JVC DVP9 Instruction Manual - Page 34

White Balance Adjustment, RECORDING MENUS cont.

Get JVC DVP9 - Digital Ultra Compact Camcorder PDF manuals and user guides
UPC - 046838161100
View all JVC DVP9 manuals
Add to My Manuals
Save this manual to your list of manuals

Page 34 highlights

34 EN SEPIA: Recorded scenes have a brownish tint like old photos. Combine this with the Cinema mode for a classic look. MONOTONE: Like classic black and white films, your footage is shot in B/W. Used together with the Cinema mode, it enhances the "classic film" effect. CLASSIC FILM*: Gives recorded scenes a strobe effect. STROBE*: Your recording looks like a series of consecutive snapshots. MIRROR*: Creates a mirror image on the right half of the screen, juxtaposed to the normal image on the other half. * Available only when the VIDEO/MEMORY Switch is set to "VIDEO". Exposure Control EXPOSURE (Factory-preset: AUTO) For details, refer to "Exposure Control" (੬ pg. 44). AUTO: Returns to automatic exposure control. MANUAL: Makes the exposure control indicator appear. White Balance Adjustment W. BALANCE (Factory-preset: AUTO) For details, refer to "White Balance Adjustment" (੬ pg. 45). AUTO: White balance is adjusted automatically. MWB: Adjust the white balance manually when shooting under various types of lighting. FINE: Outdoors on a sunny day. CLOUD: Outdoors on a cloudy day. HALOGEN: A video light or similar type of lighting is used. RECORDING MENUS (cont.) Camera Menu CAMERA Recording mode Allows you to set the recording mode (SP or LP) depending on your preference. REC MODE (Factory-preset: SP) SP: Standard Play LP: Long Play-more economical, providing 1.5 times the recording time. NOTES: ● Audio Dubbing (੬ pg. 56) and Insert Editing (੬ pg. 57) are possible on tapes recorded in the SP mode. ● If the recording mode is switched during recording, the playback picture will be blurred at the switching point. ● It is recommended that tapes recorded in the LP mode on this camcorder be played back on this camcorder. ● During playback of a tape recorded on another camcorder, blocks of noise may appear or there may be momentary pauses in the sound. Sound mode SOUND MODE (Factory-preset: 12 bit) 12 bit: Enables video recording of stereo sound on four separate channels, and is recommended for use when performing Audio Dubbing. (Equivalent to the 32 kHz mode of previous models) 16 bit: Enables video recording of stereo sound on two separate channels. (Equivalent to the 48 kHz mode of previous models)

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
34
EN
RECORDING MENUS (cont.)
SEPIA
: Recorded scenes have a brownish tint
like old photos. Combine this with the Cinema
mode for a classic look.
MONOTONE
: Like classic black and white
films, your footage is shot in B/W. Used together
with the Cinema mode, it enhances the “classic
film” effect.
CLASSIC FILM
*: Gives recorded scenes a
strobe effect.
STROBE
*: Your recording looks like a series of
consecutive snapshots.
MIRROR
*: Creates a mirror image on the right
half of the screen, juxtaposed to the normal image
on the other half.
*
Available only when the
VIDEO/MEMORY
Switch
is set to “VIDEO”.
EXPOSURE
(Factory-preset:
AUTO
)
For details, refer to “Exposure Control” (
±
pg. 44).
AUTO
: Returns to automatic exposure control.
MANUAL
: Makes the exposure control indicator
appear.
W. BALANCE
(Factory-preset:
AUTO
)
For details, refer to “White Balance Adjustment”
(
±
pg. 45).
AUTO
: White balance is adjusted automatically.
MWB
: Adjust the white balance manually
when shooting under various types of lighting.
FINE
: Outdoors on a sunny day.
CLOUD
: Outdoors on a cloudy day.
HALOGEN
: A video light or similar type of
lighting is used.
CAMERA
Recording mode
Allows you to set the recording mode (SP or LP)
depending on your preference.
REC MODE
(Factory-preset:
SP
)
SP
: Standard Play
LP
: Long Play—more economical, providing 1.5
times the recording time.
NOTES:
●
Audio Dubbing (
±
pg. 56) and Insert Editing
(
±
pg. 57) are possible on tapes recorded in the
SP mode.
●
If the recording mode is switched during
recording, the playback picture will be blurred at
the switching point.
●
It is recommended that tapes recorded in the LP
mode on this camcorder be played back on this
camcorder.
●
During playback of a tape recorded on another
camcorder, blocks of noise may appear or there
may be momentary pauses in the sound.
Sound mode
SOUND MODE
(Factory-preset:
12 bit
)
12 bit
: Enables video recording of stereo sound
on four separate channels, and is recommended
for use when performing Audio Dubbing.
(Equivalent to the 32 kHz mode of previous
models)
16 bit
: Enables video recording of stereo sound
on two separate channels. (Equivalent to the 48
kHz mode of previous models)
Exposure Control
White Balance Adjustment
Camera Menu