TYPE FINGERED FULL TIME OFF PITCH BEND PORTAMENTO TIME DRY EG VARI DELAY/CHO REVERB TRACK VOLUME ATTACK FILTER CUTOFF DECAY SUSTAIN RELEASE - + TYPE RESONANCE ENV.DEPTH LPF24 LPF18 LPF12 HPF BPF BEF BPM MEMORY 3 4 5 EXIT F G H PATTERN MODE PATT CHAIN SONG UTILITY GROOVE SUB MODE PLAY FX MIDI DELAY MIXER 7 8 VOICE EDIT EFFECT 9 SETUP +/MASTER 4 5 6 SAVE LOAD JOB 0 EDIT 1 2 3 I J ENTER TAP UTILITY SYSTEM MIDI SETUP MIDI FILTER GROOVE PLAY FX MIDI DELAY GRID GROOVE HARMONIZE MIDI DELAY NOTE FEEDBACK TIME MIXER VOICE SELECT VOL/PAN/OUT EQ EFFECT SEND LEVEL VOICE EDIT EFFECT SETUP MASTER LFO EFFECT TYPE ARPEGGIO MASTER EQ PORTAMENTO VARIATION A/D SETUP MASTER PITCH EG DELAY REVERB KNOB ASSIGN EFFECT MIDI OUT CH FILTER SAVE SAVE EXPORT RENAME DELETE FORMAT LOAD LOAD IMPORT SCSI SETUP SCSI COMM JOB JOB LIST EDIT EDIT CHANGE VIEW FILTER PAD 1 PAD 2 CAPS ALL 1~8 9~16 TR- TR+ PAD ASSIGN TRACK 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MUTE SOLO K ! L # M $ N % O & P ' Q ( R ) S - T @ U ^ V _ W { X } Y ~ Z TRANSPOSE(-) TRANSPOSE(+) TRACK SELECT 3.3V CARD SPACE DEL 3 Set the INPUT GAIN If you haven't already done so, press the [SETUP] button twice from the PATTERN mode to go to the A/D Setup page, and use [Knob 1] to set the INPUT GAIN as required. When done press [EXIT] twice to go back to the PATTERN display. Refer to "The Source" (Page 43) for appropriate settings for various source types. 4 Go to the Sampling Setup Page From the PATTERN mode press the [STANDBY/START/STOP] button to go to the Sampling Setup page45. STANDBY START/STOP EFFECT ON/OFF MASTER EFFECT MULTI COMP CTRL DELAY D-FILTER ISOLATION RING MOD V-DIST LO-FI SLICE REAL TIME LOOP REMIX SAMPLING SAMPLE EDIT STANDBY START/STOP REC VOLUME MUSIC PRODUCTION STUDIO Integrated Sampling Sequencer IN OUT A OUT B MIDI MASTER VOLUME SEQUENCE PLAY FX SELECT EFFECT SEND / VOLUME BEAT STRETCH CLOCK SHIFT GATE TIME MIDI DELAY LFO WAVE SWING VELOCITY DRY VARI DELAY/CHO EG REVERB TRACK VOLUME SPEED PITCH USER S&H PGM DEPTH AMP FILTER PITCH PORTAMENTO TYPE FINGERED FULL TIME OFF PITCH BEND PORTAMENTO TIME ATTACK FILTER CUTOFF DECAY SUSTAIN RELEASE - + TYPE RESONANCE ENV.DEPTH LPF24 LPF18 LPF12 HPF BPF BEF F1 F2 F3 F4 NUM REC SHIFT KEYBOARD ARPEGGIO ON OCT DOWN OCT UP STOP PLAY MUTE STORE SCENE 1 BPM MEMORY 2 3 4 5 EXIT SECTION TRANSPOSE A B C D E F G H PATTERN MODE PATT CHAIN SONG UTILITY GROOVE SUB MODE PLAY FX MIDI DELAY MIXER 7 8 VOICE EDIT EFFECT 9 SETUP +/MASTER 4 5 6 0 SAVE LOAD JOB EDIT 1 2 3 I J ENTER TAP UTILITY SYSTEM MIDI SETUP MIDI FILTER GROOVE PLAY FX MIDI DELAY GRID GROOVE HARMONIZE MIDI DELAY NOTE FEEDBACK TIME MIXER VOICE SELECT VOL/PAN/OUT EQ EFFECT SEND LEVEL VOICE EDIT LFO PORTAMENTO PITCH EG FILTER EFFECT EFFECT TYPE VARIATION DELAY REVERB SETUP ARPEGGIO A/D SETUP KNOB ASSIGN MIDI OUT CH MASTER MASTER EQ MASTER EFFECT SAVE SAVE EXPORT RENAME DELETE FORMAT LOAD LOAD IMPORT SCSI SETUP SCSI COMM JOB JOB LIST EDIT EDIT CHANGE VIEW FILTER PAD 1 PAD 2 CAPS ALL 1~8 9~16 TR- TR+ PAD ASSIGN TRACK 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MUTE SOLO K ! L # M $ N % O & P ' Q ( R ) S - T @ U ^ V _ W { X } Y ~ Z TRANSPOSE(-) TRANSPOSE(+) TRACK SELECT 3.3V CARD SPACE DEL 5 Set the Sampling Setup Parameters Use [Knob 1] ~ [Knob 4] to set the sampling TYPE, FREQUENCY, SOURCE, and MONO/STEREO, as follows: TYPE FREQUENCY SOURCE MONO/STEREO Select "KIT+NOTE", since we want to record a simple, one-shot sample synchronized with sequencer playback. You can choose any sampling frequency you like, but if you don't have any immediate preference the "44.1 K" setting will give you the best sound quality. Select "A/D INPUT" if you're recording via the RS7000's built-in analog inputs. If you have the AIEB2 I/O Expansion Board installed then you might want to select "DIGITAL" or "OPTICAL", as required. This will depend on the source you are recording. If you have a mono microphone plugged into the INPUT L jack, select "MONO L". If your microphone is plugged into the INPUT R jack select "MONO R". Select "STEREO" if you want to create a stereo sample from a stereo source connected to the L and R inputs, or "MONO L+R" to create a mono sample from a stereo source connected to the L and R inputs. 44 RS7000