Yamaha CS6R Owner's Manual - Page 11

OUTPUT L/MONO and R jack A/D INPUT jacks - sound sound

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Basics Section 5 HOST SELECT switch (Page 16) Select the type of computer connected to the synthesizer via the TO HOST connector . 6 TO HOST terminal Connect a computer here using an optional serial computer cable (Page 16). 7 BREATH jack (Pages 18, 48) Connect an optional breath controller BC3 here. You can use the Breath Controller to change the output level or tone of the sounds according to the strength of your breath. 8 FOOT SWITCH jack (Pages 18, 48) Connect an optional Foot switch (FC4 or FC5) here. Using the foot switch, you can control of a range of on or off a specific function by foot, as assigned on the instrument. (Pages 53, 165) 9 SUSTAIN jack (Pages 18, 48) An optional Foot Switch (FC4 or FC5) can be connected here. You can use the Foot Switch as a damper pedal on the acoustic piano or for a sustained effect. MIDI THRU OUT IN FOOT FOOT FOOT INDIVIDUAL OUTPUT HOST SELECT TO HOST BREATH SWITCH SUSTAIN CONTROLLER VOLUME 2 1 OUTPUT R L MONO PHONES A D INPUT GAIN LINE 1 MIC LINE 2 MIDI Mac PC-2 PC-1 # OUTPUT L/MONO and R jack (Page 13) Line level audio signals are output via these phone jacks. For monophonic output, use just the L/MONO jack. $ PHONES jack (Page 13) Connect a pair of headphones here. % A/D INPUT jacks (Page 14) External audio signals can be input via these phone jacks. Use these when recording Phrase Clips by connecting a microphone or other audio equipment. To record a monophonic line level signal, you use LINE 1. Use MIC/LINE 2 to record a microphone level signal. To record a stereo line level signal, use both jacks. However, stereo signals are merged into a monophonic signal internally when recording. ^ GAIN knob (Pages 73, 144) Use this to adjust the input gain of the audio signals at the A/D INPUT jacks. You may need to adjust this depending on the type of device (microphone, other instrument output, etc.) connected when using a A/D Input part. MIDI THRU OUT IN HOST SELECT PC-2 PC-1 MIDI Mac TO HOST INDIVIDUAL OUTPUT 2 1 OUTPUT R L MONO 4 56 @ # 11

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11
Basics
Section
MIDI
OUT
THRU
IN
HOST SELECT
Mac
PC-1
PC-2
MIDI
TO HOST
BREATH
SUSTAIN
FOOT
SWITCH
FOOT
CONTROLLER
FOOT
VOLUME
INDIVIDUAL OUTPUT
1
2
OUTPUT
R
L MONO
PHONES
LINE 1
MIC
LINE 2
A
D INPUT
GAIN
OUTPUT
R
L MONO
TO HOST
MIDI
OUT
THRU
IN
INDIVIDUAL OUTPUT
1
2
HOST SELECT
Mac
PC-1
PC-2
MIDI
8
FOOT SWITCH
jack (Pages 18, 48)
Connect an optional
Foot switch (FC4 or
FC5) here. Using the
foot switch, you can
control of a range of on
or off a specific function
by foot, as assigned on
the instrument. (Pages
53, 165)
9
SUSTAIN jack
(Pages 18, 48)
An optional Foot Switch
(FC4 or FC5) can be
connected here. You can
use the Foot Switch as a
damper pedal on the
acoustic piano or for a
sustained effect.
$
PHONES jack (Page 13)
Connect a pair of headphones here.
#
OUTPUT L/MONO and R jack (Page 13)
Line level audio signals are output via
these phone jacks. For monophonic
output, use just the L/MONO jack.
^
GAIN knob
(Pages 73, 144
)
Use this to adjust the input
gain of the audio signals at
the A/D INPUT jacks. You
may need to adjust this
depending on the type of
device (microphone, other
instrument output, etc.)
connected when using a
A/D Input part.
%
A/D INPUT jacks (Page 14)
External audio signals can be input via these phone jacks.
Use these when recording Phrase Clips by connecting a
microphone or other audio equipment. To record a
monophonic line level signal, you use LINE 1. Use
MIC/LINE 2 to record a microphone level signal. To
record a stereo line level signal, use both jacks. However,
stereo signals are merged into a monophonic signal
internally when recording.
5
HOST SELECT switch (Page 16)
Select the type of computer
connected to the synthesizer via the
TO HOST connector .
6
TO HOST terminal
Connect a computer here using an
optional serial computer cable
(Page 16).
7
BREATH jack (Pages 18, 48)
Connect an optional breath
controller BC3 here. You can
use the Breath Controller to
change the output level or tone
of the sounds according to the
strength of your breath.
4
5
6
@
#